9063 results in Film
Visitings of Awful Promise: The Cinema Seen from Etna
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- Camera Obscura, Camera Lucida
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- 25 January 2021
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- 03 February 2003, pp 91-108
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Dr. Strangelove: or: the Apparatus of Nuclear Warfare
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- 25 January 2021
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- 03 February 2003, pp 215-230
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Eisenstein’s Philosophy of Film
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- 03 February 2003, pp 127-146
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The Logic of an Illusion: Notes on the Genealogy of Intellectual Cinema
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- 03 February 2003, pp 35-50
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Afterward: A Matter of Time: Analog Versus Digital, the Perennial Question of Shifting Technology and Its Implications for an Experimental Filmmaker’s Odyssey
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- 03 February 2003, pp 261-274
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Select Bibliography
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- 03 February 2003, pp 275-282
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Hitchcock and Narrative Suspense: Theory and Practice
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- 03 February 2003, pp 163-182
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From the Air: A Genealogy of Antonioni’s Modernism
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- 03 February 2003, pp 183-214
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Transfiguring the Urban Gray: László Moholy-Nagy’s Film Scenario ‘Dynamic of the Metropolis’
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- 03 February 2003, pp 109-126
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Loïe Fuller and the Art of Motion: Body, Light, Electricity and the Origins of Cinema
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- 03 February 2003, pp 75-90
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Introduction
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- 03 February 2003, pp 13-34
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Narcissistic Machines and Erotic Prostheses
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- 03 February 2003, pp 51-74
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Contents
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Collection and Recollection: On Film Itineraries and Museum Walks
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- 03 February 2003, pp 231-260
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Acknowledgements
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Introduction: Spokes in the Wheels
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- John Ford's <I>Stagecoach</I>
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- 08 January 2010
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- 05 December 2002, pp 1-20
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4 - “A Little Bit Savage”: Stagecoach and Racial Representation
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- 08 January 2010
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- 05 December 2002, pp 113-131
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3 - That Past, This Present: Historicizing John Ford, 1939
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- 08 January 2010
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- 05 December 2002, pp 82-112
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Filmography
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- 08 January 2010
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- 05 December 2002, pp 185-232
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2 - “Powered by a Ford”? Dudley Nichols, Authorship, and Cultural Ethos in Stagecoach
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- 08 January 2010
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- 05 December 2002, pp 48-81
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