2018 results in Shakespeare Survey
Professional Shakespeare Productions in the British Isles January–December 2003
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- 03 November 2005, pp 298-307
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Writing Performance: How to Elegize Elizabethan Actors
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- 03 November 2005, pp 60-71
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Writing Shakespeare in the Global Economy
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- 03 November 2005, pp 185-198
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Shakespeare and the Invention of the Epic Theatre: Working with Brecht
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- 03 November 2005, pp 130-136
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Jonson, Shakespeare and the Exorcists
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- 03 November 2005, pp 15-22
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‘Lending soft audience to my sweet design’: Shifting Roles and Shifting Readings of Shakespeare’s ‘A Lover’s Complaint’
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- 03 November 2005, pp 23-33
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Rewriting Lear’s Untender Daughter: Fanny Price as a Regency Cordelia in Jane Austen’s Mansfield Park
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- 03 November 2005, pp 83-94
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Writing about [Shakespearian] performance
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- 03 November 2005, pp 160-168
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Shakespeare Performances in Ireland, 2002–2004
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- 03 November 2005, pp 260-267
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Mistress Tale Porter and the Triumph of Time: Slander and Old Wives’ Tales in The Winter’s Tale
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- 03 November 2005, pp 247-259
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Shakespeare Performances in England, 2004
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- 03 November 2005, pp 268-297
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Index
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- 03 November 2005, pp 359-367
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Virginia Woolf Reads Shakespeare: Or, her Silence on Master William
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- 03 November 2005, pp 118-129
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Writing About Motive: Isabella, the Duke and Moral Authority
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- 03 November 2005, pp 48-59
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The ‘Complexion’ of Twelfth Night
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- 03 November 2005, pp 199-207
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Having Our Will: Imagination in Recent Shakespeare Biographies
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- 03 November 2005, pp 1-8
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Toward a New Biography of Shakespeare
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- 03 November 2005, pp 9-14
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Frontmatter
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- 03 November 2005, pp i-x
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Dramatizing the Dramatist
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- 03 November 2005, pp 137-147
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‘Armed at point exactly’: The Ghost in Hamlet
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- 03 November 2005, pp 34-47
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