21719 results in Drama, Theatre, Performance Studies
APPENDIX: TECHNICAL ANALYSIS OF PLOTS
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- Shakespeare as a Dramatic Artist
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XVI - TOPICS OF DRAMATIC CRITICISM
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XI - ‘OTHELLO’ AS A PICTURE OF JEALOUSY AND INTRIGUE
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XII - HOW ‘THE TEMPEST’ IS A DRAMA OF ENCHANTMENT
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X - HOW CLIMAX MEETS CLIMAX IN THE CENTRE OF ‘LEAR’
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PREFACE
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XVII - INTEREST OF CHARACTER
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II - HOW SHAKESPEARE MANIPULATES THE STORIES IN DRAMATISING THEM
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V - ‘RICHARDIII’:HOW SHAKESPEARE WEAVES NEMESIS INTO HISTORY
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I - THE TWO STORIES SHAKESPEARE BORROWS FOR HIS ‘MERCHANT OF VENICE’
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IV - A PICTURE OF IDEAL VILLAINY IN ‘RICHARD III’
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XIX - INTEREST OF PLOT: STATICS
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INTRODUCTION
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VII - MACBETH, LORD AND LADY
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PREFACE TO THE THIRD EDITION
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PART FIRST - SHAKESPEARE CONSIDERED AS A DRAMATIC ARTIST,IN FIFTEEN STUDIES
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INDEX OF SCENES
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Contents
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PART SECOND - SURVEY OF DRAMATIC CRITICISM AS AN INDUCTIVE SCIENCE
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XIV - HOW ‘LOVE'S LABOUR'S LOST’ PRESENTS SIMPLE HUMOUR IN CONFLICT WITH VARIOUS AFFECTATIONS AND CONVENTIONALITIES
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