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Playing with Horses: Improvisation and Communication
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- 15 September 2021, pp. 91-102
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Stanford Consortium Issue: Part I
Silence of the World: Scenic Experiment Script
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- 01 December 2021, pp. 67-76
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Restaging Zhu Yingtai in Early Communist China: Shaoxing Opera, Color Film, and the “New Woman”
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- 01 June 2021, pp. 77-94
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La Reprise: Histoire(s) du théâtre (I)
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- 18 March 2021, pp. 40-53
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Holding a Mirror Up to Theatre: Milo Rau’s La Reprise: Histoire(s) du théâtre (I)
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- 18 March 2021, pp. 54-61
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Embodied Philology: Translating Performance from Tashkent to Chicago
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- 15 September 2021, pp. 103-124
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Foreign Assembly Toshiki Okada’s Time’s Journey through a Room in the US
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- 01 June 2021, pp. 95-105
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Stanford Consortium Issue: Part I
On the Creative Process: The Ephemerality of Silence of the World
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- 01 December 2021, pp. 77-83
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Yvonne Rainer’s Archive
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- 01 December 2021, pp. 84-102
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A Radically Unfinished Dance: Contact Improvisation in a Time of Social Distance
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- 18 March 2021, pp. 62-78
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The (Afro) Future of Henry Box Brown: His-story of Escape(s) through Time and Space
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- 15 September 2021, pp. 125-142
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An Illusion that Mirrors a Dream: The Storytelling of Stan Lai
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- 01 June 2021, pp. 106-130
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The Director’s Process: An Interview with Rachel Chavkin
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- 18 March 2021, pp. 79-94
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Drama Etudes: A Pedagogical Experiment in China
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- 01 June 2021, pp. 131-149
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Critical Acts
Gender and Nation Tightly Bound: Ita Segev’s Knot in My Name
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- 15 September 2021, pp. 143-149
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Article
Suzanne Lacy between Kaprow and Chicago: Pedagogy and Performance
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- 01 December 2021, pp. 103-130
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Eating Bananas Outside the National Museum: Unlimited Semiosis
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- 01 December 2021, pp. 131-146
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Critical Acts
Prophesizing the End of Theatre: La Laura Palmer’s Animales invisibles
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- 15 September 2021, pp. 149-156
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Staging the Great Victory: Weaponizing Story, Song, and Spectacle in Russia’s Wars of History and Memory
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- 18 March 2021, pp. 95-123
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Shanghai: The Road to a Modern Performing Arts City
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- 01 June 2021, pp. 150-166
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