IN his later years, William Hine seems to have become disillusioned with his provincial lot at Gloucester. The Gloucester Journal of 19 September 1722 has a reference to ‘A Consort of Vocal and Instrumental Musick’ given in his benefit, and this included ‘several songs in English and Italian with their Symphonies, perform'd by Mr Priest's FAMOUS BOY from Bristol’,1 but after that, nothing. And by 1730 his life was, in any case, drawing to a premature close. He died on 28 August in that year, aged forty-three, just days before the start of a Gloucester Meeting of the Three Choirs.

Life in eighteenth-century England may not have been quite so nasty and brutish as in former times, but it was very often short. Hine was buried in the cloisters of Gloucester Cathedral, where a small tablet to his memory, erected a few paces to the left of the Chapter House door, bears the following inscription:

A further couplet was added to the inscription, recording the death of Alicia Hine, also at the age of forty-three, on 28 June 1735.

Hine's compositions, chiefly consisting of music for Gloucester Cathedral, remained unpublished in his lifetime but, after his death, Alicia had published by subscription Harmonia Sacra Glocestriensis, or Select Anthems for 1, 2, and 3 Voices, &c.