21719 results in Drama, Theatre, Performance Studies
Malibran’s Favourite Aria Balfe, ‘With Rapture Dwelling’ (Isoline), The Maid of Artois, Act III
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 161-165
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- July 2016
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The Progress of an Aria Bellini, ‘Ah! non pensar che pieno’, Beatrice di Tenda, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 155-159
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- July 2016
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Should Manrico Escape? Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 187-190
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- July 2016
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The Limits of Operatic Deadness Bizet, ‘Habanera’ (Carmen), Carmen, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 221-226
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- July 2016
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Compromising Wagnerism? Egk, ‘Dein Hähnchen bin ich’ (Peer Gynt), Peer Gynt (1938), Act II
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 255-261
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- July 2016
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Machine Speak Ruggiero Leoncavallo, ‘Vesti la giubba’ (Pagliacci), I Pagliacci, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 243-246
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- July 2016
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In 1968 Lalo, ‘Puisqu’on ne peut fléchir … Vainement’ (Mylio), Le Roi d’Ys, Act III
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 239-242
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- July 2016
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Slipping Out Handel, ‘As with rosy steps the morn’ (Irene), Theodora, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 127-131
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- July 2016
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Remaking the Aria
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, p. 117
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- July 2016
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OPR volume 28 issue 2 Cover and Front matter
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. f1-f6
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- July 2016
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Violetta, Historian Verdi, ‘Sempre libera’ (Violetta), La traviata, Act I (1853)
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 191-197
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- July 2016
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OPR volume 28 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. b1-b8
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- July 2016
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Light Music meretrix Offenbach, ‘Rondeau de la Lettre’ (Métella), La Vie parisienne, Act II
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 203-207
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- July 2016
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Out of Circulation Beethoven, ‘Hat man nicht auch Gold beineben’ (Rocco), Fidelio, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 145-148
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- July 2016
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The ‘Caruso of Jazz’ and a ‘Creole Benvenuto Cellini’ Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 183-186
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- July 2016
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Living, Loving and Dying in Song Gluck, ‘Che farò senza Euridice’ (Orfeo), Orfeo ed Euridice, Act III
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 133-136
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- July 2016
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Alyson Campbell and Stephen Farrier, ed. Queer Dramaturgies: International Perspectives on Where Performance Leads QueerLondon: Palgrave Macmillan, 2016. 363 p. £58.00. ISBN: 978-1-137-41183-9.
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- New Theatre Quarterly / Volume 32 / Issue 3 / August 2016
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- 30 June 2016, p. 304
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- August 2016
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NTQ volume 32 issue 3 Cover and Back matter
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- New Theatre Quarterly / Volume 32 / Issue 3 / August 2016
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- 30 June 2016, pp. b1-b2
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- August 2016
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Sabine Breitwieser, ed. Simone Forti: Thinking with the BodyMünich: Hirmer Verlag, 2014. 304 p. £32.00. ISBN 978-3-7774-2278-7.
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- New Theatre Quarterly / Volume 32 / Issue 3 / August 2016
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- 30 June 2016, p. 302
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- August 2016
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Siobhán O'Gorman and Charlotte McIvor, ed. Devised Performance in Irish Theatre: Histories and Contemporary PracticeDublin: Carysfort Press, 2015. 288 p. £19.00. ISBN: 978-1-909325-78-4.
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- New Theatre Quarterly / Volume 32 / Issue 3 / August 2016
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- 30 June 2016, pp. 301-302
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- August 2016
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