In his 1926 essay “criteria of negro art,” W. E. B. Du Bois famously argued that “all art is propaganda and ever must be” (296). Du Bois's reputation as a fiction writer has long suffered because of his unwavering commitment to the propagandistic function of art. The Harlem Renaissance writer Wallace Thurman's 1928 claim that “the artist in him has been stifled in order that the propagandist may survive” (219) would be echoed for decades by critics who continued to view Du Bois's fiction as overly didactic, “insignificant and pallid” (Rigsby i), and bafflingly eccentric. Recently scholars have begun to reverse this disparagement while excavating how Du Bois used fiction to test out and amplify his developing philosophical and sociological positions over the many decades of his career. Du Bois's fantasy story “The Princess Steel,” published for the first time here, provides another opportunity to consider Du Bois as a writer of fiction as well as an enthusiastic reader of genre fiction. This addition to the growing archive of Du Bois's fiction illuminates his use of speculative romance to explain not only the pitfalls of industrial capitalism but also the romantic possibilities of social revolution.

The Eminent British Novelist and Literary critic David Lodge was interviewed in 1984 by Chris Walsh, then a lecturer in English at St Mary's Teachers Training College, now St Mary's University, Twickenham, London. Lodge spoke about his background—his Catholic education and its influence on him, his early reading of Graham Greene and Evelyn Waugh—and about literary criticism and fiction. The interview was published in the literary magazine Strawberry Fare, produced by the English department at St Mary's, which is situated on Strawberry Hill. During its short run, from 1981 to 1989, Strawberry Fare published fascinating interviews with leading literary figures, including, in addition to Lodge, Tom Stoppard, Seamus Heaney, Beryl Bainbridge, and others. Today copies of the journal are extremely scarce. The only complete runs appear to be in the British Library (call number ZK.9.a.41) and in the archives of St Mary's.