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The Art of Music Production. By Richard James Burgess. Oxford: Oxford University Press, 4th edn, 2013. 266 pp. ISBN 978-0-199-92172-0
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 168-170
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- January 2015
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10 - Aesthetics and consumer influence
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- The Musicology of Record Production
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- 14 August 2014, pp 203-223
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9 - Performance in the studio
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- 14 August 2014, pp 175-201
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Afterword
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- 14 August 2014, pp 244-250
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Filmography
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- 14 August 2014, pp 265-265
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The Musicology of Record Production - Title page
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- 14 August 2014, pp iii-iii
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5 - Staging
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- 14 August 2014, pp 70-91
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Theoretical interlude 2
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- 14 August 2014, pp 92-93
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4 - Sonic cartoons
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- 14 August 2014, pp 49-69
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Theoretical interlude 4
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1 - Introduction
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2 - Why study record production?
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- 14 August 2014, pp 20-31
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Theoretical interlude 3
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- 14 August 2014, pp 150-153
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3 - How should we study record production?
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Bibliography
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- 14 August 2014, pp 251-262
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8 - Training, communication and practice
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- 14 August 2014, pp 154-174
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Acknowledgements
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- 14 August 2014, pp vi-viii
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6 - The development of audio technology
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- 14 August 2014, pp 94-127
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Theoretical interlude 1
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- 14 August 2014, pp 47-48
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7 - Using technology
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- 14 August 2014, pp 128-149
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