Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- 31 Alternative Cultural Projects and Their Histories
- 32 Ediciones Vigía and the Cultural Legacies of Matanzas
- 33 The Fiction of Cuba’s Special Period
- 34 Critique and Decentralization in Cuban Film After 1989
- 35 The Temporality of Twentieth- and Twenty-First-Century Cuban Theater
- 36 The Long Reach of Haiti in Cuban Literature
- 37 Cuban Afterlives of the Cuban and Angolan Revolutions
- 38 Anti-Exceptionalism in Detective Fiction, Speculative Fiction, and Graphic Novels
- 39 Cuban Women’s Writing at the Turn of the Millennium
- 40 Queering the Revolution and Its Diasporas
- 41 The Performance Art of Global Cuba
- 42 Twenty-First-Century Cuban Film and Diaspora
- 43 Cuba’s Poetic Imaginary (1989–2020)
- 44 Prose Narratives from Cuban America
- 45 Cuban Theater of the Diaspora in the United States
- Epilogue
- Select Bibliography
- Index
- References
43 - Cuba’s Poetic Imaginary (1989–2020)
from Part V - Cuba and Its Diasporas into the New Millennium
Published online by Cambridge University Press: aN Invalid Date NaN
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- 31 Alternative Cultural Projects and Their Histories
- 32 Ediciones Vigía and the Cultural Legacies of Matanzas
- 33 The Fiction of Cuba’s Special Period
- 34 Critique and Decentralization in Cuban Film After 1989
- 35 The Temporality of Twentieth- and Twenty-First-Century Cuban Theater
- 36 The Long Reach of Haiti in Cuban Literature
- 37 Cuban Afterlives of the Cuban and Angolan Revolutions
- 38 Anti-Exceptionalism in Detective Fiction, Speculative Fiction, and Graphic Novels
- 39 Cuban Women’s Writing at the Turn of the Millennium
- 40 Queering the Revolution and Its Diasporas
- 41 The Performance Art of Global Cuba
- 42 Twenty-First-Century Cuban Film and Diaspora
- 43 Cuba’s Poetic Imaginary (1989–2020)
- 44 Prose Narratives from Cuban America
- 45 Cuban Theater of the Diaspora in the United States
- Epilogue
- Select Bibliography
- Index
- References
Summary
This chapter addresses key currents in Cuban poetry, on and off the island, from 1989 to 2020, a body of work rich in experimentalism and in dialogue with the coloquialista [conversationalist] poetics that characterized earlier postrevolutionary poetry. Synthesizing the work of numerous poets, the chapter demonstrates that, with the disillusionment that accompanied the disintegration of the Socialist Bloc, poets such as Marilyn Bobes, Soleida Ríos, and the influential and award-winning Reina María Rodríguez were at the forefront of antiheroic representations and of reinvigorating philosophical thought through their lyrical work. The chapter also explores the embrace of detotalization, deterritorialization, intertextuality, and hybridity, contributing to forms of radical rupture in the poetry of Juan Carlos Flores, Omar Pérez, and Legna Rodríguez Iglesias, as well as the postmodern strategies, reflections on the act of writing, and new identitarian sites found in the work of Caridad Atencio and the group of seven Black poets/creators calling themselves “El Palenque.”
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- The Cambridge History of Cuban Literature , pp. 673 - 691Publisher: Cambridge University PressPrint publication year: 2024