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The aurality of pipeline politics and listening for nacreous clouds: voicing Indigenous ecological knowledge in Tanya Tagaq's Animism and Retribution
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- 01 April 2020, pp. 121-144
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From rage to riches: swag and capital in the Tanzanian hip hop industry
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- 19 March 2021, pp. 523-538
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This Must Be The Place: an Architectural History of Popular Music Performance Venues. By Robert Kronenburg. New York: Bloomsbury, 2019. 286 pp. ISBN 9781501319280
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- 01 April 2020, pp. 145-146
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A breed apart and a breed below: creative music performance and the expert drummer
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- 27 August 2020, pp. 312-331
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Beyond ‘puffins and moss’: Iceland Airwaves and post-crash musical tourism
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- 19 March 2021, pp. 539-553
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Middle Eight
The problem with AI music: song and cyborg creativity in the digital age
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- 27 August 2020, pp. 332-338
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Popular Music in the Post-Digital Age: Politics, Economy, Culture, and Technology. Edited by Ewa Mazierska, Les Gillon and Tony Rigg. New York: Bloomsbury, 2019. 304 pp. ISBN: 978-1-5013-3837-3
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- 01 April 2020, pp. 146-148
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‘The Rains of Castamere’: medievalism, popular culture, and the music of Game of Thrones
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- 19 March 2021, pp. 554-567
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Popular music analysis too often neglects the analysis of popular music
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- 27 August 2020, pp. 339-344
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This is Not a Remix: Piracy, Authenticity and Popular Music. By Margie Borschke. New York: Bloomsbury Academic, 2017. 186 pp. ISBN 9781501318931
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- 01 April 2020, pp. 149-151
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Contemporary Punk Rock Communities: Scenes of Inclusion and Dedication. By Ellen M. Bernhard. New York: Lexington Books, 2019. 190 pp. ISBN 978-1-4985-9967-2
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- 27 August 2020, pp. 345-348
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Punk Crisis: The Global Punk Revolution. By Raymond A. Patton. New York: Oxford University Press, 2018. 232 pp. ISBN: 9780190872366
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- 01 April 2020, pp. 151-154
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The country and Irish problem
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- 19 March 2021, pp. 568-584
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The ambivalence of becoming a small business: Learning processes within an aspiring rock band
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- 19 March 2021, pp. 585-599
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Henry Cow: the World is a Problem. By Benjamin Piekut. Durham, NC: Duke University Press, 2019. 494pp. ISBN 1478004665
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- 27 August 2020, pp. 348-350
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Working for the Clampdown: The Clash, the Dawn of Neoliberalism and the Political Promise of Punk. Edited By Colin Coulter. Manchester: Manchester University Press, 2019. 229 pp. ISBN 9781526114211.
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- 01 April 2020, pp. 154-156
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Challenges facing regional live music venues: A case study of venues in Armidale, NSW
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- 19 March 2021, pp. 600-618
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An Encyclopedia of Political Record Labels (3rd edn). By Josh MacPhee. New York: Common Notions, 2019. 196 pp. ISBN 9781942173113
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- 01 April 2020, pp. 156-157
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Dangerous Mediations: Pop Music in a Philippine Prison Video. By Áine Mangaoang. New York: Bloomsbury Academic, 2019. 238 pp. ISBN 978-1-5013-3153-4
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- 27 August 2020, pp. 350-352
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Adapting The Wizard of Oz: Musical Versions from Baum to MGM and Beyond. Edited by Danielle Birkett and Dominic McHugh. New York: Oxford University Press, 2019. 257 pp. ISBN 978-0-19-066318-6 - Arlen and Harburg's Over the Rainbow. By Walter Frisch. New York: Oxford University Press, 2017. 146 pp. ISBN 978-0-19-046734-0
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- 27 August 2020, pp. 352-353
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