21719 results in Drama, Theatre, Performance Studies
Gesture, Interruption, Vibration: Rethinking Early Twentieth-Century Gestural Theory and Practice in Walter Benjamin, Rudolf von Laban, and Mary Wigman
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. 23-41
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- August 2015
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A Choreographer's Score: Fase, Rosas Danst Rosas, Elena's Aria, Bartók
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. 80-84
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- August 2015
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Black Performance Theory edited by Thomas F. DeFrantz and Anita Gonzalez. 2014. Durham, NC: Duke University Press. ix + 279 pp., foreword, 22 b/w photographs, bibliography, index. $89.95 cloth, $24.95 paper.
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. 91-93
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- August 2015
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Ethics in a Time of AIDS: DV8 Physical Theatre's Dead Dreams of Monochrome Men
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. 63-78
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- August 2015
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DRJ volume 47 issue 2 Cover and Back matter
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. b1-b8
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- August 2015
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DRJ volume 47 issue 2 Cover and Front matter
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. f1-f6
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- August 2015
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Dancing Tango, Passionate Encounters in a Globalizing World by Kathy Davis. 2015. New York: New York University Press. 223 pp., illustrations, notes, bibliography. $27.00 paper.
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. 89-91
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- August 2015
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A Kinesthetic Mode of Attention in Contemporary Dance Practice
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, pp. 43-61
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- August 2015
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Books Received
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- Dance Research Journal / Volume 47 / Issue 2 / August 2015
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- 27 July 2015, p. 98
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- August 2015
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Inter- and Extra-textual Hauntings: Unravelling the Semantic Web of Václav Havel’s Leaving
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
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- 09 July 2015, pp. 241-251
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- August 2015
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Josephine Machon Immersive Theatres: Intimacy and Immediacy in Contemporary PerformanceBasingstoke; New York: Palgrave Macmillan, 2013. 344 p. £20.99. ISBN: 978-1-137-01983-7.
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
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- 09 July 2015, p. 293
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- August 2015
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Janet Clare Shakespeare’s Stage Traffic: Imitation, Borrowing, and Competition in Renaissance TheatreCambridge: Cambridge University Press, 2014. 305 p. £65. ISBN: 978-1-107-04003-8.
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
- Published online by Cambridge University Press:
- 09 July 2015, pp. 290-291
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- August 2015
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‘Addressing a Great Silence’: Black Diggers and the Aboriginal Experience of War
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
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- 09 July 2015, pp. 223-231
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- August 2015
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Kara Reilly, ed. Theatre, Performance, and Analogue Technology: Historical Interfaces and IntermedialitiesBasingstoke; New York: Palgrave Macmillan, 2013. 288 p. £55.00. ISBN: 978-1-137-31966-1.
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
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- 09 July 2015, p. 292
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- August 2015
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Marc Silberman, Steve Giles and Tom Kuhn, ed. Brecht on Theatre, Third Edition London: Bloomsbury, 2014. 344 p. £18.99. ISBN: 978-1-4081-4545-6. - Tom Kuhn, Steve Giles, and Marc Silberman, ed. Brecht on Performance: Messingkauf and ModelbooksLondon: Bloomsbury, 2014. 312 p. £21.99. ISBN: 978-1-4081-5455-7.
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
- Published online by Cambridge University Press:
- 09 July 2015, pp. 294-295
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- August 2015
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Christopher Collins and Mary P. Caulfield, ed. Ireland, Memory, and Performing: the Historical ImaginationBasingstoke; New York: Palgrave Macmillan, 2014. 264 p. £55.00. ISBN: 978-1-137-36217-9.
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
- Published online by Cambridge University Press:
- 09 July 2015, pp. 292-293
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- August 2015
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NTQ volume 31 issue 3 Cover and Back matter
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
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- 09 July 2015, pp. b1-b2
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- August 2015
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Nicola Shaughnessy, ed. Affective Performance and Cognitive Science: Body, Brain, and BeingLondon: Bloomsbury Methuen Drama, 2013. 300 p. £24.99. ISBN: 978-1-4081-8577-3.
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
- Published online by Cambridge University Press:
- 09 July 2015, p. 291
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- August 2015
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John Gillett and Christina Gutekunst Voice into Acting: Integrating Voice and the Stanislavski ApproachLondon: Bloomsbury Methuen Drama, 2014. 384 p. £16.99. ISBN: 978-1-408-18356-4.
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
- Published online by Cambridge University Press:
- 09 July 2015, pp. 289-290
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- August 2015
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NTQ volume 31 issue 3 Cover and Front matter
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- New Theatre Quarterly / Volume 31 / Issue 3 / August 2015
- Published online by Cambridge University Press:
- 09 July 2015, pp. f1-f4
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- August 2015
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