1152 results in Seventeenth-Century Music
John W. Hill, Roman Monody, Cantata, and Opera from the Circles around Cardinal Montalto. Oxford, Clarendon Press, 1997, vol. i, xx + 453 pp.; vol. II, xii + 458 pp.
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‘Premierement ma baronnie de Chasteauneuf’: Jean de Ockeghem, treasurer of St Martin's in Tours*
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- Early Music History / Volume 18 / October 1999
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- 05 December 2008, pp. 165-258
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- October 1999
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Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs*
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- 05 December 2008, pp. 287-363
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Diplomacy and musical patronage: Virginia, Guidubaldo II, Massimiliano II, ‘lo Streggino’ and others*
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- 05 December 2008, pp. 259-285
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Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a Christian king*
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- 05 December 2008, pp. 119-163
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7 - Orlando di Lasso and Rome: personal contacts and musical influences
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5 - Lasso's “Standomi un giorno” and the canzone in the mid-sixteenth century
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Contents
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9 - The madrigal book of Jean Turnhout (1589) and its relationship to Lasso
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2 - Orlando di Lasso and Andrea Gabrieli: two motets and their masses in a Munich choir book from 1564–65
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Frontmatter
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![](https://assets.cambridge.org/97805210/28134/cover/9780521028134.jpg)
Orlando di Lasso Studies
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General index
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3 - Post-Tridentine liturgical change and functional music: Lasso's cycle of polyphonic Latin hymns
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Preface
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10 - Modal ordering within Orlando di Lasso's publications
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1 - Aspects of form in Orlando di Lasso's Magnificat settings
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6 - Lasso's “Fertur in conviviis”: on the history of its text and transmission
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11 - Correct and incorrect accentuation in Lasso's music: on the implied dependence on the text in classical vocal polyphony
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List of abbreviations
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