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Compositional Procedure in Machaut's ‘Hoquetus David’
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- Royal Musical Association Research Chronicle / Volume 16 / 1980
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- 01 January 2020, pp. 99-109
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Listening and Responding to the Evidence of Early Twentieth-Century Performance
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- Journal of the Royal Musical Association / Volume 135 / Issue S1 / 2010
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- 01 January 2020, pp. 45-62
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- 2010
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Notes
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- The Cambridge Companion to Recorded Music
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- 28 September 2011
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- 26 November 2009, pp 305-328
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10 - Recordings and histories of performance style
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- 28 September 2011
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- 26 November 2009, pp 246-262
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Introduction
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- The Cambridge Companion to Recorded Music
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- 26 November 2009, pp 1-9
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Frontmatter
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- The Cambridge Companion to Recorded Music
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- 28 September 2011
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- 26 November 2009, pp i-xviii
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Index
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- The Cambridge Companion to Recorded Music
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- 26 November 2009, pp 349-359
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Discography
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- 26 November 2009, pp 345-348
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Bibliography
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- The Cambridge Companion to Recorded Music
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- 28 September 2011
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- 26 November 2009, pp 329-344
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The Cambridge Companion to Recorded Music
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- 28 September 2011
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- 26 November 2009
The Codex J.II.9, Torino, Biblioteca Nazionale Universitaria: Facsimile Edition. Introductory study by Isabella Data and Karl Kügle. Ars Nova 4. Lucca: Libreria Musicale Italiana, 1999. 448 pp. ISBN 88 7096 158 3
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- Plainsong & Medieval Music / Volume 10 / Issue 1 / April 2001
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- 15 June 2001, pp. 91-101
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- April 2001
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The facsimile revived: a review and a reflection - Ed. Arlt Wulf Rankin Susan. Stiftsbibliothek Sankt Gallen Codices 484 and 381. Winterthur: Amadeus, 19963 volumes in a slipcase: 329, 91, 262 pp. ISBN 3 905049 67 8. - Ed.Ike de loos Charles Downey and Ruth Steiner LJtrecht, Bibliotheek der Rijksuniversiteit MS 406 (3.J.7).. Publications of Mediaeval Musical Manuscripts 21. Ottawa: Institute of Mediaeval Music, 1997. liii + 260 pp. ISBN 1 896926 03 7 Charles Downey, An Utrecht Antiphoner … Printouts from an Index in Machine-Readable Form. Musicological Studies LV/6. Ottawa: Institute of Mediaeval 1997. xx + 220 pp. ISBN 1 896926 05 3. - Ed.Martin Staehlin. Die mittelalterliche Musik-Handschrift W1: Vollständge Reproduktion des ‘Notre Dame’ -Manuskripts der Herzog August Billiothek Wolfenbüttel Cod. Guelf. 628 Helmst. Wolfenbütteler Mittelalter-Studien 9. Wiesbaden: Harrassowitz Verlag, 1995. 470 pp. ISBN 3 447 03779 2. - Ed.Maria Carmen Góme Muntané. Polifonía de la Corona de Aragón Siglos XIV y XV: Ars Nova de la Corona de Aragón. Polifoní Aragonesa VIII. ZaragozaInstitución ‘Fernando el Católico’, 1993. 104 pp. ISBN 88 7820 167 X. - Ed.Agostino Ziino.Ii Codice T.III.2, Torino, Biblioteca Nazionale Universitaria. Ars Nova 3. LuccaLibreria Musicale Italiana, 1994. 190 pp. ISBN 88 7096 034 X. - Ed.Eugeen Schreurs. An Anthology of Music Fragments from the Low Countries (Middle Ages – Renaissance): Polyphony, Monophony and Slate Fragments in Facsimile.. LeuvenAlamire, 1995. xxiv + 136 pp. ISBN 90 6853 107 7. - Ed.David Fallows Oxford, Bodleian Library, s. Cannin. Misc. 213. Late Medieval and Early Renaissance Music in Facsimile 1. ChicagoChicago University Press, 1995. 362 pp. ISBN 0 226 23706 0. - Musical Codex Huelgas Reales Monastery (Burgos): Documentation for the facsimile edition. Madrid: Testimonio Compañia Editorial and Patrinionio Nacional, n.d. Brochure and sample pages.
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- Plainsong & Medieval Music / Volume 8 / Issue 2 / October 1999
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- 12 September 2008, pp. 177-184
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- October 1999
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Aversa parverse?
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- Plainsong & Medieval Music / Volume 6 / Issue 1 / April 1997
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- 12 September 2008, pp. 17-19
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- April 1997
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Le Voir Dit: a reconstruction and a guide for musicians1
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- Plainsong & Medieval Music / Volume 2 / Issue 2 / October 1993
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- 12 September 2008, pp. 103-140
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- October 1993
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Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of MacHaut
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- Plainsong & Medieval Music / Volume 2 / Issue 1 / April 1993
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- 12 September 2008, pp. 43-73
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- April 1993
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Voices and Instruments of the Middle Ages - Christopher Page, Voices and Instruments of the Middle Ages: Instrumental Practice and Songs in France 1100–1300. London, Dent, 1987. xi + 316 pp. ISBN 0 460 04607 1.
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- Journal of the Royal Musical Association / Volume 113 / Issue 1 / 1988
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- 01 January 2020, pp. 129-131
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- 1988
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Philippe De Vitry
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- Journal of the Royal Musical Association / Volume 112 / Issue 2 / 1987
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- 01 January 2020, p. 355
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- 1987
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Stanley Boorman, ed., Studies in the Performance of Late Mediaeval Music. Cambridge, Cambridge University Press, 1983. xvi + 282 pp.
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- Early Music History / Volume 4 / October 1984
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- 05 December 2008, pp. 347-355
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- October 1984
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Related Motets from Fourteenth-Century France
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- Proceedings of the Royal Musical Association / Volume 109 / 1982
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- 01 January 1982, pp. 1-22
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- 1982
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