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Chapter 13 - Documentation and office systems

Published online by Cambridge University Press:  05 June 2012

Craig Collie
Affiliation:
Queensland University of Technology
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Summary

No-one thinks that paperwork is exciting, but without it the coordination of the logistics and management of a production – and especially a large and complex production – is just not possible. It is the means of tracking all the elements that must be in place at each step along the production pathway, and of making sure that the production isn't generating unnecessary costs that will result in compromises – which are equally as unnecessary – in the final product. The objective is to make the best program within the resources, not the best program despite the waste of resources.

As noted in Chapter 12, setting up an office starts with the commencement of pre-production, if not before. The production manager is one of the first people hired on the production team, and they will inherit some key documents that have been generated during development (see Chapter 12). They will also be instrumental, in discussion with the producer, in selecting an office and establishing furnishings, fittings, filing cabinets and communications, as described in Chapter 12, unless this is already in place as part of the production company, and suited to the needs of the project.

What follows in this chapter is an overview of the office systems and their supporting documentation that enable the production office to monitor and report on production progress.

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Publisher: Cambridge University Press
Print publication year: 2007

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References

Ritchie, Julia 2002, ‘How to manage a film’, in Case, D., Gailey, L., Knapman, C., et al., The Production, Budgeting and Film Management Satchel, AFC/AFTRS, Sydney.Google Scholar
Ritchie, Julia 2002, ‘How to manage a film’, in Case, D., Gailey, L., Knapman, C., et al., The Production, Budgeting and Film Management Satchel, AFC/AFTRS, Sydney.Google Scholar

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