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Reviews
Gods of Play: Baroque Festive Performances as Rhetorical Discourse. By Kristiaan P. Aercke. Albany: State University of New York Press, 1994. Pp 284. $19.95 Pb.
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- 23 January 2009, pp. 182-183
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Big-Time Shakespeare. By Michael D. Bristol. London & New York: Routledge, 1996. Pp. xvi + 256. £14. 99 Pb.
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- 23 January 2009, pp. 283-284
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Molière, Don Juan (Plays in Production). By David Whitton. Cambridge: Cambridge University Press, 1995. Pp. xi + 207 + illus. £32.50 Hb; £11.95 Pb.
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- 23 January 2009, pp. 284-285
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The Plays of Heinrich von Kleist Ideals and Illusions. By Seán Allan. Cambridge: Cambridge University Press, 1996. Pp. xviii + 315. £59.95.
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- 23 January 2009, pp. 82-83
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Cross-Cultural Approaches to Theatre: The Spanish—French Connection. By Phyllis Zatlin. Methuchen, NJ: The Scarecrow Press, 1994. Pp. vii + 261 + illus. $34.50 Hb. - La Gloire: The Roman Empire of Corneille and Racine. By Louis Auchincloss. Columbia, SC: University of South Carolina Press, 1996. Pp. vii + 90. $19.95 Hb.
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- 23 January 2009, pp. 183-184
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Church and Stage in Victorian England. By Richard Foulkes. Cambridge: Cambridge University Press, 1997. Pp. xiv + 263 + illus. £37.50; $59.95 Hb.
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- 23 January 2009, p. 184
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Franz Xaver Kroetz: The Construction of a Political Aesthetic. By Michelle Mattson. Oxford & Washington, DC: Berg, 1996. Pp. x + 217. £29.95 Hb.
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- 23 January 2009, pp. 83-84
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Resistance, Parody and Double Consciousness in African-American Theatre, 1895–1910. By David Krasner. New York: St Martin's Press, 1997. Pp. 218. $39.95 Hb.
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- 23 January 2009, pp. 285-286
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The Moscow Art Theatre. By Nick Worrall. London & New York: Routledge, 1996. Pp. xi + 243. £45 Hb.
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- 23 January 2009, pp. 286-287
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Consciousness, Literature and Theatre: Theory and Beyond. By Peter Malekin & Ralph Yarrow. (Studies in Literature and Religion. General Editor: David Jasper.) London & New York: Macmillan & St Martin's Press, 1997. Pp. 197. £35 Hb.
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- 23 January 2009, pp. 84-85
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Staging the Jew: The Performance of an American Ethnicity, 1860–1920. By Harley Erdman. New Brunswick, NJ: Rutgers University Press, 1997. Pp. xvi + 224 + illus. $50 Hb; $19.95 Pb.
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- 23 January 2009, pp. 184-185
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Ibsen's Women. By Joan Templeton. Cambridge: Cambridge University Press, 1997. Pp. xxi + 386 + illus. £45; $64.95 Hb.
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- 23 January 2009, pp. 185-186
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World Encyclopedia of Contemporary Theatre: Volume 3, Africa. Edited by Ousmane Diakhaté & Hansel Ndumbe Eyoh. London: Routledge, 1997. Pp. 426 + illus. £85 Hb.
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- 23 January 2009, pp. 85-86
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German Expressionist Theatre: The Actor and the Stage. By David F. Kuhns. Cambridge: Cambridge University Press, 1997. Pp. x + 311. £40; $64.95 Hb.
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- 23 January 2009, pp. 287-288
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1894, European Theatre in Turmoil: Meaning and Significance of the Theatre a Hundred Years Ago. Edited by Hub Hermans, Wessel Krul, Hans van Maanen. Amsterdam & Atlanta, GA: Rodopi, 1996. Pp. 149. $28 Pb.
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- 23 January 2009, p. 186
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Characters and Authors in Luigi Pirandello. By Ann Hallamore Caesar. Oxford: Clarendon Press, 1998. Pp. xi + 275. £40 Hb.
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- 23 January 2009, p. 288
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Chinese Theatre and the Actor in Performance. By Jo Riley. Cambridge: Cambridge University Press, 1997. Pp. vii + 348. £45; $64.95 Hb.
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- 23 January 2009, p. 86
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The Crommelynck Mystery: The Life and Work of a Belgian Playwright. By Alain Piette & Bert Cardullo. Selinsgrove: Sus-quehanna University Press & London: Associated University Press, 1997. Pp. 150. £27 Hb.
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- 23 January 2009, pp. 288-289
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The Twentieth-Century Performance Reader. Edited by Michael Huxley & Noel Witts. London: Routledge, 1996. Pp. xx + 421. £50 Hb; £14.99 Pb.
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- 23 January 2009, p. 87
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The Art of the Ballets Russes: The Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum, Hartford, Connecticut. By Alexander Schouvaloff. New Haven & London: Yale University Press, in association with the Wadsworth Atheneum, 1997. Pp. 352 + illus. £50 Hb.
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- 23 January 2009, pp. 186-187
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