21719 results in Drama, Theatre, Performance Studies
IX - HOW THE PLAY OF ‘JULIUS CAÆSAR’ WORKS UP TO A CLIMAX AT THE CENTRE
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- Shakespeare as a Dramatic Artist
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- 05 April 2012
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- 03 May 2011, pp 185-201
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- 1893
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XV - HOW ‘As YOU LIKE IT’ PRESENTS VARIED FORMS OF HUMOUR IN CONFLICT WITH A SINGLE CONVENTIONALITY
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- Shakespeare as a Dramatic Artist
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- 03 May 2011, pp 300-314
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XX - INTEREST OF PLOT: DYNAMICS
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- 03 May 2011, pp 370-398
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XVIII - INTEREST OF PASSION
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- 03 May 2011, pp 338-355
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III - HOW SHAKESPEARE MAKES HIS PLOT MORE COMPLEX IN ORDER TO MAKE IT MORE SIMPLE
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- 03 May 2011, pp 74-89
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VI - HOW NEMESIS AND DESTINY ARE INTERWOVEN IN ‘MACBETH’
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- Shakespeare as a Dramatic Artist
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- 03 May 2011, pp 125-143
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PREFACE
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- Shakespeare as a Dramatic Artist
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- 03 May 2011, pp vii-x
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INDEXES
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Frontmatter
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![](https://assets.cambridge.org/97811080/30823/cover/9781108030823.jpg)
Shakespeare as a Dramatic Artist
- A Popular Illustration of the Principles of Scientific Criticism
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XIII - HOW THE ENCHANTMENT OF ‘THE TEMPEST’ PRESENTS PERSONAL PROVIDENCE
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- 03 May 2011, pp 264-283
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VIII - JULIUS CÆSAR BESIDE HIS MURDERERS AND HIS AVENGER
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CHAPTER III - MACREADY—Conclusion
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- 24 May 2012, pp 60-108
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CHAPTER IV - MR. JOHN B. BUCKSTONE, MR. ROBERT KEELEY, AND MR. HENRY COMPTON
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- 24 May 2012, pp 85-121
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CHAPTER XIV - MR. ALFRED WIGAN, AND MR. F. ROBSON
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CHAPTER VI - MR. AND MRS. KEAN
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TO JOSEPH KNIGHT, ESQ., OF LINCOLN'S INN, BARRISTER-AT-LAW
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PREFACE
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CHAPTER X - MRS. WARNER
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CHAPTER XV - MADEMOISELLE RACHEL
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