3542 results in Opera
PART I - Biographical and historical contexts
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14 - Wagner and the Third Reich: myths and realities
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PART IV - After Wagner: influence and interpretation
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12 - The Jewish question
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11 - Critique as passion and polemic: Nietzsche and Wagner
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4 - The “Romantic operas” and the turn to myth
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PART II - Opera, music, drama
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5 - Der Ring des Nibelungen: conception and interpretation
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15 - Wagner on stage: aesthetic, dramaturgical, and social considerations
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The Cambridge Companion to Wagner
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Select bibliography
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6 - Leitmotif, temporality, and musical design in the Ring
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2 - Meister Richard's apprenticeship: the early operas (1833–1840)
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13 - “Wagnerism”: responses to Wagner in music and the arts
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16 - Criticism and analysis: current perspectives
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10 - The urge to communicate: the prose writings as theory and practice
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Smyth the anarchist: fin-de-siècle radicalism in The Wreckers
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- Cambridge Opera Journal / Volume 20 / Issue 2 / July 2008
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- 01 May 2009, pp. 149-180
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OPR volume 20 issue 2 Cover and Front matter
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- 01 May 2009, pp. f1-f4
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Birtwistle's The Minotaur: the opera and a diary of its first production
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- Cambridge Opera Journal / Volume 20 / Issue 2 / July 2008
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- 01 May 2009, pp. 215-236
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Tili Boon Cuillé, Narrative Interludes: Musical Tableaux in Eighteenth-Century French Texts. Toronto: University of Toronto Press, 2006. 320 pp., 8 halftones.
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- Cambridge Opera Journal / Volume 20 / Issue 2 / July 2008
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- 01 May 2009, pp. 237-240
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- July 2008
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