Articles
Deliberating fandom and the new wave of Chinese pop: a case study of Chris Li
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- 06 February 2013, pp. 79-89
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Middle Eight
Live Music Exchange
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- 16 May 2013, pp. 297-301
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Articles
The estranged quotation in Israeli popular music
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- 13 September 2013, pp. 497-519
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Troubling genre, ethnicity and geopolitics in Taiwanese American independent rock music
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- 06 February 2013, pp. 91-109
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Middle Eight
Pussy Riot, freedom of expression, and popular music studies after the Cold War
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- 16 May 2013, pp. 303-311
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Articles
‘A new stereophonic sound spectacular’: Shibuya-kei as transnational soundscape
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- 06 February 2013, pp. 111-123
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Reviews
Michael Jackson: Grasping the Spectacle. Edited by Christopher R. Smit. Farnham and Burlington, VT: Ashgate, 2012. 243 pp. ISBN 978-1-4094-4696-5
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- 13 September 2013, pp. 521-523
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‘Only If You Are Really Interested’: Celebrity, Gender, Desire and the World of Morrissey. By Nicholas P. Greco. Jefferson, NC: McFarland & Company, 2011. 218 pp. ISBN 978-0-7864-6274-2
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- 06 February 2013, pp. 125-128
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The Beatles and McLuhan: Understanding the Electric Age. By Thomas MacFarlane. Lanham, MD, Toronto and Plymouth: Scarecrow Press, 2013. 169 pp. ISBN: 978-0-8108-8432-8
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- 13 September 2013, pp. 523-525
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Intimate Distance: Andean Music in Japan. By Michelle Bigenho. Durham, NC: Duke University Press, 2012. 230 pp. ISBN 978-0-8223-5235-8
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- 16 May 2013, pp. 313-315
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Irish Blood English Heart: Second Generation Irish Musicians in England. By Sean Campbell. Cork: Cork University Press, 2011. xii + 260 pp. ISBN 978-1-859-18490-5
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- 06 February 2013, pp. 128-130
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Sinister Resonance. By David Toop. London: Continuum, 2010. 256 pp. ISBN-13: 978-1-4411-4972-5
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- 16 May 2013, pp. 315-318
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The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance. By Kevin Dawe. Farnham: Ashgate, 2010. 227 pp. ISBN 978-0-754-66775-9
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- 13 September 2013, pp. 525-527
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Unfree Masters: Recording Artists and the Politics of Work. By Matt Stahl. London: Duke, 2013. 296 pp. ISBN 978-0-8223-5343-0
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- 13 September 2013, pp. 527-529
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Blixa Bargeld and Einstürzende Neubauten: German Experimental Music. ‘Evading do-re-mi’. By Jennifer Shryane. Farnham, UK: Ashgate, 2011. 253 pp. ISBN 9-781-4-0942156-6
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- 06 February 2013, pp. 130-132
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The Oxford Handbook of Sound Studies. Edited by Trevor Pinch and Karin Bijsterveld. Oxford: Oxford University Press, 2012. 593 pp. ISBN 978-0-19-538894-7, doi:/10.1111/anne.2010.51
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- 16 May 2013, pp. 318-321
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I am Hip-Hop: Conversations on the Music and Culture. By Andrew J. Rausch. Plymouth, UK: The Scarecrow Press, 2011. 213 pp. ISBN-13: 978-0810877917
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- 06 February 2013, pp. 132-133
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The Library of Essays on Popular Music. General editor, Allan F. Moore. Aldershot, Ashgate, 2012. - Electronica, Dance and Club Music. Edited by Mark J. Butler. 536 pp. ISBN 978-0-754-62965-8 - Roots Music. Edited by Mark F. DeWitt. 502 pp. ISBN 978-0-754-62962-7 - Pop Music and Easy Listening. Edited by Stan Hawkins. 523 pp. ISBN 978-0-754-62952-8 - Non-Western Popular Music. Edited by Tony Langlois. 600 pp. ISBN 978-0-754-62984-9 - Popular Music and Multimedia. Edited by Julie McQuinn. 506 pp. ISBN 978-0-754-62961-0 - Rock Music. Edited by Mark Spicer. 474 pp. ISBN 978-0-754-62956-6 - Jazz. Edited by Tony Whyton. 532 pp. ISBN 978-0-754-62951-1
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- 13 September 2013, pp. 529-534
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Metal Rules the Globe. Heavy Metal Music Around the World. Edited by Jeremy Wallach, Harris M. Berger and Paul D. Greene. Durham, NC and London: Duke University Press, 2011. 381 pp. ISBN 978-0-8223-4733-0
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- 16 May 2013, pp. 321-323
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James Brown. By John Scannell. Sheffield: Equinox Publishing, 2012. 168 pp. ISBN: 978-1-84553-743-2
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- 16 May 2013, pp. 323-324
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