Book contents
- The Musicology of Record Production
- The Musicology of Record Production
- Copyright page
- Contents
- Acknowledgements
- 1 Introduction
- 2 Why study record production?
- 3 How should we study record production?
- Theoretical interlude 1
- 4 Sonic cartoons
- 5 Staging
- Theoretical interlude 2
- 6 The development of audio technology
- 7 Using technology
- Theoretical interlude 3
- 8 Training, communication and practice
- 9 Performance in the studio
- Theoretical interlude 4
- 10 Aesthetics and consumer influence
- 11 The business of record production
- Afterword
- Bibliography
- Discography
- Filmography
- Index
Afterword
Published online by Cambridge University Press: 05 September 2014
- The Musicology of Record Production
- The Musicology of Record Production
- Copyright page
- Contents
- Acknowledgements
- 1 Introduction
- 2 Why study record production?
- 3 How should we study record production?
- Theoretical interlude 1
- 4 Sonic cartoons
- 5 Staging
- Theoretical interlude 2
- 6 The development of audio technology
- 7 Using technology
- Theoretical interlude 3
- 8 Training, communication and practice
- 9 Performance in the studio
- Theoretical interlude 4
- 10 Aesthetics and consumer influence
- 11 The business of record production
- Afterword
- Bibliography
- Discography
- Filmography
- Index
Summary
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- Chapter
- Information
- The Musicology of Record Production , pp. 244 - 250Publisher: Cambridge University PressPrint publication year: 2014