In the 5th c. BCE, Rome is understood to have experienced a moment of transition. Scholars highlight evidence for warfare absent widespread triumph, social conflict within Rome, and regional disruption in established power dynamics, trade networks, and material cultures. Despite a revised understanding of the period, wherein narratives of decline were superseded by those of transformation, the long century after the purported fall of monarchy, especially in its middle and later portions, remains segregated in scholarship from the Archaic period and Middle Republic. This article seeks to reframe the moment as integral to events both before and after it. By way of an examination of material remains of architectural projects, I argue that disciplinary preferences for periodization, a Rome-centered historical telos, and hierarchical material taxonomies have manufactured an absence of remains and activity, and I suggest that the field categorically moves away from these practices.

Marble provenance studies in archaeology have become increasingly popular in recent decades. This has resulted in a large quantity of analytical data becoming available for archaeological marbles. This article presents the results of a quantitative study of the distribution of white marble in the Mediterranean based on an analysis of the available provenance data for the Roman period. The study shows increased distribution of white marble between the late 1st c. BCE and the end of the 2nd c. CE. A decline in distribution from the 3rd c. CE was less abrupt than traditionally believed and shows object-, material-, and region-specific trajectories. The marble distribution data is finally evaluated within a wider socio-economic frame, considering factors such as the marble trade system and broader Roman economy, changes in cultural practices related to statue erection, importance of reuse and recycling, growing ruralization, and reduced interest of the elite in urban capital investment in the later Roman periods.

This article looks at different strategies in which authoritarianism operated in relation to the redesign of Skopje during the rule of the conservative party VMRO-DPMNE and its leader Nikola Gruevski. It argues that the promoters of the urban project called “Skopje 2014” relied on a set of nondemocratic mechanisms and involvement and coordination of various individuals and institutions on all levels to implement and legitimize the project and expand its political dominance. These ranged from state-driven mechanisms and urban design strategies to contributions of non-state groups, thus demonstrating a systematic effort behind the makeover of Skopje. Examining the project through the concept of authoritarianism, the article goes beyond (methodological) nationalism to understand the complexity of the revamp of North Macedonia’s capital. It also demonstrates how the party used its ideological principles to leave its enduring mark on Skopje’s urban environment. Additionally, the article points out the need to study urban space politics in the context of hybrid and competitive authoritarian regimes.

In the nineteenth century, caryatids saw an unprecedented renaissance in European architecture. This article explores the cultural history of these female column-statues in nineteenth- and early-twentieth-century Europe. The focus is on central Europe, and three cities—Berlin, Frankfurt am Main, and Vienna—play a particularly important role in this exploration. Through a reading of historical, visual, and literary sources, the article probes how these statues came to embody, on both a material and a metaphorical level, the social aspirations and societal rifts that marked the bourgeois age. The nexus, real and imagined, between caryatids and Jews is particularly illustrative here. In tracing antagonistic and largely forgotten discourses, the article seeks to shed light on a larger subject that is still underexplored: the complex entanglement of architecture, religion, and race in the long nineteenth century.

The wealth of settlement evidence has supposed a decisive difference between prehistoric archaeology of the Mediterranean compared to that of Central Europe. This situation has changed substantially during recent years due to large scale rescue excavations carried out in central and eastern Germany. Individual houses as well as large settlement complexes have been systematically recorded and can now be dated to the Late Neolithic and Early Bronze Age. The catalogue of all ground plans discovered up to 2019 in the federal states of Saxony, Saxony-Anhalt, and Thuringia has recently been published as a supplementary volume of the proceedings of the conference ‘Late Neolithic and Early Bronze Age Settlement Archaeology’, held in Halle (Saale) in October 2018. Based on the geographical distribution, shape, size, orientation, and dating of the more than 240 building ground plans, the present study examines the architecture and settlement development of the Corded Ware and Bell Beaker communities, as well as of the Únětice complex, between the rivers Saale and Elbe. This analysis offers new insight into the way of life of the first full metalworking societies of central Germany from the 3rd and first half of the 2nd millennium bce, which so far have mainly been approached through their outstanding, but numerically limited, funerary remains and hoards.

In the pursuit of modernization, professors of architecture have adopted methods of teaching and professional practices which colonize building epistemes as exclusively European intellectual property, derived from scientific techniques. Students of architecture in the African academy are aware of this colonial bias, which encourages them to unlearn and to forget their African built environment heritage, and they are calling for inclusive reformed curriculums. Using okà, an Èkpèyè multidimensional, organic, aesthetic, discursive approach to celebrations and to solving complex problems as an example, Elleh advocates for integrated curriculums that approach the discipline without the ordering/othering distinctions between indigenous and modern built environment knowledge.

This article draws on the notion of collective memory to address the experience of urban space in antiquity. Focusing on Timgad in the Severan period as a case study, it mainly engages with the city plan and its streets, the public buildings that lined them, and their honorific inscriptions. Based on top-down and bottom-up processes, it highlights how the built landscape was staged to create a memory of the urban space and its development, but also how the inhabitants themselves were able to contribute to fostering this memory through everyday urban practices.

This article investigates the development of urbanism and architecture at the site of Sala (Chellah), from the end of the first century BC to the latter half of the second century AD. By looking at the transformations in the town's civic centre from the Mauretanian to Roman imperial period, the aim is to assess how the layout and function of public spaces and buildings were reshaped to respond to new ideas of monumentality. A range of research methodologies are applied to address this question, including architectural, archival, and archaeological analyses, as well as the use of 3D digital modelling. The case study of Sala is of particular importance, as it shows how certain pre-Roman monuments were kept in use within new public contexts, and how imperial-style, urban and architectural features were introduced in the town as part of trends that can be recognized across North Africa and the Roman Empire more broadly.

Colonised societies often continue traditional practices in private contexts whilst adopting new forms of ritual in public. Excavations at the Mam centre of Chiantla Viejo in highland Guatemala, however, reveal a more complex picture. Combining archaeological evidence with early colonial documents, the author identifies a revival of Indigenous Maya religion following the Spanish conquest (AD 1525–1550). Despite appearing in colonial records as Christian converts, the Maya directed a sequence of destruction, reconstruction and remodelling of the monumental core of Chiantla Viejo to evoke the landscape of their ancestral settlement of Zaculeu. The results emphasise the importance of public spaces for the persistence of Indigenous religion in early colonial settings.

Research on hardened daub fragments provides highly relevant data on the building activities of past societies. Unfortunately, in many cases these elements are not considered relevant research objects, resulting in a very important loss of information for archaeology. There is still a long way to go in the studies of earth building remains, the vast majority of which have focused on assemblages coming from specific sites. Likewise, a good number of these studies carried out from a macroscopic approach either have not published the methodology used or barely offer some considerations about it. This article approaches the methodological procedures for their analysis through direct observation, while hoping to contribute to making these remains more visible and to facilitate and promote their study. This methodological proposal can be applicable to materials of different composition and from very different contexts, chronologies, and origins.

This paper examines the story, hitherto neglected by scholarship, of the antiquarian artist and architect John Buckler (1770–1851) through a remarkable cache of his letters at the Bodleian Library. Most of the letters relate to Buckler’s attempts to be elected a Fellow of the Society of Antiquaries. Having twice been blackballed in 1808 and 1809, he canvassed Britain’s leading antiquarian figures for support. With the blackballing of the architect James Wyatt in 1797 frequently alluded to, Buckler’s blackballing was the result of a cabal against him led by Sir Joseph Banks and Samuel Lysons, which had to do with both factionalism – ie his closeness to the preservationist faction led by Richard Gough and John Carter, termed the Carter school – and the Society’s onslaught against professionals. His eventual success in 1810 institutionalised his practice, allowed him entry into polite society and brought him closer to aristocratic patronage. The remainder of the Bodleian letters relate to Buckler’s topographical work recording medieval buildings across the UK, showing how he took on the revisionist medievalist project promoted by the Carter school. The article will explain Buckler’s role in the developing discourses of antiquarianism and the Gothic Revival, and how his association with the Carter school laid the foundations for the work of the Buckler dynasty. Over three generations, in line with the family name (meaning ‘to protect’), they sought to embody the idea of the architect-antiquary as a protector.