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IV.10 - William Dugdale, Baronage of England (1675–1676)

from PART IV - History and philosophy

Published online by Cambridge University Press:  05 August 2016

William E. Engel
Affiliation:
University of the South, Sewanee, Tennessee
Rory Loughnane
Affiliation:
Indiana University–Purdue University, Indianapolis
Grant Williams
Affiliation:
Carleton University, Ottawa
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Summary

About the author

William Dugdale (1605–86) took seriously his appointment as ‘Norroy king of arms’ and ‘visited’ all counties north of the Trent. After the publication of Baronage of England, Dugdale was knighted in 1677 in connection with becoming ‘Garter king of arms’, receiving £100 per annum plus residence at Windsor.

About the text

Three decades of research went into his Baronage, a decisive account of England's aristocracy beginning with the Saxons. So painstakingly responsible was his medieval scholarship that heralds and historians still refer to it. The preface declares Dugdale's goal: to wrest from oblivion the familial lines of noble descent by recovering the legal grounds for their original elevation.

The arts of memory

Heraldry is a national art of memory that uses a visual lexicon corresponding to established rules for granting and depicting coats of arms, a system which Dugdale sought to revive, reform and stabilise. The authority of the College of Arms had not been recognised or exercised during the Interregnum. The herald's role thus became more than simply that of a ‘remembrancer’ recording the names of nobles who had fallen in combat (Dugdale was in fact the ‘surveyor’ following the battle at Edgehill), but also a preserver of the worthy deeds and sayings of members of illustrious families.

Textual notes

William Dugdale, The Baronage of England (London, 1675–6), B1r–C2r.

The Baronage of England

There having been so much, and so well, in general, already spoken in few words, by the great orator Cicero, in commendation of history, that it is the witness of times past, the voice of antiquity, the light of truth and the life of memory; to offer more, were superfluous. Most certain we are, that everyone, naturally, is desirous of knowledge; and experience teacheth us that the gaining thereof is not any way better than by observing the success which hath attended the actions of other men.

Type
Chapter
Information
The Memory Arts in Renaissance England
A Critical Anthology
, pp. 221 - 224
Publisher: Cambridge University Press
Print publication year: 2016

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References

Dyer, Christopher, ‘Introduction’, William Dugdale, Historian, ed. Dyer, Christopher and Richardson, Catherine (Suffolk: Boydell, 2009), pp. 1–9.
Broadway, Jan, William Dugdale: A Life (London: Xmera, 2011).

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