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LIST OF BOOKS RECEIVED AS OF 14 DECEMBER 2007

Published online by Cambridge University Press:  09 May 2008

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Books Received
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Copyright © American Society for Theatre Research 2008

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References

*Ackerman, Alan Jr., and Martin, Puchner,eds. Against Theatre: Creative Destructions on the Modernist Stage. Performance Interventions. New York: Palgrave Macmillan, 2006. $85 cloth, $29.95 paper.CrossRefGoogle Scholar
*Anderson, Lisa M.Black Feminism in Contemporary Drama. Urbana and Chicago: University of Illinois Press, 2008. $35 cloth.Google Scholar
Armstrong, Annand Kathleen, Juhl, eds. Radical Acts: Theatre and Feminist Pedagogies of Change. San Francisco: Aunt Lute Books, 2007. $17.95 paper.Google Scholar
Arnold, Oliver. The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons. Parallax: Re-visions of Culture and Society. Baltimore: Johns Hopkins University Press, 2007. $55 cloth.Google Scholar
Arons, Wendy. Performance and Femininity in Eighteenth-Century German Women's Writing: The Impossible Act. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2006. $69.95 cloth.CrossRefGoogle Scholar
Ballard, Kaye, with, Jim Hesselman. How I Lost 10 Pounds in 53 Years: A Memoir. New York: Back Stage Books, 2006. $24.95 cloth.Google Scholar
Bay-Cheng, Sarah. Mama Dada: Gertrude Stein's Avant-Garde Theater. Studies in Modern Drama. New York: Routledge, 2004. $110 cloth, $29.95 paper.Google Scholar
*Beam, Sara. Laughing Matters: Farce and the Making of Absolutism in France. Ithaca: Cornell University Press, 2007. $55 cloth.Google Scholar
Bechtel, Roger. Past Performance: American Theatre and the Historical Imagination. Lewisburg: Bucknell University Press (Cranbury, NJ: AUP), 2007. $56.50 cloth.Google Scholar
Beckett, Francis. Olivier. Life & Times. London: Haus Publishing, 2005. £10.99 paper.Google Scholar
Bial, Henry, ed. The Performance Studies Reader. 2d ed.London and New York: Routledge, 2007. $125 cloth, $47.95 paper.Google Scholar
*Bigsby, Christopher. Remembering and Imagining the Holocaust: The Chain of Memory. Cambridge and New York: Cambridge University Press, 2006. $38 cloth.CrossRefGoogle Scholar
*Bloom, Gina. Voice in Motion: Staging Gender, Shaping Sound in Early Modern England. Philadelphia: University of Pennsylvania Press, 2007. $60 cloth, $19.95 paper.CrossRefGoogle Scholar
*Brater, Enoch. Arthur Miller's Global Theater. Ann Arbor: University of Michigan Press, 2007. $49.50 cloth.CrossRefGoogle Scholar
*Britland, Karen. Drama at the Courts of Queen Henrietta Maria. Cambridge and New York: Cambridge University Press, 2006. $91 cloth.Google Scholar
Broadhurst, Susanand Josephine, Machon, eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity. New York: Palgrave Macmillan, 2007. $74.95 cloth.Google Scholar
Brockes, Emma. What Would Barbra Do? How Musicals Changed My Life. New York: HarperCollins, 2007. $22.95 cloth.Google Scholar
*Carlson, Marvin. Speaking in Tongues: Languages at Play in the Theatre. Ann Arbor: University of Michigan Press, 2006. $50 cloth.CrossRefGoogle Scholar
Carpenter, Martha C.Barbara, Ozieblo Rajkowskaeds. Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. DQR Studies in Literature. Amsterdam and New York: Rodopi. $86 cloth, $34 paper.Google Scholar
Chapple, Fredaand Chiel, Kattenbelt, eds. Intermediality in Theatre and Performance. Themes in Theatre: Collective Approaches to Theatre and Performance: 2. Amsterdam and New York: Rodopi, 2006. $68 paper.Google Scholar
Cheney, Patrick. The Cambridge Companion to Shakespeare's Poetry. Cambridge Companions to Literature. Cambridge and New York: Cambridge University Press, 2007. $85.00 cloth, $24.99 paper.CrossRefGoogle Scholar
Christie, Judie, Richard, Gough and Daniel, Peter Watt, eds. A Performance Cosmology: Testimony from the Future, Evidence of the Past. London and New York: Routledge, 2006. $53.95 paper.Google Scholar
*Cima, Gay Gibson. Early American Women Critics: Performance, Religion, Race. Cambridge and New York: Cambridge University Press, 2006. $91 cloth.CrossRefGoogle Scholar
Clinton, Craig. Mrs. Leslie Carter: A Biography of the Early Twentieth Century American Star. Jefferson, NC, and London: McFarland & Co., 2006. $45 paper.Google Scholar
*Cohen-Cruz, Janand Mady, Schutzman, eds. A Boal Companion: Dialogues on Theatre and Cultural Politics. New York: Routledge, 2006. $100 cloth, $43.95 paper.CrossRefGoogle Scholar
Conner, Lynne. Pittsburgh in Stages: Two Hundred Years of Theater. Pittsburgh: University of Pittsburgh Press, 2007. $32 cloth.Google Scholar
*David, Deidre. Fanny Kemble: A Performed Life. Philadelphia: University of Pennsylvania Press, $39.95 cloth.CrossRefGoogle Scholar
Davis, Tracy C.. Stages of Emergency: Cold War Nuclear Civil Defense. Durham, NC: Duke University Press, 2007. $89.95 cloth, $24.95 paper.CrossRefGoogle Scholar
*de, Grazia Margreta. “Hamlet” without Hamlet. Cambridge and New York: Cambridge University Press, 2007. $91 cloth, $37.99 paper.Google Scholar
Dillon, Janette. The Cambridge Introduction to Early English Theatre. Cambridge Introductions to Literature. Cambridge and New York: Cambridge University Press, 2006. $80 cloth. $25.99 paper.Google Scholar
Durham, Weldon B.. Liberty Theatres of the United States Army 1917–1919. Jefferson, NC: McFarland & Co., 2006. $35 paper.Google Scholar
*Eleftheriotis, Dimitrisand Gary, Needham. Asian Cinemas: A Reader's Guide. Honolulu: University of Hawai'i Press, 2006. $28 paper.Google Scholar
*Farrell, Joseph. A History of Italian Theatre. Cambridge and New York: Cambridge University Press, 2006. $117 cloth.Google Scholar
Fassel, Horstand Paul, S. Ulrich, eds. “Welt Macht Theater”: Deutsches Theater im Ausland vom 17.–20. Jahrhundert—Funktionsweisen und Zielsetzungen, |vvol. 1. Thalia Germanica. Berlin: Lit Verlag, 2006. €29.90 paper.Google Scholar
Filichia, Peter. Let's Put on a Musical: How to Choose the Right Show for Your Theater. New York: Back Stage Books, 2007. $14.95 paper.Google Scholar
*Findlay, Alison. Playing Spaces in Early Women's Drama. Cambridge and New York: Cambridge University Press, 2006. $91 cloth.Google Scholar
Fisher, James, ed. Tony Kushner: New Essays on the Art and Politics of His Plays. Jefferson, NC: McFarland & Co., 2006. $35 paper.Google Scholar
*Fleischer, Mary. Embodied Texts: Symbolist Playwright–Dancer Collaborations. Amsterdam and New York: Rodopi, 2007. $107 paper.Google Scholar
Gale, Maggie B. and John, Stokes, eds. The Cambridge Companion to the Actress. Cambridge and New York: Cambridge University Press, 2007. $85 cloth, $29.99 paper.CrossRefGoogle Scholar
Glerum, Jay O.. Stage Rigging Handbook. 3d ed.Carbondale: Southern Illinois University Press, 2007. $29.50 paper.Google Scholar
*Glow, Hilary. Power Plays: Australian Theatre and the Public Agenda. Sydney: Currency Press, 2007. $32.95 paper.Google Scholar
Goldhill, Simon. How to Stage Greek Tragedy Today. Chicago: University of Chicago Press, 2007. $18.00 paper.Google Scholar
*Hall-Witt, Jennifer. Fashionable Acts: Opera and Elite Culture in London, 1780–1880. Becoming Modern: New Nineteenth-Century Studies. Durham: University of New Hampshire Press (Lebanon, NH: UPNE), 2007. $55 cloth.Google Scholar
*Hamera, Judith. Dancing Communities: Performance, Difference and Connection in the Global City. Studies in International Performance. New York: Palgrave Macmillan, 2007. $74.95 cloth.CrossRefGoogle Scholar
Hampton-Reeves, Stuartand Carol, Chillington Rutter. The Henry VI Plays. Shakespeare in Performance. Manchester, UK: Manchester University Press, 2007. $74.95 cloth.Google Scholar
Herren, Graley. Samuel Beckett's Plays on Film and Television. New York: Palgrave Macmillan, 2007. $65.00 cloth.CrossRefGoogle Scholar
Hoeveler, Diane Long and Jeffrey, Cass, eds. Interrogating Orientalism: Contextual Approaches and Pedagogical Practices. Columbus: Ohio State University Press, 2006. $41.95 cloth, $9.95 paper.Google Scholar
Holland, Peter, ed. Shakespeare Survey, |vvol. 59: Editing Shakespeare. Cambridge and New York: Cambridge University Press, 2006. $117 cloth.CrossRefGoogle Scholar
*Howard, Tony. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge and New York: Cambridge University Press, 2007. $96 cloth.Google Scholar
Hunt, Marvin W.. Looking for Hamlet. New York: Palgrave Macmillan, 2007. $27.95 cloth.Google Scholar
Johnson, Kim “Howard.”The Funniest One in the Room: The Lives and Legends of Del Close. Chicago: Chicago Review Press, 2008. $24.95 cloth.Google Scholar
Johnson, Odai. Absence and Memory in Colonial American Theatre: Fiorelli's Plaster. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2006. $75 cloth.CrossRefGoogle Scholar
Kelleher, Joeand Nicholas, Ridout, eds. Contemporary Theatres in Europe: A Critical Companion. London and New York: Routledge, 2006. $110 cloth, $31.95 paper.CrossRefGoogle Scholar
Knight, Alan K., ed. Mystères de la procession de Lille, vol. IV: Le Nouveau Testament. Geneva: Librairie Droz S.A., 2007. €80.07 paper.Google Scholar
*Krasner, David. American Drama, 1945–2000: An Introduction. Malden, MA: Blackwell Publishing, 2006. $24.95 paper.Google Scholar
LaBute, Neil. Some Girl(s): A Romance. New York: Faber & Faber, 2005. $13 paper.Google Scholar
Lada-Richards, Ismene. Silent Eloquence: Lucian and Pantomime Dancing. Classical Literature and Society. London: Duckworth, 2007. $37 paper.Google Scholar
Leach, Robert. Theatre Workshop: Joan Littlewood and the Making of Modern British Theatre. Exeter: University of Exeter Press, 2007. $32.50 paper.Google Scholar
Lecoq, Jacques. Theatre of Movement and Gesture. Edited by David, Bradby.London and New York: Routledge, 2006. $120 cloth, $33.95 paper.Google Scholar
*Lee, Esther Kim. A History of Asian American Theatre. Cambridge Studies in American Theatre and Drama. Cambridge and New York: Cambridge University Press, 2007. $90 cloth.Google Scholar
Lei, Daphne Pi-Wei. Operatic China: Staging Chinese Identity across the Pacific. New York: Palgrave Macmillan, 2006. $69.95 cloth.CrossRefGoogle Scholar
*Lima, Robert. Stages of Evil: Occultism in Western Theater and Drama. Lexington: University Press of Kentucky, 2005. $55 cloth.Google Scholar
Loehlin, James. Chekhov: “The Cherry Orchard.” Plays in Production. Cambridge and New York: Cambridge University Press, 2006. $80 cloth, $26.99 paper.Google Scholar
Londré, Felicia Hardison. The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theatre, 1870–1930. Columbia: University of Missouri Press, 2007. $34.95 cloth.Google Scholar
*Londré, Felicia Hardison. Words at Play: Creative Writing and Dramaturgy. Theater in the Americas. Carbondale: Southern Illinois University Press, 2005. $55 cloth, $28.50 paper.Google Scholar
*Luckhurst, Mary. Dramaturgy: A Revolution in Theatre. Cambridge Studies in Modern Theatre. Cambridge and New York: Cambridge University Press, 2006. $84 cloth.CrossRefGoogle Scholar
Luckhurst, Mary, ed. A Companion to Modern British and Irish Drama, 1880–2005. Blackwell Companions to Literature and Culture. Malden, MA, and Oxford: Blackwell Publishing, 2006. $149.95 cloth.CrossRefGoogle Scholar
McClatchy, J. D., ed. Thornton Wilder: Selected Plays and Writings on the Theatre. New York: Library of America, 2007. $40 cloth.Google Scholar
McClung, Bruce B.. “Lady in the Dark”: Biography of a Musical. Oxford and New York: Oxford University Press, 2007. $39.95 cloth.CrossRefGoogle Scholar
McDonald, Marianneand J. Michael, Walton, eds. The Cambridge Companion to Greek and Roman Theatre. Cambridge Companions to Literature. Cambridge and New York: Cambridge University Press, 2007. $85 cloth, $29.99 paper.CrossRefGoogle Scholar
McDonald, Ronan. The Cambridge Introduction to Samuel Beckett. Cambridge Introductions to Literature. Cambridge and New York: Cambridge University Press, 2007. $65 cloth, $19.99 paper.CrossRefGoogle Scholar
McDonald, Russ. Shakespeare's Late Style. Cambridge and New York: Cambridge University Press, 2006. $917 cloth.CrossRefGoogle Scholar
Maguire, Tom. Making Theatre in Northern Ireland: Through and Beyond the Troubles. Exeter Performance Studies. Exeter: University of Exeter Press, 2006. $27.95 paper.Google Scholar
Mann, Theodore. Journeys in the Night: Creating a New American Theatre with Circle in the Square—A Memoir. New York: Applause Theatre and Cinema Books: 2007. $34.95 cloth.Google Scholar
Manning, Susan. Ecstasy and the Demon: The Dances of Mary Wigman. Minneapolis: University of Minnesota Press, 2006. $25 paper.Google Scholar
*Marshall, C. W.. The Stagecraft and Performance of Roman Comedy. Cambridge and New York: Cambridge University Press, 2006. $90 cloth.CrossRefGoogle Scholar
Martin, Caroland Saviana, Stanescu, eds. Global Foreigners: An Anthology of Plays. New York: Seagull Books, 2006. $22.95 paper, $99.95 cloth.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge and New York: Cambridge University Press, 2007. $95 cloth.Google Scholar
Mitchell, Dennis J.. A Rich Past—A Vibrant Future: The History & Renovation of the Marks Rothenberg and Grand Opera House Buildings. Meridian: Mississippi State University Riley Center for the Performing Arts, 2006. $39.95 cloth.Google Scholar
Moses, Itamar. Bach at Leipzig. New York: Faber & Faber, 2005. $13 paper.Google Scholar
Mukherji, Subha. Law and Representation in Early Modern Drama. Cambridge and New York: Cambridge University Press. 2006. $101 cloth.CrossRefGoogle Scholar
Munro, Ian. The Figure of the Crowd in Early Modern London: The City and Its Double. Early Modern Cultural Studies. New York: Palgrave Macmillan, 2005. $69.95 cloth.CrossRefGoogle Scholar
*Murphy, Jacqueline Shea. The People Have Never Stopped Dancing: Native American Dance Histories. Minneapolis: University of Minnesota Press, 2007. $75.00 cloth.Google Scholar
Newstok, Scott L., ed. Kenneth Burke on Shakespeare. West Lafayette, IN: Parlor Press, 2006. $32 paper.Google Scholar
Nixon, Marni. I Could Have Sung All Night: My Story. North Hollywood, CA: Billboard Books, 2006. $24.95 cloth.Google Scholar
*Normington, Katie. Modern Mysteries: Contemporary Productions of Medieval English Cycle Dramas. Cambridge: D. S. Brewer, 2007. $55.00 cloth.Google Scholar
*Parker, John. The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe. Ithaca: Cornell University Press, 2007. $39.95 cloth.Google Scholar
Pinciss, Gerald M.. Why Shakespeare: An Introduction to the Playwright's Art. London and New York: Continuum, 2005. $24.95 cloth.Google Scholar
*Prest, Julia. Theatre under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet and Opera. New York: Palgrave Macmillan, 2006. $65 cloth.CrossRefGoogle Scholar
*Ravelhofer, Barbara. The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006. $99 cloth.Google Scholar
*Reason, Matthew. Documentation, Disappearance and the Representation of Live Performance. Basingstoke, U.K., and New York: Palgrave Macmillan, 2006. $80 cloth.CrossRefGoogle Scholar
Reinelt, Janelle GJoseph, Roach, eds. Critical Theory and Performance. Theater: Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2007. $85 cloth, $32.50 paper.Google Scholar
*Reynolds, Bryan, ed. Transversal Enterprises in the Drama of Shakespeare and His Contemporaries.New York: Palgrave Macmillan, 2006. $75.00 cloth.Google Scholar
Ridout, Nicholas. Stage Fright, Animals, and Other Theatrical Problems. Theatre and Performance Theory. Cambridge and New York: Cambridge University Press, 2007. $80 cloth, $34.99 paper.Google Scholar
Ringer, Mark. Opera's First Master: The Musical Dramas of Claudio Monteverdi. Unlocking the Masters. Newark, NJ: Amadeus Press, 2006. $29.95 paper.Google Scholar
*Roach, Joseph. It. Ann Arbor: University of Michigan Press, 2007. $60 cloth, $19.95 paper.CrossRefGoogle Scholar
Roche, Anthony, ed. The Cambridge Companion to Brian Friel. Cambridge Companions to Literature. Cambridge and New York: Cambridge University Press, 2006. $75 cloth, $29.99 paper.CrossRefGoogle Scholar
Rocklin, Edward L.. Performance Approaches to Teaching Shakespeare. Urbana, IL: National Council of Teachers of English, 2005. $39.95 paper.Google Scholar
Russell, Gillian. Women, Sociability and Theatre in Georgian London. Cambridge Studies in Romanticism. Cambridge and New York: Cambridge University Press, 2007. $96 cloth.Google Scholar
*Schanke, Robert A., ed. Angels in the American Theater: Patrons, Patronage, and Philanthropy. Theater in the Americas. Carbondale: Southern Illinois University Press, 2007. $35 paper.Google Scholar
Schmiesing, Ann. Norway's Christiania Theatre, 1827–1867: From Danish Showhouse to National Stage. Madison, NJ: Fairleigh Dickinson University Press (Cranbury, NJ: AUP), 2006. $53.50 paper.Google Scholar
Sell, Mike, Ed. Ed Bullins: Twelve Plays and Selected Writings. Ann Arbor: University of Michigan Press, 2006. $70 cloth, $22.95 paper.Google Scholar
Semmes, Clovis E.. The Regal Theater and Black Culture. New York: Palgrave Macmillan, 2006. $69.95 cloth.CrossRefGoogle Scholar
Shaffer, Jason. Performing Patriotism: National Identity in the Colonial and Revolutionary Theater. Early American Studies. Philadelphia: University of Pennsylvania Press, 2007. $45 cloth.Google Scholar
Shakespeare, William. Measure for Measure. 2d ed. Edited by Brian, Gibbons. The New Cambridge Shakespeare.Cambridge and New York: Cambridge University Press, 2006. $75 cloth, $15.99 paper.Google ScholarPubMed
Shakespeare, William. The Poems. 2d ed. Edited by John, Roe. The New Cambridge Shakespeare.Cambridge and New York: Cambridge University Press, 2006. $75 cloth, $15.99 paper.Google Scholar
Shakespeare, William. The Second Part of King Henry IV. 2d ed. Edited by Giorgio, Melchiori The New Cambridge Shakespeare.Cambridge and New York: Cambridge University Press, 2007. $75 cloth, $14.99 paper.Google Scholar
Shakespeare, William. The Sonnets. 2d ed . Edited by Blakemore Evans, G.. The New Cambridge Shakespeare.Cambridge and New York: Cambridge University Press, 2006. $70 cloth, $15.99 paper.Google Scholar
Shakespeare, William. Titus Andronicus. 2d ed. Edited byAlan, Hughes.. The New Cambridge Shakespeare.Cambridge and New York: Cambridge University Press, 2006. $75 cloth, $15.99 paper.Google Scholar
Shakespeare, William. Troilus and Cressida. Edited by Shirley, Frances A.. Shakespeare in Production. Cambridge and New York: Cambridge University Press, 2005. $80 cloth, $29.99 paper.Google Scholar
Shakespeare, William. The Winter's Tale. Edited by Susan, Snyder and Deborah, T. Curren-Aquino. The New Cambridge Shakespeare.Cambridge and New York: Cambridge University Press, 2007. $75 cloth, $14.99 paper.Google Scholar
Shelton, Lewis E.. Ideas of the Theatre: The Five Directorial Perspectives of the American Stage. Bethesda, MD: Academica Press, 2005. $69.95 cloth.Google Scholar
Sihra, Melissa. Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. New York: Palgrave Macmillan, 2007. $74.95 cloth.CrossRefGoogle Scholar
Singer, Toba. First Position: A Century of Ballet Artists. Westport, CT: Praeger, 2007. $49.95 cloth.Google Scholar
Sokalski, J. A.. Pictorial Illusionism: The Theatre of Steele Mackaye. Montréal: McGill–Queen's University Press, 2007. $55 cloth.Google Scholar
Stanislavski, Konstantin. An Actor's Work: A Student's Diary. Translated by Jean Benedetti. New York: Routledge, 2008. $35.00 cloth.Google Scholar
Symes, Carol. A Common Stage: Theatre and Public Life in Medieval Arras. Ithaca: Cornell University Press, 2007. $49.95 cloth.Google Scholar
*Teague, Frances. Shakespeare and the American Popular Stage. Cambridge and New York: Cambridge University Press, 2006. $91 cloth, $31.99 paper.Google Scholar
Thomson, Peter. The Cambridge Introduction to English Theatre, 1660–1900. Cambridge Introductions to Literature. Cambridge and New York: Cambridge University Press, 2006. $80 cloth, $25.99 paper.Google Scholar
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*Tompkins, Joanne. Unsettling Space: Contestations in Contemporary Australian Theatre. Studies in International Performance. New York: Palgrave Macmillan, 2007. $74.95 cloth.Google Scholar
*van de Water, Manon. Moscow Theaters for Young People: A Cultural History of Ideological Coercion and Artistic Innovation, 1917–2000. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2006. $75 cloth.CrossRefGoogle Scholar
Vickers, Brian. Shakespeare, “A Lover's Complaint,” and John Davies of Hereford. Cambridge and New York: Cambridge University Press, 2007. $96 cloth.Google Scholar
Volz, Jim. The Back Stage Guide to Working in Regional Theater: Jobs for Actors and Other Theater Professionals. New York: Back Stage Books, 2007. $19.95 paper.Google Scholar
Wallace, Jennifer. The Cambridge Introduction to Tragedy. Cambridge Introductions to Literature. Cambridge and New York: Cambridge University Press, 2007. $75 cloth, $22.99 paper.Google Scholar
*Walton, J. Michael. Found in Translation: Greek Drama in English. Cambridge and New York: Cambridge University Press, 2006. $101 cloth.CrossRefGoogle Scholar
*Waters, Hazel. Racism on the Victorian Stage: The Representation of Slavery and the Black Character. Cambridge and New York: Cambridge University Press, 2007. $96 cloth.CrossRefGoogle Scholar
Wearing, J. P.. The Shakespeare Diaries: A Fictional Autobiography. Santa Monica, CA: Santa Monica Press, 2007. $27.95 cloth.Google Scholar
Wellman, Macand Young, Jean Lee, ed. New Downtown Now: An Anthology of New Theater from Downtown New York. Minneapolis: University of Minnesota Press, 2006. $24.95 paper.Google Scholar
Weltman, Sharon Aronosfsky. Performing the Victorian: John Ruskin and Identity in Theater, Science, and Education. Columbus: Ohio State University Press, 2007. $36.95 cloth.Google Scholar
*Westlake, E. J.. Our Land Is Made of Courage and Glory: Nationalist Performance of Nicaragua and Guatemala. Carbondale: Southern Illinois University Press, 2005. $55 cloth.Google Scholar
Whitney, Charles. Early Responses to Renaissance Drama. Cambridge and New York: Cambridge University Press, 2006. $91 cloth.Google Scholar
Willinger, David, ed. “The Sacrament” and Other Plays of Forbidden Love by Hugo Claus. Selinsgrove, PA: Susquehanna University Press, 2007. $50 paper.Google Scholar
*Wilmeth, Don B., ed. The Cambridge Guide to American Theatre. 2d ed.Cambridge and New York: Cambridge University Press, 2007. $150 cloth.Google Scholar
Wilson, Alexandra. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge Studies in Opera. Cambridge and New York: Cambridge University Press, 2007. $96 cloth.CrossRefGoogle Scholar
Wilson, Gregory A.. The Problem in the Middle: Liminal Space and the Court Masque. Clemson, SC: Clemson University Press, 2007. $19.95 paper.Google Scholar
*Witmore, Michael. Pretty Creatures: Children and Fiction in the English Renaissance. Ithaca: Cornell University Press, 2007. $39.95 cloth.Google Scholar
Wright, John. Why Is That So Funny?: A Practical Exploration of Physical Comedy. London: Nick Hern Books, 2007. $25.95 paper.Google Scholar