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In this article, we discuss our investigation of children’s imaginative sense-making and its materiality in climate change education. Drawing on a new materialist approach, our research contributes to knowledge about the material significance in children’s sense-making related to climate change. During a project called Riddle of the Spirit in a Finnish primary school, we invited children to explore the concepts of global warming and carbon dioxide through narrative, playful and multimodal activities. Inspired by postqualitative methods, our relational analysis, based on video materials, maps and examines two episodes of children’s small group inquiry. Our findings unfold the material–discursive intra-actions, through which a prop turned into a whale’s head, the Titanic film appeared, and water and carbon dioxide became important to children’s bodies. With these specific events, the study illustrates how various materials conjoined and came to matter in the children’s sense-making of the concepts.
This paper explores the potential for extending relational ontologies to include a specific focus on human-plant relations. We theorise the emergence of a vegetal ontology, as a novel way of working and remaking theories around human-plant relations that can be applied to the field of environmental education. A vegetal ontological approach, as applied in the environmental education research project that informs this article, abandons hierarchical comparisons of plants, which are often historically positioned as “lesser species,” mere “objects” and “resources” even. We start our paper with a modest review of key theoretical approaches informing past and recent environmental education studies on child-plant relations. We then return to the discussion started within the introduction to the paper on how we have theorised a vegetal ontology as a mode of a relational ontology focussing particularly on human-plant relations and drawing on posthumanist, new materialist and Indigenous approaches. To conclude the paper, we then put this newly named vegetal ontology to work. We apply it to a recent study on childhood-plant encounters where researchers engaged with young children and their families in a botanical garden setting and a group of environmental education elders reflected on the significance of plant relations in their childhoods.
More-than-human refusal, as an expression of agency, plays an active role in constructing boundaries. In this article, I address what kind of environmental education is made possible by the productive constraints of respecting more-than-human boundaries and refusal. This is intertwined with how humans can practice being attentive to the intra-actions of more-than-humans when they are not physically present, are only speculated to be present or are present through artifacts. I rhizomatically analyse my relationship with a leafcutter bee (Megachile spp.) nest as a situated example of practicing a relational ethic of care. Through queering the boundary between myself and the leafcutter bee, nature becomes not something that I (human) experience, but as something we (bougainvillea-leafcutter bee-nest-human assemblage) produce through our human-and-more-than-human relationality. Rather than seeing limited proximity as prohibitive, environmental education can use this productive constraint to know-with more-than-human others in a way that disrupts the nature/culture binary — to blur the boundaries between humans and more-than-humans without violating the agency asserted by more-than-humans.
Although biblical scholars are increasingly turning their attention to the question of God’s body, few clarify how precisely this “body” complicates the long-held claim that God is immaterial. The present article addresses this oversight by attending to the ways in which biblical accounts of God’s body intersect with wider tradents of thought on materiality and immateriality, including, above all, the recent cross-disciplinary “turn” known as new materialism. The article begins by discussing what biblical scholars mean when they say “God’s body” and how biblical theophanies in particular complicate the belief that God is immaterial. It then discusses new materialism and how key emphases in this scholarly shift similarly complicate the belief in God’s immateriality. Third and finally, the article returns to biblical theophanies by reading these accounts through a new materialist lens, focusing in particular on God’s manifestations in material, nonhuman forms. In the end, I suggest not only that biblical theophanies problematize traditional ways of conceiving God within the history of biblical interpretation but also that new materialism can better enable us to see how these accounts portray the relationship between God and embodied materialities.
Sexgender has become politicized by neo-conservative and populist movements in Europe and elsewhere. This article explores how the sexgender binary is foundational to the social and material construction of the non-heterosexual legal subject and unveils binary hierarchies embedded therein. Furthermore, it develops a new materialist methodology called BinaryTech, which exposes the binary formulas of inequality and difference in the Court’s jurisprudence. This new materialist approach, based on Karen Barad’s agential realism, is used to critically examine how differences are produced as stable features of subjects and objects. The human of the Convention being heterosexual is thereby the result, constructed on material-discursive differentiation of non-heterosexuals. The article concludes by describing how new materialist interventions and Nordic feminist perspectives on law can offer valuable insights within the emerging material turn.
The introduction takes the reader into the history of oil in the Ecuadorean Amazon in the twentieth century. Zooming out from the testimony of a former oil worker, a historical overview sheds light on the dynamics of oil extraction in the region by national and international companies. This history is analyzed from the interdisciplinary perspective of the Environmental Humanities, combining archival and oral sources, sociological and anthropological concepts, and a mixed-methods approach. From this vantage point, the changes in the rainforest brought by the oil industry can be narrated as a fundamental metamorphosis of the landscape, its ecology, and its inhabitants. Drawing from Amazonian and European notions of metamorphosis, four dimensions of this process are particularly relevant for the historical analysis: conceptual, material, toxic, and social. The metamorphosis as metaphor offers a perspective on historical change in the Amazon as a process driven by the conflictive interaction between the rainforest ecosystem and the narrative and material manifestations of the oil industry.
Infrastructure has been the focus of geopolitically significant regional strategies, including the Belt and Road Initiative and the Asian Highway. Mega-infrastructure projects are thought to offer crucial stimulus to support economic recovery and “infrastructure diplomacy” efforts. Transportation projects, like roads, are material objects that offer complex questions for international law, most obviously when projects or their impacts cross borders. They are long-term and long-distance, with varying impacts upon closer and further populations and environments across the construction and life of the asset. This article draws on insights from new materialism to analyse what infrastructure's entanglements might suggest about international law. The relationship between international law and transportation infrastructure is contingent. However, there is a pattern to this contingency that foregrounds funding “gaps”, investment protections, and risk assessments, which minimizes intersecting impacts and human/non-human relationships.
In a single serving of boba tea, the non-human actors of the tall plastic cups, plastic dome lids, and the giant plastic straws dominate, but receive little attention. This article uses recent theories and discussions of new materialism to bring together cultural analysis of the boba tea consumption phenomenon that could be relevant for reflecting on a sustainable future. The article contributes to social research of waste by focusing on the mediating functions of plastic before it becomes waste. My central argument is that plastic is not merely a physical and impartial container in the contemporary food and beverage industry. It plays an indispensable role in the visualization, mass mediation, and consumption of the boba tea beverage. While current waste research often focuses on the “afterlife” of plastic waste as it relates to underclass waste workers, recycling economy and global waste trade, this article highlights the performative function of plastic as it changes the way we imagine time, gender, and waste. I show it is the plastic cup that enables boba tea to be so visually and gastronomically satisfying in an age when the photogenicity and “Instagrammability” of food and beverage have become more relevant to taste and distinctions.
Excavated over two centuries ago, the Upton Lovell G2a ‘Wessex Culture’ burial has held a prominent place in research on Bronze Age Britain. In particular, was it the grave of a ‘shaman’ or a metalworker? We take a new approach to the grave goods, employing microwear analysis and scanning electron microscopy to map a history of interactions between people and materials, identifying evidence for the presence of Bronze Age gold on five artefacts, four for the first time. Advancing a new materialist approach, we identify a goldworking toolkit, linking gold, stone and copper objects within a chaîne opératoire, concluding that modern categorisations of these materials miss much of their complexity.
Nineteenth-century Cherokee printers were media theorists who made political arguments through the materiality of Christian tracts. This article turns to the tract Poor Sarah as an illuminating example, especially because Cherokees published it in two editions in 1833 and 1843, affording a comparative analysis from before and after the tribe's forced removal from Cherokee Nation to Indian Territory. The material qualities of the two editions were strikingly different. Before removal, Cherokee printers emulated Anglo-Protestant prototypes in terms of dimensions, layout, and typography. The goal was to increase the likelihood of staying on their lands by winning white patrons and nudging Cherokee readers to see themselves as acculturated reading subjects. After removal, Cherokee printers rethought acculturation as a strategy. They redesigned Poor Sarah to turn away from white audiences and instead address the Cherokee community and its needs. Attention to the evolving materialities of Poor Sarah reveals Cherokee Christian printing as a key site of Indigenous media theory and part of Cherokee Nation's repertory of political action in response to US imperialism and settler colonialism.
The recent surge in materialist thought, namely New Materialism, has significant implications for political theory. They challenge the fundamental dichotomy upheld in the modern West between human agency and inert nature by revealing the affective quality of nature and granting it the status of the agency. However, does the non-West face risks if it attempts to overcome the modern Western notion of inert nature? If so, is there any way to avoid these risks? To pursue these questions, I take up the writings of political thinker Maruyama Masao (丸山眞男) and literary critic Kobayashi Hideo (小林秀雄) on the political implications of materiality. Maruyama ascribes Kobayashi's alleged collaboration with Japan's World War II policy to his passive acceptance of the felt reality. Regarding such passive acceptance as endemic to Japanese thought, Maruyama traces it back to the notion of an early-modern Kokugaku thinker Motoori Norinaga, “the way to things.” Against Maruyama's criticism, I argue (1) that Kobayashi's interpretation of Motoori's “way to things” resonates with the current New Materialism, and (2) that Kobayashi's materialism does not necessarily lead to passive acceptance of the external world, but rather can be pursued in a more productive way.
A vast literature on the legislative alignment between environmental and human rights concerns has flourished since the 1960s. This literature has mostly been occupied with the negative impacts that environmental harms and pollution have on human rights. The scholarly engagement with environmental and human rights protection gave rise to new fields of literature commonly referred to as ‘human rights approaches to environmental protection’ or ‘environmental human rights law’, thereby instantiating the normative quasi subsumption of environmental and human rights protection. This contributed to advancing both the agenda of environmental and human rights protection as well as their ever-closer intertwinement, and reinforced the mainstream anthropocentric and synergistic framing of their relationship. Yet, these two characteristics have also been contested. While much ink has been spilled on critiquing the lingering anthropocentrism that underpins a human rights law-based approach to environmental protection, less attention has been paid to the problematic emphasis on synergies that take the mutually beneficial linkages between environmental and human rights protection for granted. The analysis maps these different strands of inquiry and critique against human exceptionalism and the ideal of frictionless compatibility between environmental protection and human rights, and identifies how the book contributes to these debates.
In “Lucretian Materialism,” Brent Dawson examines how Lucretius’ first-century BCE epic poem The Nature of Things, which was lost and then rediscovered in the fifteenth century by Poggio Bracciolini, influenced the development literature and philosophy in the early modern period and beyond. Dawson contends that the poem supplies a model for thinking about plurality and universality, two of modern nature’s essential features. The chapter includes detailed definitions of key concepts from Lucretius’ poem including matter, void, swerve, image, and soul, and examines how these concepts influenced subsequent authors and philosophers like Milton, Hobbes, and Bacon. Dawson ends the chapter with a Lucretian interpretation of one of nature’s most important appearances in early modern English literature: Edmund Spenser’s Mutabilitie Cantos. He argues that the most Lucretian feature of Spenser’s deity Nature is her indeterminate character – she is universal insofar as she persists in mutability.
This chapter explores cultural practices of reenacting the past in the present. How have understandings of reenactment, embodiment, and lived experience shaped, constrained, and misdirected interpretations of people’s actions in the present that purposefully reference the past? What is the state of this scholarship? What are the principal critiques and new directions?
This chapter introduces the handbook and outlines the volume’s organization, topics, themes, and intended audience. It clarifies the handbook’s goals of including both past and contemporary theory and practice as well as looking toward future trends in material culture studies. The authors discuss disciplinary contributions to material culture and provide the foundation for redefining the field’s relationship to disciplinarity. The guiding questions posed to contributing authors, what is material culture, and what are the implications of material culture scholarship, are presented. The chapter also introduces the geographic scope of the project, addressing and acknowledging differences and similarities that exist between the understanding of, framing of, and study of material culture in an international context.
This chapter introduces readers to conceptions of matter and materiality that shape current conversations in material culture studies, sensitive to the rise of object biographies, commodity histories, fetishism, the new materialism, and the “multispecies” or “ontological” turn in anthropology.
This Element aims to explore how the relation between societal organisation and legal orders – the question of materiality – has been investigated in philosophy of law. The starting point of the Element is that such relation has often been left invisible or thematised in poor and reductive terms. After having explained the main reasons behind this neglect, the Element provides an overview of the three main approaches to legal philosophy whose contributions, though not always effective, can still provide some insights for a contemporary analysis of legal orders' materiality: materialism, legal institutionalism, and the new materialism. The last section of the Element suggests looking for a footing for the study of materiality in two fields: the metaphysics of relations and the political economy of legal orders.
Critical questions about the relation between literature and climate are relevant both before and after the rise of environmentalism and today’s climate politics. How does literature write the encounter between biological bodies and climate? What trends in literary form and content do critics track when they study climate change? What concepts have they then created or rethought? To answer these questions, we need to look outside the contemporary moment and compare historical periods. This chapter looks at four topics: the ‘superorganism’, the climate theory of race, the concepts of ‘hyperobject’ and ‘trans-corporeality’, and the idea that literature can ‘model’ anthropogenic climates. The Anthropocene has certainly created new configurations of climate and embodiment coupled to changes in literary form, including what sort of narrative worlds seem real to their readers. But none of this is unprecedented. Present configurations of embodiment, climate, and form are still constrained by those of the past. Critics are only beginning to understand what they are, and how they change in historical time.
When read in light of Adorno’s “preponderance of the object,” The Tempest can be seen as bearing the marks of “primitive accumulation” in ways that can be made to challenge the ecologically catastrophic present. The unusual physical presence of wood in Shakespeare’s play in performance – especially given the play’s lavish display of suffering – opens it to serving as a critique of the reduction of the nonhuman world to mere “raw material” for human use, through which the subordination of some humans to others is also effected. In its physical form wood can be interruptive. Attentiveness to its refusal to reduce to human purposes in the excess of its seeming quiddity can open viewers to a “change of perspective” that, in turn, might lead to enhanced struggle for transformed conditions of existence – without the domination property relations establish – for humans and nonhumans alike: the goal of a properly Marxist ecology.
Chapter 1 reveals the complexity and self-consciousness of Romantic nature writing, bringing together authors who share an interest in nonhuman nature as a dynamic process. It also addresses the porousness of Romantic nature writing as a mode of engagement across different kinds of texts. A key claim is that, while Gilbert White’s localism and close field observations were influential on later nature writing, so was the strand of confessional autobiography pioneered by Jean-Jacques Rousseau. Romantic nature writing is often represented as a self-aggrandising masculine mode. But women writers such as Dorothy Wordsworth and Charlotte Smith were significant, particularly in their portrayals of nonhuman nature as entangled with everyday human life. The chapter also addresses labouring-class writers, bringing John Clare’s natural history prose into dialogue with the work of the artist Thomas Bewick and the novelist and poet James Hogg. All three resisted and lamented the forces of modernisation, but did so through developing innovative modes of representation. Even at its most backward-looking, Romantic nature writing engaged with the contradictions and conflicts of modernity. And, while influenced by natural theology, it also dared to speculate about deep time and the transience of human species.