21719 results in Drama, Theatre, Performance Studies
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A History of Japanese Theatre
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- 05 July 2016
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- 14 July 2016
The Sexual Politics of Operatic Collaboration Gounod, ‘Ô ma lyre immortelle’ (Sapho), Sapho, Act III
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 171-174
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- July 2016
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The Qualities of Quantities Mozart, ‘Madamina, il catalogo è questo’ (Leporello), Don Giovanni, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 137-140
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- July 2016
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‘The Public Will Only Believe the Truth If It Is Shot in 3D’ Michel van der Aa, ‘Nine Years in an Ophanage’ (Zenna), Sunken Garden, Scene 6
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 277-282
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- July 2016
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Fade to Black Britten, ‘O Waly, Waly’ (1947), in Terence Davies’s Distant Voices, Still Lives
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 263-266
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- July 2016
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Melodramatic Histrionics Bernhard Anselm Weber, ‘Ich bin geliebt’ (Sulmalle), Sulmalle
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 141-144
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- July 2016
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Marconi’s Phoney Future Puccini, ‘Addio’ (Mimì), La bohème, Act III
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 247-249
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- July 2016
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Opera Points Puccini, ‘Laggiù nel Soledad’ (Minnie), La fanciulla del West, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 251-254
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- July 2016
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Excavating Attila Verdi, ‘Allor che i forti corrono’ (Odabella), Attila, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 167-170
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- July 2016
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Filial Enchaînements Metastasio, ‘Per quel paterno amplesso’ (Arbace), Artaserse, Act II
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 119-125
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- July 2016
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Texts from Elsewhere Verdi, ‘Pace, pace, mio Dio!’ (Leonora), La forza del destino, Act IV
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 199-202
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- July 2016
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Of Voices, Hearts and Ghosts Saint-Saëns, ‘Mon cœur s’ouvre à ta voix’ (Dalila), Samson et Dalila, Act II
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 227-233
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- July 2016
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Holding Hands Verdi, ‘Tu che le vanità’ (Elisabetta), Don Carlo, Act IV
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 209-214
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- July 2016
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Carmen, Communarde Bizet, ‘Habanera’ (Carmen), Carmen, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 215-219
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- July 2016
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New York Telephone Conversation; or, Gandhi’s Last Act Glass, ‘Evening Song’ (Gandhi), Satyagraha
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 267-270
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- July 2016
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Anti-Historical, but Nonetheless There… Verdi, ‘Tutte le feste’ (Gilda), Rigoletto, Act II
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 175-178
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- July 2016
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Bellini’s Gothic Voices Bellini, ‘Un grido io sento’ (Alaide), La straniera, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 149-154
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- July 2016
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Loving Mozart Bernhard Lang, ‘Ach, ich fühl’s’ (Grace Moor), I Hate Mozart, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 271-275
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- July 2016
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Tamagno Otherwise Verdi, ‘Ora e per sempre addio’ (Otello), Otello, Act II
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 235-237
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- July 2016
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From Orpheus to Opera – Singing about Singing in Verdi’s Il trovatore Verdi, ‘Tacea la notte’ (Leonora), Il trovatore, Act I
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- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
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- 28 September 2016, pp. 179-182
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- July 2016
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