Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-xfwgj Total loading time: 0 Render date: 2024-06-14T19:14:54.266Z Has data issue: false hasContentIssue false

Chapter 18 - Drafting the production budget

Published online by Cambridge University Press:  05 June 2012

Craig Collie
Affiliation:
Queensland University of Technology
Get access

Summary

The production budget is prepared in two phases. As noted in Chapter 6, a draft budget is calculated on the basis of known components of the production and educated guesses of what the unknown components are likely to be. The purpose of this budget is to get a preliminary indication of the cost of the production so that the appropriate amount of funding can be pursued. When funding has been secured and the decision has been made to commence production, the formal (or ‘final’) working budget is arrived at by finetuning the draft budget or its successors. By the commencement of pre-production, some of the previously uncertain components of the production will have crystallised and can be costed with greater reliability. However, there will still be components whose cost is uncertain. The pre-production process puts cost estimates on these as they are decided.

The bottom line at this stage of the budget, the total cost of the production, is fixed. It is the total of funds that have been raised for the production, whether that figure is greater than, less than or the same as the total for the draft production budget. This figure cannot rise as the production budget consolidates because there are no funds to support its increase. The decisions that clarify previously uncertain costs are made with the knowledge of the amount earmarked for them in the draft budget.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Case, D., Gailey, L., Knapman, C., et al., The Production, Budgeting and Film Management Satchel, AFC/AFTRS, Sydney.
Australian Film Commission, ‘A–Z budgets’, available online at <http://afc.gov.au/filminginaustralia/azbudget/fiapage_1.aspx>, viewed 18 December 2006.
Case, D., Gailey, L., Knapman, C., et al., The Production, Budgeting and Film Management Satchel, AFC/AFTRS, Sydney.
Australian Film Commission, ‘A–Z budgets’, available online at <http://afc.gov.au/filminginaustralia/azbudget/fiapage_1.aspx>, viewed 18 December 2006.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×