21719 results in Drama, Theatre, Performance Studies
Hand to the Heart: Authenticity in Preacher and Player Portraiture
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- Theatre Survey / Volume 59 / Issue 1 / January 2018
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- 16 January 2018, pp. 63-83
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- January 2018
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Women in the Shadows: Gender, Puppets, and the Power of Tradition in Bali. By Jennifer Goodlander . Ohio Research in International Studies, Southeast Asia. Athens: Ohio University Press, 2016; pp. xiii + 175, 21 illustrations. $65 cloth, $29.95 paper, $29.99 e-book.
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- Theatre Survey / Volume 59 / Issue 1 / January 2018
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- 16 January 2018, pp. 125-127
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- January 2018
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Editorial
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp ix-xi
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Staging Brecht at Carleton: Students as Actors at a Liberal Arts College
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- 31 December 2017, pp 118-137
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Playing Brecht: Creative Appropriation in the Foreign Language Classroom
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 6-21
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Uwe Kolbe. Brecht: Rollenmodell eines Dichters. Frankfurt am Main: S. Fischer, 2016. 175 pages.
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 296-299
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Collaboration, Exile, and the Quotidian: Community on the Svendborg Sound, 1933–1939
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 198-217
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Frank D. Wagner. Hegel und Brecht. Zur Dialektik der Freiheit. Reihe: Der neue Brecht Bd. 13. Hrsg. von Jan Knopf und Jürgen Hillesheim. Würzburg: Königshausen & Neumann, 2015. 516 Seiten.
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 291-296
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Nicholas Ridout, Passionate Amateurs: Theatre, Communism and Love. Ann Arbor: University of Michigan Press, 2013. 197 pages.
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 307-310
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Verfremdung and Ethics in Brecht's Der Jasager / Der Neinsager
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 98-117
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Frontmatter
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- 31 December 2017, pp i-iv
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Interview
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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Harry Smith and Mahagonny
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 246-269
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Johannes C. Gall. Hanns Eisler Goes Hollywood. Das Buch “Komposition für den Film” und die Filmmusik zu “Hangmen Also Die.” Reihe: Eisler-Studien—Beiträge zu einer kritischen Musikwissenschaft. Bd. 5. Wiesbaden: Breitkopf & Härtel, 2015. 314 pages.
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 299-303
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List of Abbreviations
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp xii-xii
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Studieren und über Vertrautes staunen: Brechtsches Stückeschreiben durch Forschen und Bilden und Darstellen
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 138-162
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The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017
42 Jahre Berliner Ensemble: Gespräch mit Annemone Haase, 23. Juni 2016 in ihrer Wohnung in Berlin
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 163-183
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Notes on the Contributors
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 311-314
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From Page to Stage and Classroom to Community: Teaching Brecht in the Twenty-First Century
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- The Brecht Yearbook / Das Brecht-Jahrbuch 41
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- 31 December 2017, pp 1-5
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