21719 results in Drama, Theatre, Performance Studies
TRI volume 41 issue 1 Cover and Back matter
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. b1-b4
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- March 2016
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Heirlooms of the Everyday: The Material Performances of Slamet Gundono1
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 53-69
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- March 2016
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Sbeik Thom at the Season of Cambodia Festival: Performing Memory after the Killing Fields in a Post-9/11 New York City1
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 40-52
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TRI volume 41 issue 1 Cover and Front matter
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. f1-f3
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- March 2016
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Beginners On Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 70-84
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- March 2016
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Agitating for Change: Theatre and a Feminist ‘Network of Resistance’
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 5-20
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- March 2016
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Evita, Inevitably: Performing Argentina's Female Icons before and after Eva Perón. By Jean Graham-Jones. Ann Arbor: University of Michigan Press, 2014. Pp. vii + 271. $80 Hb; $37.50 Pb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 91-92
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- March 2016
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Circus as Multimodal Discourse: Performance, Meaning, and Ritual. By Paul Bouissac. London: Bloomsbury, 2014. Pp. 216 + 38 illus. £80 Hb; £79.99 Eb; £24.99 Pb. - The Greatest Shows On Earth: A History of the Circus. By Linda Simon. London: Reaktion Books, 2014. Pp. 296 + 136 illus. £29/$40 Hb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 92-93
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A History of the Berliner Ensemble. By David Barnett. Cambridge: Cambridge University Press, 2015. Pp. 528 + 21 illus. £84.99 Hb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 85-86
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Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. By Rebecca Rossen. Oxford: Oxford University Press, 2014. Pp. 336 + 50 illus. $99 Hb; $29.95 Pb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 89-91
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Performance and the Global City. Edited by D. J. Hopkins and Kim Solga. New York: Palgrave Macmillan, 2013. Pp. xiv + 277+ 36 illus. £58/$95 Hb; £18.99/$29 Pb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 93-95
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Remember September: Re-performing the Burmese ‘Saffron Revolution’ at the Singapore Biennale1
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 21-39
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Dramaturgy and Dramatic Character
- A Long View
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- 05 February 2016
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- 17 March 2016
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The Cambridge Introduction to Performance Theory
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- 05 February 2016
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- 15 March 2016
80 - Trade and Commerce: Mercantilism
- from Part IX - England, 1560–1650
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 625-631
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Part XXVI - Shakespeare and the Performing Arts
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 1803-1860
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91 - The Liturgical Year
- from Part X - Religion
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 703-709
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149 - Romeo and Juliet 2.1: “But soft, what light through yonder window breaks?”
- from Part XVI - Making the Scene
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 1129-1136
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148 - Shakespeare in Eastern Europe
- from Part XV - International Encounters
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 1114-1118
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Part XX - Changing Technologies of Stage Performance
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 1417-1482
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