21719 results in Drama, Theatre, Performance Studies
11 - Happenings and everyday performance
- from Part II - The emergence of performance as sensuous practice
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- The Cambridge Introduction to Performance Theory
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- 05 February 2016
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- 15 March 2016, pp 102-116
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16 - What Performance Studies is: version 1: New York and Northwestern
- from Part III - Theorising performance
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- 15 March 2016, pp 151-166
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5 - Performance as a new sort of knowledge
- from Part I - Definitions of performance
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20 - Performance and performativity
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- 15 March 2016, pp 190-198
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1 - Sociology and the rituals of interaction
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- 15 March 2016, pp 3-18
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12 - Body art and feminism
- from Part II - The emergence of performance as sensuous practice
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9 - Architecture and the performed city
- from Part II - The emergence of performance as sensuous practice
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- 15 March 2016, pp 82-93
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8 - Performance as a new pedagogy
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- 15 March 2016, pp 76-81
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OPR volume 28 issue 1 Cover and Front matter
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- Cambridge Opera Journal / Volume 28 / Issue 1 / March 2016
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- 20 June 2016, pp. f1-f2
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Hugging the Bank: Opera Studies in Brobdingnag
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- Cambridge Opera Journal / Volume 28 / Issue 1 / March 2016
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- 20 June 2016, pp. 107-116
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- March 2016
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Osip Petrov, Anna Petrova-Vorobyova and the Development of Low-Voiced Character Types in Nineteenth-Century Russian Opera
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- Cambridge Opera Journal / Volume 28 / Issue 1 / March 2016
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- 20 June 2016, pp. 37-77
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- March 2016
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OPR volume 28 issue 1 Cover and Back matter
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- Cambridge Opera Journal / Volume 28 / Issue 1 / March 2016
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- 20 June 2016, pp. b1-b6
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- March 2016
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Aida Times Two: How Italian Veterans of Two Historic Aida Productions Shaped Argentina’s Music History
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- Cambridge Opera Journal / Volume 28 / Issue 1 / March 2016
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- 20 June 2016, pp. 79-105
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- March 2016
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The Owl, the Nightingale and the Jew in the Thorn-bush: Relocating Anti-Semitism in Die Meistersinger
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- Cambridge Opera Journal / Volume 28 / Issue 1 / March 2016
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- 20 June 2016, pp. 1-35
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- March 2016
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Editorial: Begin, Again
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 1-4
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- March 2016
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Lob des Realismus. By Bernd Stegemann. Berlin: Theater der Zeit, 2015. Pp. 212. €18 Pb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 86-87
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- March 2016
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Adorno and Performance. Edited by Will Daddario and Karoline Gritzner. Basingstoke and New York: Palgrave Macmillan, 2014. Pp. xvii + 244. £55/$90 Hb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 87-88
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- March 2016
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Theatre: A Very Short Introduction. By Marvin Carlson. Oxford: Oxford University Press, 2014. Pp. 131 + 10 illus. £7.99/$11.95 Pb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 95-96
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- March 2016
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Embodied Consciousness: Performance Technologies. Edited by Jade Rosina McCutcheon and Barbara Sellers-Young. Basingstoke: Palgrave Macmillan, 2013. Pp. xiii + 229; £55/$90 Hb.
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 88-89
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- March 2016
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Books Received
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- Theatre Research International / Volume 41 / Issue 1 / March 2016
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- 11 February 2016, pp. 97-100
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- March 2016
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