3542 results in Opera
‘In Italy we don’t have the means for illusion’: Grand opéra in nineteenth-century Bologna
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- Cambridge Opera Journal / Volume 19 / Issue 3 / November 2007
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- 17 October 2007, pp. 199-222
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- November 2007
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The best of all possible worlds: The Eldorado episode in Leonard Bernstein’s Candide
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- Cambridge Opera Journal / Volume 19 / Issue 3 / November 2007
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- 17 October 2007, pp. 223-248
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- November 2007
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Killing time: Contemporary representations of opera in British culture
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- Cambridge Opera Journal / Volume 19 / Issue 3 / November 2007
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- 17 October 2007, pp. 249-270
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- November 2007
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‘A sort of guerrilla’: Che at the opera
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- Cambridge Opera Journal / Volume 19 / Issue 2 / July 2007
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- 11 September 2007, pp. 167-193
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- July 2007
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The opera of the film? Eugen d’Albert’s Der Golem
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- Cambridge Opera Journal / Volume 19 / Issue 2 / July 2007
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- 11 September 2007, pp. 139-166
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- July 2007
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‘La cantante delle passioni’: Giuditta Pasta and the idea of operatic performance
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- Cambridge Opera Journal / Volume 19 / Issue 2 / July 2007
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- 11 September 2007, pp. 107-138
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- July 2007
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Steve Swayne . How Sondheim Found His Sound. Ann Arbor: University of Michigan Press, 2005. pp. 336
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- Cambridge Opera Journal / Volume 19 / Issue 2 / July 2007
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- 11 September 2007, pp. 195-198
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- July 2007
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14 - Conclusion: Towards a new understanding of the history of opera?
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 351-363
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List of musical examples
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp xiii-xiv
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List of tables
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp xii-xii
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List of illustrations
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp xi-xi
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2 - Lully's on-stage societies
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 53-71
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6 - State and market, production and style: An interdisciplinary approach to eighteenth-century Italian opera history
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 138-159
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Index
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 395-406
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Acknowledgments
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp xxxii-xxxii
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12 - Symbolic domination and contestation in French music: Shifting the paradigm from Adorno to Bourdieu
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 312-329
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Frontmatter
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp i-viii
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7 - Opera and the cultural authority of the capital city
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 160-180
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5 - The effect of a bomb in the hall: The French “opera of ideas” and its cultural role in the 1920s
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 115-132
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1 - Venice's mythic empires: Truth and verisimilitude in Venetian opera
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- Opera and Society in Italy and France from Monteverdi to Bourdieu
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- 22 September 2009
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- 03 May 2007, pp 34-52
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