Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- 31 Alternative Cultural Projects and Their Histories
- 32 Ediciones Vigía and the Cultural Legacies of Matanzas
- 33 The Fiction of Cuba’s Special Period
- 34 Critique and Decentralization in Cuban Film After 1989
- 35 The Temporality of Twentieth- and Twenty-First-Century Cuban Theater
- 36 The Long Reach of Haiti in Cuban Literature
- 37 Cuban Afterlives of the Cuban and Angolan Revolutions
- 38 Anti-Exceptionalism in Detective Fiction, Speculative Fiction, and Graphic Novels
- 39 Cuban Women’s Writing at the Turn of the Millennium
- 40 Queering the Revolution and Its Diasporas
- 41 The Performance Art of Global Cuba
- 42 Twenty-First-Century Cuban Film and Diaspora
- 43 Cuba’s Poetic Imaginary (1989–2020)
- 44 Prose Narratives from Cuban America
- 45 Cuban Theater of the Diaspora in the United States
- Epilogue
- Select Bibliography
- Index
- References
40 - Queering the Revolution and Its Diasporas
from Part V - Cuba and Its Diasporas into the New Millennium
Published online by Cambridge University Press: aN Invalid Date NaN
Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- 31 Alternative Cultural Projects and Their Histories
- 32 Ediciones Vigía and the Cultural Legacies of Matanzas
- 33 The Fiction of Cuba’s Special Period
- 34 Critique and Decentralization in Cuban Film After 1989
- 35 The Temporality of Twentieth- and Twenty-First-Century Cuban Theater
- 36 The Long Reach of Haiti in Cuban Literature
- 37 Cuban Afterlives of the Cuban and Angolan Revolutions
- 38 Anti-Exceptionalism in Detective Fiction, Speculative Fiction, and Graphic Novels
- 39 Cuban Women’s Writing at the Turn of the Millennium
- 40 Queering the Revolution and Its Diasporas
- 41 The Performance Art of Global Cuba
- 42 Twenty-First-Century Cuban Film and Diaspora
- 43 Cuba’s Poetic Imaginary (1989–2020)
- 44 Prose Narratives from Cuban America
- 45 Cuban Theater of the Diaspora in the United States
- Epilogue
- Select Bibliography
- Index
- References
Summary
This chapter examines the work of numerous creative artists in multiple media and genres, some of whom wrote works that formed part of the Cuban literary canon, but whose lives and identities were seen as problematic for the revolutionary state. Focusing particularly on figures whose intersectional identities somehow threatened hegemonic biases, the chapter elucidates the extent to which a preoccupation with sexual practices and gender identities was at the core of the Cuban revolutionary state and the homophobic legacies it inherited from the bourgeois past. The chapter teases this out by exploring critical and theoretical rereadings, in addition to numerous musical, literary, theatrical, and cinematographic works and productions from multiple postrevolutionary periods, wherein queerness emerges as central to the nation and its diaspora.
Keywords
queerness in Cuban postrevolutionary literature and artsCuba’s revolutionary state and hegemonic identity biasesintersectional identities in Cuban literature and artsEdiciones El Puente (1961–1965)Lourdes Casal (1938–1981)Sonia Rivera Valdés (1937–)sexilioMariel GenerationCENESEXEna Lucía Portela (1972–)
- Type
- Chapter
- Information
- The Cambridge History of Cuban Literature , pp. 622 - 639Publisher: Cambridge University PressPrint publication year: 2024
References
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