Abbreviations of journal titles follow the conventions of L’Année Philologique (Paris 1924–). Other abbreviations follow the Oxford Classical Dictionary (4th edn., 2012).
Adams, J. N. (1982) The Latin Sexual Vocabulary. Baltimore, Md.
Álvarez Morán, M. C. and R. M. Iglesias Montiel (2006) “Hécuba, «mater orba» (Ov. Met. XIII 399–575),” in «Koinòs lógos»: homenaje al profesor José García López, ed. E. Calderón Dorda, A. Morales Ortiz, and M. Valverde Sánchez. Murcia: 35–50.
Anderson, W. S. (ed.) (1972) Ovid’s Metamorphoses: Books 6–10. Norman, Okla.
Anderson, W. S. (1973) “The Heroides,” in Ovid, ed. J. Binns. Boston: 49–83.
Anderson, W. S. (1989) “Lycaon: Ovid’s deceptive paradigm in Metamorphoses 1,” ICS 14: 91–101.
Anderson, W. S. (ed.) (1997) Ovid’s Metamorphoses: Books 1–5. Norman, Okla.
Arcellaschi, A. (1990) Médée dans le théâtre latin d’Ennius à Sénèque. Rome.
Armstrong, R. (2006) Cretan Women: Pasiphae, Ariadne, and Phaedra in Latin Poetry. Oxford.
Auhagen, U. (1999) Der Monolog bei Ovid. Tübingen.
Auhagen, U. (2007) “Rhetoric in Ovid,” in A Companion to Roman Rhetoric, ed. W. J. Dominik and J. Hall. Malden, Mass.: 413–24.
Austin, R. G. (ed.) (1955) P. Vergili Maronis Aeneidos Liber Quartus. Oxford.
Bain, D. (1975) “Audience address in Greek tragedy,” CQ 25: 13–25.
Bain, D. (1977) Actors and Audience: A Study of Asides and Related Conventions in Greek Drama. Oxford.
Barchiesi, A. (1993) “Future reflexive: two modes of allusion and Ovid’s Heroides,” HSPh 95: 334–65.
Barchiesi, A. (1996) Review of Heinze 1903/1993. JRS 86: 229–31.
Barchiesi, A. (1997) “Endgames. Ovid’s Metamorphoses 15 and Fasti 6,” in Classical Closure: Reading the End in Greek and Latin Literature, ed. D. H. Roberts, F. M. Dunn, and D. Fowler. Princeton: 181–208.
Barchiesi, A. (ed.) (2005): See Ovidio, Metamorfosi, vol. i.
Barchiesi, A. and P. Hardie (2010) “The Ovidian career model: Ovid, Gallus, Apuleius, Boccaccio,” in Hardie and Moore (eds.), 59–88.
Barchiesi, A. and G. Rosati (eds.) (2007): See Ovidio, Metamorfosi, vol. ii.
Barkan, L. (1986) The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism. New Haven, Conn.
Barlow, S. A. (ed.) (1986) Euripides: Trojan Women. Warminster.
Barner, W. (1971) “Die Monodie,” in Die Bauformen der griechischen Tragödie, ed. W. Jens. Munich: 277–320.
Barrett, J. (2002) Staged Narrative: Poetics and the Messenger in Greek Tragedy. Berkeley, Calif.
Barrett, W. S. (ed.) (1964) Euripides: Hippolytus. Oxford.
Barsby, J. A. (ed.) (1973) Ovid’s Amores: Book I. Oxford.
Barsby, J. A. (1978) Ovid. Greece & Rome New Surveys in the Classics 12. Oxford.
Barsby, J. A. (1996) “Ovid’s Amores and Roman comedy,” PLLS 9: 135–57.
Bartel, H. and A. Simon (eds.) (2010) Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century. London.
Barton, C. (1992) The Sorrows of the Ancient Romans. Princeton.
Bartsch, S. (1994) Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian. Cambridge, Mass.
Bate, J. (1993) Shakespeare and Ovid. Oxford.
Beacham, R. C. (1992) The Roman Theatre and Its Audience. Cambridge, Mass.
Beacham, R. C. (1999) Spectacle Entertainments of Early Imperial Rome. New Haven, Conn.
Beare, W. (1965) The Roman Stage: A Short History of Latin Drama in the Time of the Republic. 3rd edn. London.
Benton, C. (2003) “Bringing the other to center stage: Seneca’s Medea and the anxieties of imperialism,” Arethusa 36: 271–84.
Bessone, F. (ed.) (1997) P. Ovidii Nasonis Heroidum Epistula XII: Medea Iasoni. Florence.
Bilinski, B. (1957) Accio ed i Gracchi: Contributo alla storia della plebe e della tragedia romana. Rome.
Binroth-Bank, C. (1994) Medea in den Metamorphosen Ovids: Untersuchungen zur ovidischen Erzähl- und Darstellungsweise. Frankfurt am Main.
Bloch, D. J. (2000) “Ovid’s Heroides 6: preliminary scenes from the life of an intertextual heroine,” CQ 50: 197–209.
Boedeker, D. (1997) “Becoming Medea: assimilation in Euripides,” in Clauss and Johnston (eds.), 127–48.
Bolton, M. C. (2009) “Gendered Spaces in Ovid’s Heroides,” CW 102: 273–90.
Bömer, F. (ed.) (1969–86) P. Ovidius Naso: Metamorphosen. 8 vols. Heidelberg.
Bömer, F. (1969) Vol. i. Buch i–iii.
Bömer, F. (1976a) Vol. ii. Buch iv–v.
Bömer, F. (1976b) Vol. iii. Buch vi–vii.
Bömer, F. (1977) Vol. iv. Buch viii–ix.
Bömer, F. (1980) Vol. v. Buch x–xi.
Bömer, F. (1982) Vol. vi. Buch xii–xiii.
Bömer, F. (1986) Vol. vii. Buch xiv–xv.
Bond, G. W. (ed.) (1981) Euripides: Heracles. Oxford.
Bonner, S. F. (1949) Roman Declamation in the Late Republic and Early Empire. Berkeley, Calif.
Booth, J. (ed.) (1991) Ovid: Amores II. Warminster.
Boyd, B. W. (ed.) (2002) Brill’s Companion to Ovid. Leiden.
Boyle, A. J. (1997) Tragic Seneca: An Essay in the Theatrical Tradition. London and New York.
Boyle, A. J. (2006) An Introduction to Roman Tragedy. London and New York.
Braund, D. (1993) “Dionysiac tragedy in Plutarch, Crassus,” CQ 43: 468–74.
Brown, M. P. (ed.) (1984) Lucretius: De Rerum Natura I. Bristol.
Brown, S. A. (1999) The Metamorphosis of Ovid: From Chaucer to Ted Hughes. New York.
Burian, P. (1997) “Myth into muthos: the shaping of tragic plot,” in Easterling (ed.), 178–208.
Bushnell, R. W. (ed.) (2005) A Companion to Tragedy. Malden, Mass.
Buxton, R. (2010) “How Medea moves: versions of a myth in Apollonius and elsewhere,” in Bartel and Simon (eds.), 25–38.
Cahoon, L. (1998) “Myrrha’s tears: Roman epic in performance,” American Philological Association. 130th Annual Meeting. Washington, D.C.
Calder, W. M. (1966) “A reconstruction of Sophocles’ Polyxena,” GRBS 7: 31–56.
Calder, W. M. (1974) “Sophocles’ Tereus: a Thracian tragedy,” Thracia ii: 87–91.
Cameron, A. (1968) “The second edition of Ovid’s Amores,” CQ 18: 320–33.
Campbell, D. A. (ed.) (1982). Greek Lyric Poetry. 2nd edn. Bristol.
Camps, W. A. (ed.) (1961–7) Propertius: Elegies. 4 vols. Cambridge.
Camps, W. A. (1961) Vol. i. Book i.
Camps, W. A. (1965) Vol. iv. Book iv.
Camps, W. A. (1966) Vol. iii. Book iii.
Camps, W. A. (1967) Vol. ii. Book ii.
Carucci, M. (2010) “The representation of Medea in the Roman house,” in Bartel and Simon (eds.), 53–65.
Casali, S. (1995a) “Strategies of tension (Ovid, Heroides 4),” PCPhS 41: 1–15.
Casali, S. (1995b) “Tragic irony in Ovid, Heroides 9 and 11,” CQ 45: 505–11.
Casanova-Robin, H. (2009) “Canacé, une héroïne tragique? (Ovide, Hér. XI),” in Jouteur (ed.), 53–66.
Cheney, P. (1997) Marlowe’s Counterfeit Profession: Ovid, Spenser, Counter-nationhood. Toronto.
Cheney, P. (2002) “‘Jog on, jog on’: European career paths,” in Cheney and de Armas (eds.), 3–23.
Cheney, P. (2004) Shakespeare, National Poet-Playwright. Cambridge.
Cheney, P. (2010) “Did Shakespeare have a literary career?” in Hardie and Moore (eds.), 160–78.
Cheney, P. and F. A. de Armas (eds.) (2002) European Literary Careers: The Author from Antiquity to the Renaissance. Toronto.
Clauss, J. J. (1993) The Best of the Argonauts: The Redefinition of the Epic Hero in Book 1 of Apollonius’ Argonautica. Berkeley, Calif.
Clauss, J. J. and S. I. Johnston (eds.) (1997) Medea: Essays on Medea in Myth, Literature, Philosophy, and Art. Princeton.
Clay, J. S. (2011) Homer’s Trojan Theater: Space, Vision, and Memory in the Iliad. Cambridge.
Coleman, K. M. (1990) “Fatal charades: Roman executions staged as mythological enactments,” JRS 80: 44–73.
Collard, C. (1975) “Medea and Dido,” Prometheus 1: 131–51.
Collard, C. (1981) Euripides. Greece & Rome New Surveys in the Classics 14. Oxford.
Collard, C. (ed.) (1991) Euripides: Hecuba. Warminster.
Conte, G. B. (1985) Memoria dei poeti e sistema letterario: Catullo, Virgilio, Ovidio, Lucano. Turin.
Conte, G. B. (1986) The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets. Ithaca, NY.
Conte, G. B. (1994a) Genres and Readers: Lucretius, Love Elegy, Pliny’s Encyclopedia. Baltimore, Md.
Conte, G. B. (1994b) Latin Literature: A History. Baltimore, Md., and London.
Costa, C. D. N. (ed.) (1973) Seneca: Medea. Oxford.
Courtney, E. (ed.) (1993) The Fragmentary Latin Poets. Oxford.
Cowan, R. (2010) “A stranger in a strange land: Medea in Roman republican tragedy,” in Bartel and Simon (eds.), 39–52.
Csapo, E. and W. J. Slater (eds.) (1995) The Context of Ancient Drama. Ann Arbor, Mich.
Cunningham, M. P. (1949) “The novelty of Ovid’s Heroides,” CP 44: 100–6.
Curley, D. (1999) “Metatheater: Heroines and Ephebes in Ovid’s Metamorphoses.” PhD diss. University of Washington, Seattle.
Curley, D. (2003) “Ovid’s Tereus: theater and metatheater,” in Sommerstein (ed.), 163–97.
Currie, H. MacL. (1981) “Ovid and the Roman stage,” ANRW 2.31.4: 2701–42.
Curtius, E. R. (1953) European Literature and the Latin Middle Ages. New York.
Dangel, J. (2009) “Tragédie et élégie en interface dans l’oeuvre ovidienne: essai sur les frontières génériques,” in Jouteur (ed.), 21–39.
D’Anna, G. (1959) “La tragedia latina arcaica nelle Metamorfosi,” in Atti del convegno internazionale Ovidiano, vol. ii, 217–34. Rome.
D’Anna, G. (ed.) (1967) M. Pacuvii Fragmenta. Rome.
Davies, M. (ed.) (1988) Epicorum Graecorum Fragmenta. Göttingen.
Davies, M. (ed.) (1991) Sophocles: Trachiniae. Oxford.
Davis, P. J. (1995) “Rewriting Euripides: Ovid, Heroides 4,” Scholia n.s. 4: 41–55.
Denniston, J. D. and D. L. Page (eds.) (1957) Aeschylus: Agamemnon. Oxford.
Depew, M. and D. Obbink (eds.) (2000) Matrices of Genre: Authors, Canons, and Society. Cambridge, Mass., and London.
Diggle, J. (ed.) (1981–94) Euripidis Fabulae. 3 vols. Oxford.
Dodds, E. R. (ed.) (1960) Euripides: Bacchae. 2nd edn. Oxford.
Dué, C. (2006) The Captive Woman’s Lament in Greek Tragedy. Austin, Tex.
Due, O. S. (1974) Changing Forms: Studies in the Metamorphoses of Ovid. Copenhagen.
Easterling, P. E. (1997) “From repertoire to canon,” in Easterling (ed.), 211–27.
Easterling, P. E. (ed.) (1997) The Cambridge Companion to Greek Tragedy. Cambridge.
Enterline, L. (2000) The Rhetoric of the Body from Ovid to Shakespeare. Cambridge.
Erasmo, M. (2004) Roman Tragedy: Theatre to Theatricality. Austin, Tex.
Ernout, A., A. Meillet, and J. André (eds.) (2001) Dictionnaire étymologique de la langue latine: histoire des mots. 4th edn., revised. Paris.
Faider, P. (1922) “Sénèque De ira 1.1.4 et la Médée d’Ovide,” Musée Belge 27: 131–3.
Fantham, E. (ed.) (1982) Seneca’s Troades. Princeton.
Fantham, E. (2004) The Roman World of Cicero’s De Oratore. Oxford.
Farrell, J. (1998) “Reading and writing the Heroides,” HSPh 98: 307–38.
Farrell, J. (2002) “Greek lives and Roman careers in the classical Vita tradition,” in Cheney and de Armas (eds.), 24–46.
Farrell, J. (2004) “Ovid’s Virgilian career,” MD 52: 41–55.
Feeney, D. C. (1987) “Following after Hercules, in Virgil and Apollonius,” PVS 18: 47–85.
Feeney, D. C. (1991) The Gods in Epic: Poets and Critics of the Classical Tradition. Oxford.
Feldherr, A. (1997) “Metamorphosis and sacrifice in Ovid’s Theban narrative,” MD 38: 25–55.
Feldherr, A. (2002) “Metamorphosis in the Metamorphoses,” in Hardie (ed.), 163–79.
Feldherr, A. (2010) Playing Gods: Ovid’s Metamorphoses and the Politics of Fiction. Princeton.
Fitzpatrick, D. (2001) “Sophocles’ Tereus,” CQ 51: 90–101.
Fordyce, C. J. (ed.) (1961) Catullus: A Commentary. Oxford.
Fowler, D. (2000) “The didactic plot,” in Depew and Obbink (eds.), 205–19.
Fowler, R. L. (1987) “The rhetoric of desperation,” HSPh 91: 5–38.
Fränkel, H. F. (1945) Ovid, a Poet between Two Worlds. Berkeley, Calif., and Los Angeles.
Fulkerson, L. (2002) “(Un)Sympathetic magic: a study of Heroides 13,” AJPh 123: 61–87.
Fulkerson, L. (2005) The Ovidian Heroine as Author: Reading, Writing, and Community in the Heroides. Cambridge.
Furneaux, H. (ed.) (1939) Opera Minora. Oxford.
Galinsky, G. K. (1972) “Hercules Ovidianus (Metamorphoses 9, 1–272),” WS n.s. 6: 93–116.
Galinsky, G. K. (2003) “Greek and Roman Drama and the Aeneid,” in Myth, History, and Culture in Republican Rome: Studies in Honour of T. P. Wiseman, ed. D. Braund and C. Gill. Exeter: 275–94.
Gentili, B. (1979) Theatrical Performances in the Ancient World: Hellenistic and Early Roman Theater. Amsterdam.
Gibert, J. C. (1997) “Euripides’ Hippolytus plays: which came first?” CQ 47: 85–97.
Gildenhard, I. and A. Zissos. (1999) “‘Somatic economies.’ Tragic bodies and poetic design in Ovid’s Metamorphoses,” in Hardie, Barchiesi, and Hinds (eds.), 162–81.
Gildenhard, I. and A. Zissos. (2000) “Ovid’s Narcissus (Met. 3.339–510): echoes of Oedipus,” AJPh 121: 129–47.
Gildenhard, I. and A. Zissos (2007) “Barbarian variations: Tereus, Procne and Philomela in Ovid (Met. 6.412–674) and beyond,” Dictynna 4: 1–25.
Glare, P. G. W. (ed.) (1982) Oxford Latin Dictionary. Oxford.
Goldberg, S. M. (1996) “The fall and rise of Roman tragedy,” TAPhA 126: 265–86.
Goldberg, S. M. (2005) Constructing Literature in the Roman Republic: Poetry and Its Reception. Cambridge.
Graf, F. (2002) “Myth in Ovid,” in Hardie (ed.), 108–21.
Gratwick, A. S. (1982) “Drama,” in The Cambridge History of Classical Literature II: Latin Literature, ed. E. J. Kenney and W. V. Clausen. Cambridge: 77–137.
Gregory, J. (ed.) (2005) A Companion to Greek Tragedy. Malden, Mass.
Gruen, E. (1996) Studies in Greek Culture and Roman Policy. Berkeley, Calif.
Habinek, T. (2002) “Ovid and empire,” in Hardie (ed.), 46–61.
Hall, F. W. and W. Geldart (eds.) (1906) Aristophanis Comoediae. 2 vols. Oxford.
Halleran, M. R. (ed.) (1995) Euripides: Hippolytus. Warminster.
Halleran, M. R. (1997) “It’s not what you say: unspoken allusions in Greek tragedy?” MD 39: 151–63.
Halliwell, S. (ed.) (1995) Aristotle: Poetics. Cambridge, Mass., and London.
Hammond, N. G. L. and H. H. Scullard (eds.) (1970) The Oxford Classical Dictionary. 2nd edn. Oxford.
Hardie, P. (1990) “Ovid’s Theban history: the first ‘anti-Aeneid’?” CQ 40: 224–35.
Hardie, P. (1995) “Virgil’s epic techniques: Heinze ninety years on,” CP 90: 267–76.
Hardie, P. (1997) “Virgil and tragedy,” in Martindale (ed.), 312–26.
Hardie, P. (2002) “Ovid and early imperial literature,” in Hardie (ed.), 34–45.
Hardie, P. (ed.) (2002) The Cambridge Companion to Ovid. Cambridge.
Hardie, P. (2004) “Ovidian middles,” in Kyriakidis and De Martino (eds.), 151–82.
Hardie, P. and H. Moore (eds.) (2010) Classical Literary Careers and Their Reception. Cambridge.
Hardie, P., A. Barchiesi, and S. Hinds (eds.) (1999) Ovidian Transformations: Essays on Ovid’s Metamorphoses and Its Reception. Cambridge.
Harrison, E. L. (1972–3) “Why did Venus wear boots? Some reflections on Aeneid i, 314f.” PVS 12: 10–25.
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Heinze, T. (ed.) (1997) Der XII. Heroidenbrief: Medea an Jason; mit einer Beilage: Die Fragmente der Tragödie “Medea.” Mnemosyne Supplementum 170. Leiden and New York.
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Hinds, S. (1987a) “Generalising about Ovid,” Ramus 16: 4–31.
Hinds, S. (1987b) The Metamorphosis of Persephone: Ovid and the Self-conscious Muse. Cambridge.
Hinds, S. (1993) “Medea in Ovid: scenes from the life of an intertextual heroine,” MD 30: 9–47.
Hinds, S. (1998) Allusion and Intertext: Dynamics of Appropriation in Latin Poetry. Cambridge.
Hinds, S. (1999) “After exile: time and teleology from Metamorphoses to Ibis,” in Hardie, Barchiesi, and Hinds (eds.), 48–67.
Hinds, S. (2000) “Essential epic: genre and gender from Macer to Statius,” in Depew and Obbink (eds.), 221–44.
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Hunter, R. L. (1993) The Argonautica of Apollonius: Literary Studies. Cambridge.
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