25 results
5 - Uncovered Grave
- from Part I - Creative Processes
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- Book:
- The Cambridge Companion to Composition
- Published online:
- 25 May 2024
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- 30 May 2024, pp 77-88
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The Cambridge Companion to Women Composers
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- Published online:
- 23 May 2024
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- 30 May 2024
Chapter 28 - The Piano
- from Part V - The Music of Debussy’s Time
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- Book:
- Debussy in Context
- Published online:
- 23 May 2024
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- 23 May 2024, pp 258-268
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5 - Amy Beach’s Keyboard Music
- from Part II - Profiles of the Music
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- Book:
- The Cambridge Companion to Amy Beach
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- 19 October 2023
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- 02 November 2023, pp 71-92
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The Cambridge Companion to Amy Beach
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- Published online:
- 19 October 2023
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- 02 November 2023
Two - Principles of Design and Construction
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- Book:
- A History of Stringed Keyboard Instruments
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- 03 April 2022
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- 21 April 2022, pp 32-141
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Chapter 33 - Britten’s Performers: Those Most ‘Instrumental’
- from Part IV - Wordsmiths, Designers, and Performers
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- Book:
- Benjamin Britten in Context
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- 31 March 2022
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- 21 April 2022, pp 292-300
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Chapter 31 - Pears as Illuminator, Interpreter, and Inspiration
- from Part IV - Wordsmiths, Designers, and Performers
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- Book:
- Benjamin Britten in Context
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- 31 March 2022
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- 21 April 2022, pp 272-282
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Chapter 4 - Touch: Transmission, Contact, Connection
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- Book:
- Music and the Queer Body in English Literature at the Fin de Siècle
- Published online:
- 15 April 2022
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- 14 April 2022, pp 138-174
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13 - Clara Schumann’s Legacy As a Teacher
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- Book:
- Clara Schumann Studies
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- 25 November 2021
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- 02 December 2021, pp 271-291
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6 - ‘Completely Absorbed by the Piano’
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- Book:
- Beethoven's Symphonies Arranged for the Chamber
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- 21 May 2021
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- 10 June 2021, pp 193-234
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Chapter 2 - The Queering of Musical Instruments
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- Book:
- E. M. Forster and Music
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- 22 April 2021
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- 27 May 2021, pp 48-74
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Chapter 3 - Leokadiya Kashperova and Stravinsky: The Making of a Concert Pianist
- from Part I - Russia and Identity
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- Book:
- Stravinsky in Context
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- 03 December 2020
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- 17 December 2020, pp 24-33
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Chapter 6 - Harps and Pepperpots, Songs and Pianos: Music and Irish Poetry
- from Part II - Transitions
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- Book:
- Irish Literature in Transition, 1780–1830
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- 28 February 2020
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- 12 March 2020, pp 122-147
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The Piano-Industry Workforce in Mid-Victorian England: a Study of the 1881 Census
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- Journal:
- Royal Musical Association Research Chronicle / Volume 46 / 2015
- Published online by Cambridge University Press:
- 02 January 2020, pp. 95-158
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Key Workers: Toward an Occupational History of the Private Music Teacher in England and Wales, c.1861–c.1921
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- Journal:
- Royal Musical Association Research Chronicle / Volume 47 / 2016
- Published online by Cambridge University Press:
- 02 January 2020, pp. 145-172
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Personal Take: - Augmenting Musical Performance
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- Book:
- The Cambridge Companion to Music in Digital Culture
- Published online:
- 30 August 2019
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- 19 September 2019, pp 193-196
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Part II - Identities, Environments and Influences
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- Book:
- Brahms in Context
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- 15 May 2019
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- 09 May 2019, pp 69-184
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Part III - Performance and Publishing
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- Book:
- Brahms in Context
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- 15 May 2019
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- 09 May 2019, pp 185-256
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Chapter 9 - As Pianist
- from Part II - Identities, Environments and Influences
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- Book:
- Brahms in Context
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- 15 May 2019
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- 09 May 2019, pp 80-87
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