Popular Music: Volume 26 -

Lost Sounds: Blacks and the Birth of the Recording Industry 1890–1919. By Tim Brooks. Urbana & Chicago: University of Illinois Press, 2004. 664 pp., 57 photographs. ISBN 0-252-02850-3 (cloth)
Jennifer Ryan
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04 January 2007, pp. 187-188
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Noisy Island: a Short History of Irish Popular Music. By Gerry Smyth. Cork: Cork University Press, 2005. 136 pp. ISBN 1 85918 387 5 (hb)
Ciaran Wrenn
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01 May 2007, pp. 375-377
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The Rolling Stones: An Oral History. By Alan Lysaght. Toronto: McArthur and Company, 2003. 310+v pp. ISBN 1-55278-392-8 (paperback)
Adam Behr
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04 January 2007, pp. 189-191
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Jazz on the River. By William Howland Kenney. Chicago and London: University of Chicago Press, 2005. 229 pp. ISBN 0-226-43733-7 (hb) - The Evolution of Jazz in Britain, 1880–1935. By Catherine Parsonage. Aldershot: Ashgate, 2005. 322 pp. ISBN 0-7546-5076-6 (hb)
Nicholas Gebhardt
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01 May 2007, pp. 377-379
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The Producer as Composer: Shaping the Sounds of Popular Music. By Virgil Moorefield. Cambridge, MA and London, UK: The MIT Press, 2005. 143 pp.
Kai Fikentscher
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03 October 2007, pp. 523-525
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Remembering Woodstock. Edited by Andy Bennett. Aldershot: Ashgate, 2004. xxi + 159 pp. ISBN 0 7546 0713 5
A dam Behr
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03 October 2007, pp. 525-528
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Music In Film: Soundtracks and Synergy. By Pauline Reay. London: Wallflower Press, 2004. ISBN 1 903364 65 5 (pb) - Pop Fiction – The Song in Cinema. Edited by Steve Lannin and Matthew Caley. Bristol: Intellect, 2005. 338 pp. ISBN 1 84150 078 X (pb) - Popular Music and Film. Edited by Ian Inglis. London: Wallflower Press, 2003. ISBN 1 903364 72 8 (hb), ISBN 1 903364 71 X (pb)
John Mundy
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01 May 2007, pp. 379-381
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But Is It Garbage? On Rock And Trash. By Steven L. Hamelman. Athens & London: The University of Georgia Press, 2004. 272 pp. ISBN 0-82032587-2
Richard Witts
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04 January 2007, pp. 191-192
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The Last Waltz of the Band. By Neil Miniturn. ‘CMS Sourcebooks in American Music’ no. 2. Edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2005. 224 pp. ISBN 1-57647-093-8 (pb)
Christopher Garbowski
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01 May 2007, pp. 382-384
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Rip It Up and Start Again: Post Punk 1978–1984. By Simon Reynolds. Faber and Faber, 2005. 752 pp. ISBN: 0571215696
Vincent Egan
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03 October 2007, pp. 528-529
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The Mayor of MacDougel Street. A Memoir. By Dave Van Ronk with Elijah Wald. New York: DaCapo Books, 2005. 246 pp. ISAN 978–0-306–81479–2
David Sanjek
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03 October 2007, pp. 530-533
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The Saga of Hawkwind. By Carol Clerk. Omnibus Press, 2006. 578 pp. paperback ISBN 1-84449-832-8
Vincent Egan
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03 October 2007, pp. 534-535
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Music Production: A Manual for Producers, Composers, Arrangers, and Students. By Michael Zager. Lanham, Maryland: The Scarecrow Press, 2006. 366 pages. ISBN 0-810805704-9 (paperback)
Allan Hewitt
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03 October 2007, pp. 536-537
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Mouse Tracks: The Story of Walt Disney Records. By Tim Hollis and Greg Ehrbar. Jackson: The University Press of Mississippi, 2006. 221 pp. ISBN 1 57806 848 7 (paperback); ISBN 1 57806 849 5 (cloth)
Ronald H. Sadoff
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03 October 2007, pp. 537-539
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addendum
William Echard
Published online by Cambridge University Press:

03 October 2007, p. 540
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Allan Moore’s review of my book, Neil Young and the Poetics of Energy, recently appeared in Popular Music (25/3, 2006). I need to answer two aspects of the review, not so much to dispute Moore’s position as to make sure that Popular Music readers are informed of what’s in the book. Maybe the omissions in Moore’s review resulted from my own lack of clarity. Be that as it may, the review fails to describe features of the book which may well interest readers of Popular Music. So here is some clarification, with thanks to the editors for providing an opportunity.

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Volume 26 - January 2007

Reviews

Lost Sounds: Blacks and the Birth of the Recording Industry 1890–1919. By Tim Brooks. Urbana & Chicago: University of Illinois Press, 2004. 664 pp., 57 photographs. ISBN 0-252-02850-3 (cloth)

Noisy Island: a Short History of Irish Popular Music. By Gerry Smyth. Cork: Cork University Press, 2005. 136 pp. ISBN 1 85918 387 5 (hb)

The Rolling Stones: An Oral History. By Alan Lysaght. Toronto: McArthur and Company, 2003. 310+v pp. ISBN 1-55278-392-8 (paperback)

Jazz on the River. By William Howland Kenney. Chicago and London: University of Chicago Press, 2005. 229 pp. ISBN 0-226-43733-7 (hb) - The Evolution of Jazz in Britain, 1880–1935. By Catherine Parsonage. Aldershot: Ashgate, 2005. 322 pp. ISBN 0-7546-5076-6 (hb)

The Producer as Composer: Shaping the Sounds of Popular Music. By Virgil Moorefield. Cambridge, MA and London, UK: The MIT Press, 2005. 143 pp.

Remembering Woodstock. Edited by Andy Bennett. Aldershot: Ashgate, 2004. xxi + 159 pp. ISBN 0 7546 0713 5

But Is It Garbage? On Rock And Trash. By Steven L. Hamelman. Athens & London: The University of Georgia Press, 2004. 272 pp. ISBN 0-82032587-2

The Last Waltz of the Band. By Neil Miniturn. ‘CMS Sourcebooks in American Music’ no. 2. Edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2005. 224 pp. ISBN 1-57647-093-8 (pb)

Rip It Up and Start Again: Post Punk 1978–1984. By Simon Reynolds. Faber and Faber, 2005. 752 pp. ISBN: 0571215696

The Mayor of MacDougel Street. A Memoir. By Dave Van Ronk with Elijah Wald. New York: DaCapo Books, 2005. 246 pp. ISAN 978–0-306–81479–2

The Saga of Hawkwind. By Carol Clerk. Omnibus Press, 2006. 578 pp. paperback ISBN 1-84449-832-8

Music Production: A Manual for Producers, Composers, Arrangers, and Students. By Michael Zager. Lanham, Maryland: The Scarecrow Press, 2006. 366 pages. ISBN 0-810805704-9 (paperback)

Mouse Tracks: The Story of Walt Disney Records. By Tim Hollis and Greg Ehrbar. Jackson: The University Press of Mississippi, 2006. 221 pp. ISBN 1 57806 848 7 (paperback); ISBN 1 57806 849 5 (cloth)

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Volume 26 - January 2007

Reviews

Addendum