7617 results in Art: general interest
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- Re-Assessing the Global Turn in Medieval Art History
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- 23 January 2021
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- 31 May 2018, pp v-vi
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6 - Feline Incense Burner, 1100s, eastern Iran, western Afghanistan, or Turkmenistan, Khurasan, copper alloy, cast and chased; 35.50 × 11.00 × 32.50 cm (13 15/16 × 4 5/16 × 12 3/4 inches)
- from Part I - The Holy and the Faithful
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- The Middle Ages in 50 Objects
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- 11 May 2018
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- 31 May 2018, pp 22-25
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12 - Christ Carrying the Cross (panel from an altarpiece), 1400s, England, Nottingham, painted and gilded alabaster; 47 × 28.3 cm (18 1/2 × 11 1/8 inches)
- from Part I - The Holy and the Faithful
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- 11 May 2018
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20 - Leaf from a Cocharelli Treatise on the Vices, Acedia and Her Court, c. 1330, Genoa, ink, tempera, and gold on vellum; sheet 16.30 × 10.30 cm (6 3/8 × 4 inches)
- from Part II - The Sinful and the Spectral
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- The Middle Ages in 50 Objects
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19 - Engaged Capital with a Lion and a Basilisk, 1175–1200, Northern Italy, Emilia (Bologna?), marble; 30.20 × 33.00 × 29.25 cm (11 7/8 × 12 15/16 × 11 1/2 inches)
- from Part II - The Sinful and the Spectral
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- The Middle Ages in 50 Objects
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4 - Calyx (Chalice), 900s–1000s, Byzantium, Middle Byzantine, blood jasper (heliotrope) with gilt-copper mounts; h: 7.70 cm (3 inches)
- from Part I - The Holy and the Faithful
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- The Middle Ages in 50 Objects
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- 31 May 2018, pp 14-17
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23 - Zebo (Zecho) da Firenze, Grotesques from the Hours of Charles the Noble, c. 1404, France, folio 22, ink, tempera, and gold on vellum; codex 20.32 × 15.71 × 6.98 cm (8 × 6 1/8 × 2 11/16 inches)
- from Part II - The Sinful and the Spectral
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47 - Master of Guillebert de Mets and Workshop, The Last Judgment, Leaf from a Book of Hours, 1430s, Flemish, ink, tempera, and gold on vellum; 12.60 × 8.50 cm (4 15/16 × 3 5/16 inches)
- from Part IV - Death and Its Aftermath
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- The Middle Ages in 50 Objects
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45 - Master of Heiligenkreuz, Death of the Virgin, c. 1400, Austria, tempera and oil with gold on panel; 66.00 × 53.30 cm (25 15/16 × 20 15/16 inches)
- from Part IV - Death and Its Aftermath
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Reviews
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39 - Columbarium Tomb Plaque with the Monogram of Christ, 500–800, Spanish (Visigothic or Byzantine?), terracotta; 32.40 × 20.80 cm (12 3/4 × 8 3/16 inches)
- from Part IV - Death and Its Aftermath
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33 - Leaf Excised from Henry of Segusio’s Summa Aurea: Table of Consanguinity, c. 1280, France, Paris, ink, tempera, and gold on parchment; 44.20 × 27.50 cm (17 3/8 × 10 13/16 inches)
- from Part III - Daily Life and Its Fictions
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- The Middle Ages in 50 Objects
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- 31 May 2018, pp 134-137
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Acknowledgments
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Part II - The Sinful and the Spectral
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A Camel’s Pace: A Cautionary Global
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- Re-Assessing the Global Turn in Medieval Art History
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- 23 January 2021
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- 31 May 2018, pp 11-34
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38 - Time, from Chateau de Chaumont Set, 1512–1515, France, Lyon (?), silk and wool, tapestry weave; 321.80 × 452.00 cm (126 11/16 × 177 15/16 inches)
- from Part III - Daily Life and Its Fictions
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Abbreviations and Conventions
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15 - Curtain Panel with Scenes of Merrymaking, sixth century, Egypt, tapestry weave with supplementary weft wrapping, undyed linen and dyed wool; 144.20 × 26.70 cm (56 3/4 × 10 1/2 inches)
- from Part II - The Sinful and the Spectral
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The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century
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- Re-Assessing the Global Turn in Medieval Art History
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- 23 January 2021
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Part IV - Death and Its Aftermath
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