21719 results in Drama, Theatre, Performance Studies
Acco Festival: Between Celebration and Confrontation. By Naphtaly Shem-Tov . Boston: Academic Studies Press, 2016. Pp. xvi + 227. £74.95/$85 Hb.
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 191-192
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TRI volume 42 issue 2 Cover and Front matter
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. f1-f4
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Art and Insurgency in Urgent Times
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 10 July 2017, pp. 212-216
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The Marionette: Intermedial Presence and B-Boy Culture in South Korea
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 132-145
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- July 2017
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Conselho de Classe: Very Good1
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 10 July 2017, pp. 224-225
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- July 2017
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Shakespeare on Theatre: A Critical Look at His Theories and Practices. By Robert Cohen . London and New York: Routledge, 2016. Pp. viii + 130. £85/$108 Hb; £16.99/$31.96 Pb.
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 195-197
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- July 2017
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Ways to Possess a Singer in 1830s London
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- Cambridge Opera Journal / Volume 29 / Issue 2 / July 2017
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- 05 February 2018, pp. 189-214
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- July 2017
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Roberto Alvim Rereads the Slave-Owning, Oligarchic Heritage of Brazil in Leite Derramado1
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 10 July 2017, pp. 235-237
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Performing Comic Failure in Waiting for Godot with Jingju Actors
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 119-131
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- July 2017
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Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Edited by Alyson Campbell and Stephen Farrier . Basingstoke and New York: Palgrave Macmillan, 2016. Pp. xix + 363. £50/$95 Hb.
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 205-207
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- July 2017
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OPR volume 29 issue 2 Cover and Front matter
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- Cambridge Opera Journal / Volume 29 / Issue 2 / July 2017
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- 05 February 2018, pp. f1-f2
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- July 2017
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Dinosaurs Become Birds: Changing Cultural Values in Cape Town Theatre1
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 146-162
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- July 2017
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Brecht lesen. By Hans-Thies Lehmann . Berlin: Theater der Zeit, 2016. Pp. 327. €22 Pb.
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 190-191
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- July 2017
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OPR volume 29 issue 2 Cover and Back matter
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- Cambridge Opera Journal / Volume 29 / Issue 2 / July 2017
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- 05 February 2018, pp. b1-b3
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- July 2017
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Between the Bass and Treble of BR-Trans1
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 10 July 2017, pp. 226-228
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- July 2017
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Books Received
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, p. 208
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- July 2017
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If I Were Iracema Blends Indignation and Aesthetic Daring1
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 10 July 2017, pp. 238-239
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- July 2017
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Performing the Nation in Global Korea: Transnational Theatre. By Hyunjung Lee . Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xi + 159 + 5 illus. £45.00/$67.50 Pb.
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 198-199
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- July 2017
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Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism. By Emma Cox . London: Anthem Press, 2015. Pp. vii + 202 + 28 illus. £25.00/$40.00 Pb.
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- Theatre Research International / Volume 42 / Issue 2 / July 2017
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- 14 August 2017, pp. 200-201
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- July 2017
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A Natural Voice?
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- Cambridge Opera Journal / Volume 29 / Issue 2 / July 2017
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- 05 February 2018, pp. 240-251
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- July 2017
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