2018 results in Shakespeare Survey
The Evolution of Online Editing: Where Will it End?
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- 12 October 2006, pp 168-181
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Professional Shakespeare Productions in the British Isles, January–December 2004
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- 12 October 2006, pp 338-346
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Manuscript, Print and the Authentic Shakespeare: The Ireland Forgeries Again
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- 12 October 2006, pp 108-123
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Editing Collaborative Drama
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- 12 October 2006, pp 213-224
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The Date and Authorship of Hand D’s Contribution to Sir Thomas More: Evidence from ‘Literature Online’
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- 12 October 2006, pp 69-78
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The Director as Shakespeare Editor
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- 12 October 2006, pp 182-192
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‘Sometime a Paradox’: Shakespeare, Diderot and the Problem of Character
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- 12 October 2006, pp 285-297
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Crisis in Editing?
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- 12 October 2006, pp 20-38
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Ferdinand’s Wife and Prospero’s Wise
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- 12 October 2006, pp 79-90
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Print and Electronic Editions Inspired by the New Variorum Hamlet Project
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- 12 October 2006, pp 157-167
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The Year's Contributions to Shakespearian Study 1 - Critical Studies
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- 12 October 2006, pp 347-368
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Giants and Enemies of God: The Relationship between Caliban and Prospero from the Perspective of Insular Literary Tradition
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- 12 October 2006, pp 239-253
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The Author, the Editor and the Translator: William Shakespeare, Alexander Chalmers and Sándor Petofi or the Nature of a Romantic Edition
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- 12 October 2006, pp 124-135
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Women Edit Shakespeare
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- 12 October 2006, pp 136-146
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Altering the Letter of Twelfth Night: ‘Some are born great’ and the Missing Signature
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- 12 October 2006, pp 49-62
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Editing Stefano’s Book
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- 12 October 2006, pp 91-107
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Performance Editions, Editing and Editors
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- 12 October 2006, pp 198-212
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The Shakespeare Edition in Industrial Capitalism
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- 12 October 2006, pp 147-156
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Shakespeare Survey
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‘A Thousand Shylocks’: Orson Welles and The Merchant of Venice
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- 12 October 2006, pp 63-68
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