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7 - Most of My Sheroes Don’t Appear on a Stamp: Contextualising the Contributions of Women Musicians to the Progression of Jazz
- from Part II - Women in Popular Music
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- Book:
- The Cambridge Companion to Women in Music since 1900
- Published online:
- 17 April 2021
- Print publication:
- 06 May 2021, pp 103-118
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Blue Rhythm Fantasy: Big Band Arranging in the Swing Era. By John Wriggle. Urbana: University of Illinois Press, 2016.
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- Journal:
- Journal of the Society for American Music / Volume 13 / Issue 2 / May 2019
- Published online by Cambridge University Press:
- 04 June 2019, pp. 234-236
- Print publication:
- May 2019
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Ruth Feldstein, How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement (New York: Oxford University Press, 2013), ISBN 978-0-19-531403-8 (hb).
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- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 274-279
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Mary Lou Williams: Selected Works for Big Band. Edited by Theodore E. Buehrer. Music of the United States of America, Vol. 25. Recent Researches in American Music, Vol. A74. Middleton, WI: A-R Editions, 2013.
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- Journal:
- Journal of the Society for American Music / Volume 9 / Issue 1 / February 2015
- Published online by Cambridge University Press:
- 04 February 2015, pp. 136-140
- Print publication:
- February 2015
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Big Ears: Listening for Gender in Jazz Studies. Ed. Nichole T. Rustin and Sherrie Tucker. Durham, NC: Duke University Press, 2008.
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- Journal:
- Journal of the Society for American Music / Volume 7 / Issue 2 / May 2013
- Published online by Cambridge University Press:
- 23 May 2013, pp. 206-208
- Print publication:
- May 2013
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“I Wish I Knew How It Would Feel to Be Free”: Nina Simone and the Redefining of the Freedom Song of the 1960s
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- Journal:
- Journal of the Society for American Music / Volume 2 / Issue 3 / August 2008
- Published online by Cambridge University Press:
- 18 July 2008, pp. 295-317
- Print publication:
- August 2008
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