21719 results in Drama, Theatre, Performance Studies
Society of Dance History Scholars Conference
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- Dance Research Journal / Volume 21 / Issue 1 / Spring 1989
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- 22 July 2014, pp. 37-38
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- Spring 1989
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TRI volume 14 issue 1 Back matter
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- Theatre Research International / Volume 14 / Issue 1 / Spring 1989
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- 23 January 2009, pp. b1-b4
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- Spring 1989
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The Theatre of Tom Stoppard. By Anthony Jenkins. Cambridge: Cambridge University Press, 1987. Pp. 189. £17.50.
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- Theatre Research International / Volume 14 / Issue 1 / Spring 1989
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- 23 January 2009, pp. 103-105
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- Spring 1989
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Theater … Der Nachwelt Unverloren. Edited by Dieter Hadam-czik. Berlin: Colloquium Verlag, 1987. Pp. 208 + illus. DM68.
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- Theatre Research International / Volume 14 / Issue 1 / Spring 1989
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- 23 January 2009, pp. 101-102
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- Spring 1989
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Adolphe Appia, Theatre Artist. By Richard C. Beacham. Cambridge: Cambridge University Press, 1987. Pp. 190 + ill.
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- Theatre Research International / Volume 14 / Issue 1 / Spring 1989
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- 23 January 2009, pp. 96-99
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- Spring 1989
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The Temple of Momus: Mitchell's Olympic Theatre. By David L. Rinear. Metuchen, New Jersey: The Scarecrow Press, Inc., 1987. Pp. vi + 235. $27.50.
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- Theatre Research International / Volume 14 / Issue 1 / Spring 1989
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- 23 January 2009, pp. 92-94
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- Spring 1989
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Wagner, ‘On Modulation’, and Tristan
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, pp. 33-58
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- March 1989
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OPR volume 1 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, pp. b1-b3
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- March 1989
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Robinson Paul. Opera and Ideas: From Mozart to Strauss. New York: Harper and Row, 1985; reprinted Ithaca, NY: Cornell University Press, 1986. 279 pp.
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, pp. 87-93
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- March 1989
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From princely service to the open market: Singers of Italian opera and their patrons, 1600–1850
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, pp. 1-32
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- March 1989
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The genesis and literary source of Giacomo Puccini's first opera
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, pp. 79-85
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- March 1989
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OPR volume 1 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, pp. f1-f3
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- March 1989
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Back to the future: Shostakovich's revision of Leskov's ‘Lady Macbeth of Mtsensk District’
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, pp. 59-78
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- March 1989
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Contributors
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, p. ii
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- March 1989
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Editorial
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- Cambridge Opera Journal / Volume 1 / Issue 1 / March 1989
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- 27 August 2008, p. iii
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- March 1989
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Eugenio Barba: the Latin American Connection
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- New Theatre Quarterly / Volume 5 / Issue 17 / February 1989
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- 15 January 2009, pp. 67-72
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- February 1989
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NTQ volume 5 issue 17 Cover and Front matter
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- New Theatre Quarterly / Volume 5 / Issue 17 / February 1989
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- 15 January 2009, pp. f1-f4
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- February 1989
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Andreas Jäger John McGrath und die 7:84 Company Scotland: Politik, Popularität und Regionalismus im Theater der siebziger Jahre in SchottlandAmsterdam: Grüner, 1986. Hfl. 60 ISBN 90-6032-285-1. - Michael Göring Melodrama heute: die Adaption melodramatischer Elemente und Strukturen im Werk von John Arden und Arden/D'ArcyAmsterdam: Grüner, 1986. Hfl. 75. ISBN 90-6032-286-X.
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- New Theatre Quarterly / Volume 5 / Issue 17 / February 1989
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- 15 January 2009, pp. 101-102
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- February 1989
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Edward Burns, translatorThe Chester Mystery CycleLiverpool University Press, 1987. 169 p. ISBN 0-85323-046-3 (pbk.)
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- New Theatre Quarterly / Volume 5 / Issue 17 / February 1989
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- 15 January 2009, pp. 97-98
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- February 1989
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Liisa Hakola In One Person Many PeopleHelsinki: Suomalainen Tiedeakatemia, 1988. 198 p. ISBN 951-41-0573-7 (pbk).
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- New Theatre Quarterly / Volume 5 / Issue 17 / February 1989
- Published online by Cambridge University Press:
- 15 January 2009, p. 102
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- February 1989
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