Theatre Research International: Volume 23 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 23 - Autumn 1998

Contents

Page 4 of 5

Reviews

Brecht, Mother Courage and her Children (Plays in Production). By Peter Thomson. Cambridge: Cambridge University Press, 1997. Pp. xiii + 206. £35/$59.95 Hb; £12.95/$18.95 Pb.
Christopher Baugh
Published online by Cambridge University Press:

23 January 2009, pp. 187-188
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West End Women: Women and the London Stage, 1918–1962. By Maggie B. Gale. London & New York: Routledge, 1996. Pp. x + 262. £40 Hb; £12.99 Pb.
Adrienne Scullion
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23 January 2009, pp. 87-88
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Yury Lyubimov at the Taganka Theatre 1964–1994. By Birgit Beumers. Amsterdam: Harwood Academic, 1997. Pp. xviii + 361 + illus. £82/$126 Hb; £27/$42 Pb.
Steve Nicholson
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23 January 2009, p. 289
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The Cambridge Companion to Arthur Miller. Edited by Christopher Bigsby. Cambridge: Cambridge University Press, 1997. Pp. xix + 277 + illus. £37.50/$59.95 Hb; £13.95/$18.95 Pb.
Darryll Grantley
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23 January 2009, p. 188
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Later Stages: Essays in Ontario Theatre from the First World War to the 1970S. Edited by Ann Saddlemyer & Richard Plant. Toronto: University of Toronto Press, 1997. Pp. xiii + 496 + illus. £44/$60 Hb; $18.50/$24.95 Pb.
Ronald Vince
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23 January 2009, pp. 289-290
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Feminist Stages: Interviews with Women in Contemporary British Theatre. By Lizbeth Goodman. Amsterdam: Harwood Academic Publishers, 1996. Pp. xiv + 330 + illus. £18 Pb.
Laurie J. Wolf
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23 January 2009, pp. 88-89
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Threads of Time: A Memoir. By Peter Brook. London: Methuen, 1998. Pp. 241. £17.99 Hb.
David Wiles
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23 January 2009, pp. 290-291
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Towards a Theatre of the Oppressed: The Dramaturgy of John Arden. By Javed Malick. Ann Arbor, MI: University of Michigan Press, 1995. Pp. 298. $39.50 Hb.
Stephen di Benedetto
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23 January 2009, pp. 188-189
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Putting Your Daughters on the Stage: Lesbian Theatre from the 1970s to the 1990s. By Sandra Freeman. London & Washington: Cassell, 1997. Pp. viii + 199. £14.99 Pb.
Deirdre E. Heddon
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23 January 2009, p. 89
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Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage. Edited by Nicole Boireau. London: Macmillan, 1997. Pp. xv + 256. £37.50 Hb.
Dominic Shellard
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23 January 2009, pp. 89-90
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The Theatre of Robert Wilson (Directors in Perspective). By Arthur Holmberg. Cambridge: Cambridge University Press, 1997. Pp. xix + 229 + illus. £37.50; $49.95 Hb.
Dean Wilcox
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23 January 2009, pp. 291-292
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Le Théâtre de Brian Friel: Histoire et Histoires. By Martine Pelletier. Villeneuve d'Ascq (Nord): Presses Universitaires du Septentrion, 1997. Pp. 356. FF 190 Pb.
Joseph Long
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23 January 2009, pp. 189-190
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From Acting to Performance: Essays in Modernism and Postmodernism. By Philip Auslander. London: Routledge, 1997. Pp. x + 173. £35 Hb; £10.99 Pb.
Mick Wallis
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23 January 2009, pp. 90-91
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Feminist Theatre Voices. Edited by Elaine Aston. Loughborough: Loughborough Theatre Texts, 1997. Pp. 182. £7.99 Pb - Rage and Reason: Women Playwrights on Playwriting. Edited by Heidi Stephenson & Natasha Langridge. London: Methuen, 1997. Pp. xx + 172. £9.99 Ph
Maggie B. Gale
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23 January 2009, pp. 292-293
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The National: The Theatre and its Work, 1963–97. By Simon Callow. London: Nick Hern Books/National Theatre, 1997. Pp. 122 + illus. £20 Hb; £12.99 Pb.
Aleks Sierz
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23 January 2009, p. 190
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Mise En Scene: French Theatre Now. By David Bradby & Annie Sparks. London: Methuen, 1998. Pp. xxv + 293 + illus. £12.99 Pb.
Maria Shevtsova
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23 January 2009, p. 293
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Mourning Sex: Performing Public Memories. By Peggy Phelan. London & New York: Routledge, 1997. Pp. x + 187. £40 Hb; £12.99 Pb.
Heath A. Diehl
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23 January 2009, pp. 91-92
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African Theatre and Politics: The Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe, a Comparative Study. By Jane Plastow. Amsterdam & Atlanta, GA: Rodopi, 1996. Pp. xi + 286 + illus + maps. 45Hfl; $28 Pb.
Femi Osofisan
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23 January 2009, pp. 190-191
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Books Received

Books Received
Published online by Cambridge University Press:

23 January 2009, pp. 294-295
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Books Received
Published online by Cambridge University Press:

23 January 2009, pp. 93-97
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Page 4 of 5

Theatre Research International

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Volume 23 - Autumn 1998

Reviews

Brecht, Mother Courage and her Children (Plays in Production). By Peter Thomson. Cambridge: Cambridge University Press, 1997. Pp. xiii + 206. £35/$59.95 Hb; £12.95/$18.95 Pb.

West End Women: Women and the London Stage, 1918–1962. By Maggie B. Gale. London & New York: Routledge, 1996. Pp. x + 262. £40 Hb; £12.99 Pb.

Yury Lyubimov at the Taganka Theatre 1964–1994. By Birgit Beumers. Amsterdam: Harwood Academic, 1997. Pp. xviii + 361 + illus. £82/$126 Hb; £27/$42 Pb.

The Cambridge Companion to Arthur Miller. Edited by Christopher Bigsby. Cambridge: Cambridge University Press, 1997. Pp. xix + 277 + illus. £37.50/$59.95 Hb; £13.95/$18.95 Pb.

Later Stages: Essays in Ontario Theatre from the First World War to the 1970S. Edited by Ann Saddlemyer & Richard Plant. Toronto: University of Toronto Press, 1997. Pp. xiii + 496 + illus. £44/$60 Hb; $18.50/$24.95 Pb.

Feminist Stages: Interviews with Women in Contemporary British Theatre. By Lizbeth Goodman. Amsterdam: Harwood Academic Publishers, 1996. Pp. xiv + 330 + illus. £18 Pb.

Threads of Time: A Memoir. By Peter Brook. London: Methuen, 1998. Pp. 241. £17.99 Hb.

Towards a Theatre of the Oppressed: The Dramaturgy of John Arden. By Javed Malick. Ann Arbor, MI: University of Michigan Press, 1995. Pp. 298. $39.50 Hb.

Putting Your Daughters on the Stage: Lesbian Theatre from the 1970s to the 1990s. By Sandra Freeman. London & Washington: Cassell, 1997. Pp. viii + 199. £14.99 Pb.

Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage. Edited by Nicole Boireau. London: Macmillan, 1997. Pp. xv + 256. £37.50 Hb.

The Theatre of Robert Wilson (Directors in Perspective). By Arthur Holmberg. Cambridge: Cambridge University Press, 1997. Pp. xix + 229 + illus. £37.50; $49.95 Hb.

Le Théâtre de Brian Friel: Histoire et Histoires. By Martine Pelletier. Villeneuve d'Ascq (Nord): Presses Universitaires du Septentrion, 1997. Pp. 356. FF 190 Pb.

From Acting to Performance: Essays in Modernism and Postmodernism. By Philip Auslander. London: Routledge, 1997. Pp. x + 173. £35 Hb; £10.99 Pb.

Feminist Theatre Voices. Edited by Elaine Aston. Loughborough: Loughborough Theatre Texts, 1997. Pp. 182. £7.99 Pb - Rage and Reason: Women Playwrights on Playwriting. Edited by Heidi Stephenson & Natasha Langridge. London: Methuen, 1997. Pp. xx + 172. £9.99 Ph

The National: The Theatre and its Work, 1963–97. By Simon Callow. London: Nick Hern Books/National Theatre, 1997. Pp. 122 + illus. £20 Hb; £12.99 Pb.

Mise En Scene: French Theatre Now. By David Bradby & Annie Sparks. London: Methuen, 1998. Pp. xxv + 293 + illus. £12.99 Pb.

Mourning Sex: Performing Public Memories. By Peggy Phelan. London & New York: Routledge, 1997. Pp. x + 187. £40 Hb; £12.99 Pb.

African Theatre and Politics: The Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe, a Comparative Study. By Jane Plastow. Amsterdam & Atlanta, GA: Rodopi, 1996. Pp. xi + 286 + illus + maps. 45Hfl; $28 Pb.

Books Received

Books Received

Books Received

Theatre Research International

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Volume 23 - Autumn 1998

Reviews

Books Received