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Volume 18 - December 2014

Contents

Page 3 of 4

Reviews + Insight

Review

Reviews

Insight

Review

  • Jessica Reynolds on the Royal Academy's Sensing Spaces: Architecture Reimagined exhibition

  • Published online by Cambridge University Press:
    07 July 2014, pp. 85-87

  • At the Royal Academy's exhibition, Sensing Spaces: Architecture Reimagined, curator Kate Goodwin sets a loose brief to seven international architects: to create works that ‘encourage visitors to question their ideas about architecture and test its capacity to move them’. While the resulting large-scale installations fulfil the brief's open agenda (what work doesn't deal with the field of sensory experience?), the exhibition goes no further to challenge the larger political issues at stake in architecture and the city today, which is problematic given that it is presented at a major London art institution and geared towards educating the general public about the importance of architecture.

A Letter From…

Review

Front Cover (OFC, IFC) and matter

  • ARQ volume 18 issue 3 Cover and Front matter

  • Published online by Cambridge University Press:
    18 November 2014, pp. f1-f4
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A letter from

A Letter From

Insight

  • Amputated Architectures

  • Holly Hendry
  • Published online by Cambridge University Press:
    19 February 2015, pp. 396-402

  • Holly Hendry is a sculptor based in London. Graduating from the Slade School of Art, University College London in 2013, Hendry was the inaugural Woon Fellow at Northumbria University, a significant prize for young and emerging artists. Hendry held a twelve-month residency at Baltic 39 in Newcastleupon-Tyne, culminating in her first solo-show at Gallery North, Hollow Bodies. Her work is concerned with the spatial, material and structural qualities of architecture and how space is experienced in historical and contemporary contexts. Currently in the first year of a two-year sculpture MA programme at the Royal College of Art, London, Hendry sat down with reviews and insight editor Ed Wainwright to discuss the intersections of art and architecture, the architecture of hollowness and the cut, and how her sculpture interrogates architecture for its silent symbolism.

Front Cover (OFC, IFC) and matter

  • ARQ volume 18 issue 2 Cover and Front matter

  • Published online by Cambridge University Press:
    03 September 2014, pp. f1-f4
    • Article
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Back Cover (IBC, OBC) and matter

  • ARQ volume 18 issue 3 Cover and Back matter

  • Published online by Cambridge University Press:
    18 November 2014, pp. b1-b2
    • Article
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A Letter From…

  • London

  • Richard Brown
  • Published online by Cambridge University Press:
    19 February 2015, pp. 403-406
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Insight

Other

Back Cover (IBC, OBC) and matter

  • ARQ volume 18 issue 2 Cover and Back matter

  • Published online by Cambridge University Press:
    03 September 2014, pp. b1-b2
    • Article
      • You have access
    • PDF
    • Export citation

Front Cover (OFC, IFC) and matter

  • ARQ volume 18 issue 1 Cover and Front matter

  • Published online by Cambridge University Press:
    07 July 2014, pp. f1-f4
    • Article
      • You have access
    • PDF
    • Export citation

  • ARQ volume 18 issue 4 Cover and Front matter

  • Published online by Cambridge University Press:
    19 February 2015, pp. f1-f4
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Page 3 of 4