Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-r6qrq Total loading time: 0 Render date: 2024-04-27T06:23:15.075Z Has data issue: false hasContentIssue false

Chapter Ten - The Black Interpreters and the Arch of History

Published online by Cambridge University Press:  20 April 2018

Hlonipha Mokoena
Affiliation:
Associate Professor at the Wits Institute of Social and Economic Research (WiSER) at the University of the Witwatersrand, Johannesburg.
Get access

Summary

In all epochs of the world's history, we shall find the Great Man to have been the indispensable saviour of his epoch; – the lightning, without which the fuel never would have burnt. The History of the World, I said already, was the Biography of Great Men.

Great men make history, but only such history as it is possible for them to make. Their freedom of achievement is limited by the necessities of their environment. To portray the limits of those necessities and the realization, complete or partial, of all possibilities, that is the true business of the historian.

The chief characteristic of the hero is sincerity. More sublime than grace, more authentic than reason, sincerity is a moral force that connects the actor to his action or belief or idea.

It is a truism of South African history that black people have been ‘invisible’ for centuries – erased out of history, erased out of place, erased out of cities, erased out of mind. It is also a truism that this erasure is no accident – it didn't just happen; it was part of the grander history of the colonisation of the southernmost tip of the African continent. It is in this state of being post-colonials that we as a ‘new generation’ of South Africans – Mandela's progeny, Generation X/Y, ‘Model Cs’, Born Frees, whatever epithet you care to throw at us – confront the ‘blank spaces’ of our country's history.

This chapter will be the meditation of a Generation Xer on how we can restore sight so that future generations can see themselves in ‘history’. It is based on the thought that the only way we can restore this lost sight is by assuming the role carved out for us by an earlier generation of Africans who themselves had to deal with the shock of watching themselves being erased. Their struggle to paint in, fill in, plaster over, colour in the experience of being a historical subject and a seeing being is our struggle. I shall call these earlier Africans the ‘black interpreters’.

However, inasmuch as their struggle is ours, this chapter will also argue that being a post-colony is not a period measured in time but an age: ‘As an age, the postcolony encloses multiple durées made up of discontinuities, reversals, inertias, and swings that overlay one another, interpenetrate one another, and envelope one another: an entanglement.’

Type
Chapter
Information
The Colour of Our Future
Does race matter in post-apartheid South Africa?
, pp. 169 - 184
Publisher: Wits University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×