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13 - Champions and aficionados: amateur and listener experiences of the Savoy operas in performance
- from Part III - Reception
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Bibliography and further reading
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16 - Adventures in musical detection: scholarship, editions, productions and the future of the Savoy operas
- from Part IV - Into the twenty-first century
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7 - ‘This particularly rapid, unintelligible patter’: patter songs and the word–music relationship
- from Part II - Focus
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The Cambridge Companion to Gilbert and Sullivan
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5 - The operas in context: stylistic elements – the Savoy and beyond
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Part II - Focus
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OPR volume 21 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. b1-b3
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- July 2009
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Il ritorno a Seneca
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. 119-137
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Cambridge Opera Journal at Twenty
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. 105-109
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- July 2009
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Wagner's Gold Standard: Tannhäuser and the General Equivalent
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. 139-158
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… And in Response
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- 30 April 2010, pp. 199-201
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Source Studies and Opera History
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. 111-118
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Flying a Wagner Kite: Subjunctive Performances of a Rheingold Scene Based on a Dramaturgical Sketch by Carolyn Abbate
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. 159-180
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Twenty Years
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. 101-103
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New Opera, Old Opera: Perspectives on Critical Interpretation
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- Cambridge Opera Journal / Volume 21 / Issue 2 / July 2009
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- 30 April 2010, pp. 181-198
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OPR volume 21 issue 2 Cover and Front matter
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- 30 April 2010, pp. f1-f4
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Part I - The making of opera
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13 - Portugal and Brazil
- from Part II - National styles and genres
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- 25 June 2009, pp 233-243
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1 - Opera as process
- from Part I - The making of opera
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- 25 June 2009, pp 1-23
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