- Cited by 6
-
Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Foroutan, Aida 2017. “Art is a Sincere Martyrdom”: Circumventing Censorship by Encryption in the Work of Alireza Espahbod. Iranian Studies, Vol. 50, Issue. 6, p. 895.
Messaoudi, Alain Boissier, Annabelle Gillet, Fanny and Yavuz, Perin Emel 2017. Visual arts. Contextualizing our perspectives. Revue des mondes musulmans et de la Méditerranée, p. 142.
Messaoudi, Alain Boissier, Annabelle Gillet, Fanny and Yavuz, Perin Emel 2017. Arts Visuels. Contextualiser nos regards. Revue des mondes musulmans et de la Méditerranée,
Hashemi C., Kate 2018. Divergent Identities in Iran and the Appropriation of Trans Bodies. Kohl: A Journal for Body and Gender Research, Vol. 4, Issue. Winter, p. 139.
Keshmirshekan, Hamid 2023. History Haunting the Present: Re-Interpreting the Truth in Contemporary Art of Iran. Arts, Vol. 12, Issue. 2, p. 45.
Rezanezhad Pishkhani, Golnesa and De Backer, Mattias 2024. The Micro-Politics of Artistic Production among Artists with a Migration Background. Social Sciences, Vol. 13, Issue. 6, p. 281.
- Publisher:
- Anthem Press
- Online publication date:
- May 2013
- Print publication year:
- 2013
- Online ISBN:
- 9780857282941
- Series:
- Anthem Middle East Studies