1152 results in Seventeenth-Century Music
JEANICE BROOKS, Courtly Song in Late Sixteenth-Century France. Chicago and London, University of Chicago Press. 2000. xvi + 560 pp.
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 259-290
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- October 2002
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INSTRUMENTS REAL AND IMAGINARY: AARON'S INTERPRETATION OF ISIDORE AND AN ILLUSTRATED COPY OF THE TOSCANELLO
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- Early Music History / Volume 21 / October 2002
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- 04 September 2002, pp. 1-35
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- October 2002
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THOMAS MATHIESEN, Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Lincoln, Nebr. and London, University of Nebraska Press. 1999. xv + 806 pp.
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 267-321
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- September 2001
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ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 1-86
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- September 2001
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JAMES MCKINNON, The Advent Project: The Later-Seventh-Century Creation of the Roman Mass Proper. Berkeley, Los Angeles and London, University of California Press. 2000. xiv + 466 pp.
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 279-321
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- September 2001
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THE FOOTNOTE QUARRELS OF THE MODAL THEORY: A REMARKABLE EPISODE IN THE RECEPTION OF MEDIEVAL MUSIC
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 87-120
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- September 2001
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A NEW LOOK AT OLD ROMAN CHANT - II
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 173-198
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- September 2001
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THE VATICAN ORGANUM TREATISE RE-EXAMINED
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 121-172
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- September 2001
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CRISTLE COLLINS JUDD, Reading Renaissance Music Theory: Hearing with the Eyes. Cambridge Studies in Music Theory, 14. Cambridge, Cambridge University Press. 2000. xxiii + 339 pp.
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 267-321
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- September 2001
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LUDWIG SENFL AND THE JUDAS TROPE: COMPOSITION AND RELIGIOUS TOLERATION AT THE BAVARIAN COURT
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 199-226
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- September 2001
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WHO ‘MADE’ THE MAGNUS LIBER?
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- Early Music History / Volume 20 / September 2001
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- 24 October 2001, pp. 227-266
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- September 2001
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Royal image-making and textual interplay in Gilbert Banaster's O Maria et Elizabeth*
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. 237-278
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- October 2000
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Instructions for Contributors
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. 301-303
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- October 2000
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EMH volume 19 Cover and Front matter
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. f1-f4
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- October 2000
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EMH volume 19 Cover and Back matter
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, p. b1
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- October 2000
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Ritual and ceremony in the Spanish royal chapel, c. 1559–c. 1561*
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. 105-200
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- October 2000
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Fortune's demesne: the interrelation of text and music in Machaut's Il mest avis (B22), De fortune (B23) and two related anonymous balades*
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. 47-79
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- October 2000
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A new look at Old Roman chant
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. 81-104
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- October 2000
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Mapping the soundscape: church music in English towns, 1450–1550*
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. 1-46
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- October 2000
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Claudia Buratelli, Spettacoli di corte a Montova tra Cinque e Seicento. Storia dello spettacolo: saggi, 3. Florence, Casca Editrice Le Lettere. 1999. vii + 278 pp.
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- Early Music History / Volume 19 / October 2000
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- 05 December 2008, pp. 291-299
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- October 2000
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