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Choral Fantasies
- Music, Festivity, and Nationhood in Nineteenth-Century Germany
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- 05 October 2012
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- 05 April 2012
Choral Fantasies - Title page
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- Choral Fantasies
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- 05 April 2012, pp iii-iii
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Acknowledgements
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- Choral Fantasies
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Notes to the text
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- Choral Fantasies
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- 05 April 2012, pp 199-246
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Contents
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Illustrations
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Introduction
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3 - Prophet and populace in Liszt’s “Beethoven” cantatas
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- Choral Fantasies
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- 05 April 2012, pp 68-109
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4 - Songs and states in Brahms’sTriumphliedand Wagner’sKaisermarsch
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- Choral Fantasies
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- 05 April 2012, pp 110-162
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2 - Memory and multiplicity in Felix Mendelssohn’s “Gutenberg” works
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- Choral Fantasies
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- 05 April 2012, pp 33-67
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Copyright page
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Index
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- 05 April 2012, pp 273-275
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Bibliography
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- 05 April 2012, pp 247-272
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1 - Choral fantasies from Beethoven to theVormärz
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- Choral Fantasies
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- 05 April 2012, pp 8-32
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5 - Occasions and nations in Brahms’sFest- und Gedenksprüche
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- Choral Fantasies
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- 05 April 2012, pp 163-198
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Choral Fantasies - Half title page
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- 05 April 2012, pp i-ii
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When did German Music Lose its Innocence?
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- Journal of the Royal Musical Association / Volume 133 / Issue 2 / 2008
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- 01 January 2020, pp. 334-352
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- 2008
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Dieter Borchmeyer, Drama and the World of Richard Wagner, trans. Daphne Ellis (Princeton: Princeton University Press, 2003). x+391 pp. James Treadwell, Interpreting Wagner (New Haven: Yale University Press, 2003). xix+304 pp.
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- Cambridge Opera Journal / Volume 18 / Issue 1 / March 2006
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- 07 June 2006, pp. 109-118
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- March 2006
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Wagner's last chorus: Consecrating space and spectatorship in Parsifal
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- Cambridge Opera Journal / Volume 17 / Issue 1 / March 2005
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- 08 June 2005, pp. 1-36
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- March 2005
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