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Chapter 12 - Received into Dance? Parthenius’ Erōtika Pathēmata in the Pantomime Idiom
- from Part IV - Multimedia and Intercultural Receptions in the Second Sophistic and Beyond
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- Book:
- Reception in the Greco-Roman World
- Published online:
- 05 June 2021
- Print publication:
- 27 May 2021, pp 293-318
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INCREDVLVS ODI: HORACE AND THE SUBLITERARY AESTHETIC OF THE AUGUSTAN STAGE
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- Journal:
- The Cambridge Classical Journal / Volume 65 / December 2019
- Published online by Cambridge University Press:
- 19 March 2019, pp. 84-112
- Print publication:
- December 2019
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Authorial Voice and Theatrical Self-definition in Terence and Beyond: The Hecyra Prologues in Ancient and Modern Contexts
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- Journal:
- Greece & Rome / Volume 51 / Issue 1 / April 2004
- Published online by Cambridge University Press:
- 05 April 2006, pp. 55-82
- Print publication:
- April 2004
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Neoptolemus and the bow: ritual thea and theatrical vision in Sophocles' Philoctetes
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- Journal:
- The Journal of Hellenic Studies / Volume 117 / November 1997
- Published online by Cambridge University Press:
- 23 February 2012, pp. 179-183
- Print publication:
- November 1997
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‘Empathic understanding’: emotion and cognition in classical dramatic audience-response
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- Journal:
- Proceedings of the Cambridge Philological Society (Second Series) / Volume 39 / 1994
- Published online by Cambridge University Press:
- 28 February 2013, pp. 94-140
- Print publication:
- 1994
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