Book contents
- Frontmatter
- Contents
- Acknowledgments
- Note on the translation
- Introduction
- 1 Iskander's transparent allegory: Rabbits and Boa Constrictors
- 2 Beyond picaresque: Erofeev's Moscow–Petushki
- 3 Satire and the autobiographical mode: Limonov's It's Me, Eddie
- 4 The family chronicle revisited: Dovlatov's Ours
- 5 Dystopia redux: Voinovich and Moscow 2042
- Conclusion
- Notes
- Select bibliography
- Index
- CAMBRIDGE STUDIES IN RUSSIAN LITERATURE
Note on the translation
Published online by Cambridge University Press: 10 September 2009
- Frontmatter
- Contents
- Acknowledgments
- Note on the translation
- Introduction
- 1 Iskander's transparent allegory: Rabbits and Boa Constrictors
- 2 Beyond picaresque: Erofeev's Moscow–Petushki
- 3 Satire and the autobiographical mode: Limonov's It's Me, Eddie
- 4 The family chronicle revisited: Dovlatov's Ours
- 5 Dystopia redux: Voinovich and Moscow 2042
- Conclusion
- Notes
- Select bibliography
- Index
- CAMBRIDGE STUDIES IN RUSSIAN LITERATURE
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9780511519635/resource/name/firstPage-9780511519635not1_pxi-xii_CBO.jpg)
- Type
- Chapter
- Information
- Contemporary Russian SatireA Genre Study, pp. xi - xiiPublisher: Cambridge University PressPrint publication year: 1996