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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Perspectives and the Patron: Paul Fromm, Benjamin Boretz and Perspectives of New Music
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 327-365
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Fitzcarraldo's Search for Aguirre: Music and Text in the Amazonian Films of Werner Herzog
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- 01 January 2020, pp. 77-99
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The Music Room of the British Museum 1753–1953: Its History and Organization
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- 01 January 1952, pp. 65-79
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Allies in the Cause of Italian Music: Schütz, Prince Johann Georg II and Musical Politics in Dresden
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- 01 January 2020, pp. 1-40
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On the Musical Introductions Found in Certain Metrical Psalters
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- 01 January 2020, pp. 1-50
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Some Aspects of Beethoven's Instrumental Forms
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- 01 January 2020, pp. 73-98
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The Foundations of Musical Aesthetics
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- 01 January 2020, pp. 75-87
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The Masque of the Seventeenth Century, Its Origin and Development
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- 01 January 2020, pp. 113-131
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‘Everybody wants to be Pavarotti’: The Experience of Music for Performers and Audience at a Gilbert and Sullivan Festival
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- 01 January 2020, pp. 143-160
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The Intermezzi of the Opera
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- 01 January 2020, pp. 139-163
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The Nineteenth Century Musical Renaissance in France (1870–1895)
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- 01 January 2020, pp. 11-23
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RMI volume 44 Cover and Front matter
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- Published online by Cambridge University Press:
- 01 January 2020, pp. f1-f12
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Reforming Handel: John Brown and The Cure of Saul (1763)
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- 01 January 2011, pp. 207-245
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Masks, Minuets and Murder: Images of Italy in Leoncavallo's Pagliacci
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- 01 January 2020, pp. 32-68
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The Creation of the Buffo Finale in Italian Opera
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- 01 January 1977, pp. 67-78
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A Brief Survey of the Dances Popular in England During the Eighteenth Century
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- 01 January 2020, pp. 89-109
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Music and Spectacle at the Gonzaga Court, c. 1580–1600
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- 01 January 1976, pp. 90-105
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Satie's Approach to Composition in His Later Years (1913–24)
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- 01 January 1984, pp. 155-179
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Henri Drayton, English Opera and Anglo-American Relations, 1850–72
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- 01 January 2011, pp. 247-303
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Continental and English Foundations of J. S. Dwight's Early American Criticism of Beethoven's Ninth Symphony
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- 01 January 2020, pp. 251-267
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