3542 results in Opera
Verdi, Victor Maurel and fin-de-siècle operatic performance
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- Cambridge Opera Journal / Volume 19 / Issue 1 / March 2007
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- 01 March 2007, pp. 59-84
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- March 2007
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Introduction: Divo worship
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- Cambridge Opera Journal / Volume 19 / Issue 1 / March 2007
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- 01 March 2007, pp. 1-9
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- March 2007
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The Cambridge Companion to Twentieth-Century Opera, ed. Mervyn Cooke . Cambridge: Cambridge University Press, 2005. pp. xlvii+374
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- Cambridge Opera Journal / Volume 19 / Issue 1 / March 2007
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- 01 March 2007, pp. 97-105
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- March 2007
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Response: Men with a past
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- Cambridge Opera Journal / Volume 19 / Issue 1 / March 2007
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- 01 March 2007, pp. 85-89
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- March 2007
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Edmund Goehring. Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in ‘Così fan tutte’. Cambridge: Cambridge University Press, 2004. pp. xvi+280
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- Cambridge Opera Journal / Volume 19 / Issue 1 / March 2007
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- 01 March 2007, pp. 91-96
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- March 2007
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The disappearing danseur
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- Cambridge Opera Journal / Volume 19 / Issue 1 / March 2007
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- 01 March 2007, pp. 33-57
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- March 2007
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The ‘rival queans’ and the play of identity in Handel's Admeto
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- Cambridge Opera Journal / Volume 18 / Issue 3 / November 2006
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- 19 January 2007, pp. 301-331
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- November 2006
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Adorno's Schreker: Charting the self-dissolution of the distant sound
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- Cambridge Opera Journal / Volume 18 / Issue 3 / November 2006
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- 19 January 2007, pp. 247-271
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- November 2006
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Laughter: In Ravel's time
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- Cambridge Opera Journal / Volume 18 / Issue 3 / November 2006
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- 19 January 2007, pp. 225-246
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- November 2006
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‘A face like music’: Shaping images into sound in The Second Mrs Kong
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- Cambridge Opera Journal / Volume 18 / Issue 3 / November 2006
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- 19 January 2007, pp. 273-300
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- November 2006
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Ken Wlaschin. Encyclopedia of Opera on Screen: A Guide to More Than 100 Years of Opera Films, Videos and DVDs. New Haven and London: Yale University Press, 2004. 896 pp. Paul Fryer. The Opera Singer and the Silent Film. Jefferson, North Carolina and London: McFarland & Company, 2005. 312 pp.
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- Cambridge Opera Journal / Volume 18 / Issue 3 / November 2006
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- 19 January 2007, pp. 333-340
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- November 2006
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Wendy Heller, Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice. Berkeley: University of California Press, 2003. xvi+386pp. Bonnie Gordon, Monteverdi's Unruly Women: The Power of Song in Early Modern Italy. Cambridge: Cambridge University Press, 2004. x+234pp.
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- Cambridge Opera Journal / Volume 18 / Issue 2 / July 2006
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- 18 January 2007, pp. 217-224
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- July 2006
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The Soviet opera project: Ivan Dzerzhinsky vs. Ivan Susanin
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- Cambridge Opera Journal / Volume 18 / Issue 2 / July 2006
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- 18 January 2007, pp. 181-216
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- July 2006
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Bare interiors
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- Cambridge Opera Journal / Volume 18 / Issue 2 / July 2006
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- 18 January 2007, pp. 125-149
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- July 2006
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Voices from beyond: Verdi's Don Carlos and the modern stage
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- Cambridge Opera Journal / Volume 18 / Issue 2 / July 2006
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- 18 January 2007, pp. 151-179
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- July 2006
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Rameau's Platée returns: A case of double identity in the Querelle des bouffons
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- Cambridge Opera Journal / Volume 18 / Issue 1 / March 2006
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- 07 June 2006, pp. 1-19
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- March 2006
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On the record
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- Cambridge Opera Journal / Volume 18 / Issue 1 / March 2006
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- 07 June 2006, pp. 59-82
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- March 2006
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Staging Stalinism: The search for Soviet opera in the 1930s
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- Cambridge Opera Journal / Volume 18 / Issue 1 / March 2006
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- 07 June 2006, pp. 83-108
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- March 2006
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A Florentine Tragedy, or woman as mirror
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- Cambridge Opera Journal / Volume 18 / Issue 1 / March 2006
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- 07 June 2006, pp. 33-58
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- March 2006
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Dieter Borchmeyer, Drama and the World of Richard Wagner, trans. Daphne Ellis (Princeton: Princeton University Press, 2003). x+391 pp. James Treadwell, Interpreting Wagner (New Haven: Yale University Press, 2003). xix+304 pp.
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- Cambridge Opera Journal / Volume 18 / Issue 1 / March 2006
- Published online by Cambridge University Press:
- 07 June 2006, pp. 109-118
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- March 2006
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