23 results
Drama and Digital Arts Cultures. By David Cameron, Michael Anderson and Rebecca Wotzko. London: Bloomsbury Methuen Drama, 2017. Pp. 332. £75/$102 Hb; £28.99/$39.95 Pb.
-
- Journal:
- Theatre Research International / Volume 45 / Issue 2 / July 2020
- Published online by Cambridge University Press:
- 24 June 2020, pp. 223-224
- Print publication:
- July 2020
-
- Article
- Export citation
Dark Matter: Invisibility in Drama, Theater, and Performance. By Andrew Sofer. Ann Arbor: The University of Michigan Press, 2013. Pp. 229. $75 Hb; $29.95 Pb.
-
- Journal:
- Theatre Research International / Volume 40 / Issue 1 / March 2015
- Published online by Cambridge University Press:
- 06 February 2015, pp. 130-131
- Print publication:
- March 2015
-
- Article
- Export citation
Performance, Technology, & Science. By Johannes Birringer. New York: PAJ, 2008. Pp. 338. £16.68/$24.95 Pb.
-
- Journal:
- Theatre Research International / Volume 35 / Issue 2 / July 2010
- Published online by Cambridge University Press:
- 27 May 2010, pp. 205-206
- Print publication:
- July 2010
-
- Article
- Export citation
Closer: Performance, Technologies, Phenomenology. By Susan Kozel. Cambridge, MA: The MIT Press, 2008. Pp. 362. $35/£22.95 Hb.
-
- Journal:
- Theatre Research International / Volume 35 / Issue 1 / March 2010
- Published online by Cambridge University Press:
- 27 January 2010, pp. 87-88
- Print publication:
- March 2010
-
- Article
- Export citation
Absolute Wilson: The Biography. By Katharina Otto-Bernstein. München: Prestel, 2006. Pp. 272 + 621 illus. £45/$75 Hb
-
- Journal:
- Theatre Research International / Volume 32 / Issue 3 / October 2007
- Published online by Cambridge University Press:
- 01 October 2007, pp. 330-331
- Print publication:
- October 2007
-
- Article
- Export citation
Theatrical Events: Borders – Dynamics – Frames. Edited By Vicky Ann Cremona, Peter Eversmann, Hans van Maanen, Willmar Sauter and John Tulloch. Amsterdam and New York: Rodopi, 2004. Pp. 398. €85;$106 Hb; €29/$36 Pb
-
- Journal:
- Theatre Research International / Volume 31 / Issue 1 / March 2006
- Published online by Cambridge University Press:
- 10 February 2006, pp. 108-109
- Print publication:
- March 2006
-
- Article
- Export citation
Theatricality. Edited by Tracy C. Davis and Thomas Postlewait. Cambridge and New York: Cambridge University Press, 2004. Pp. xi + 243. £40.00 Hb; £16.99 Pb
-
- Journal:
- Theatre Research International / Volume 30 / Issue 1 / March 2005
- Published online by Cambridge University Press:
- 09 May 2005, pp. 103-104
- Print publication:
- March 2005
-
- Article
- Export citation
Strip Show: Performances of Gender and Desire. By Katherine Liepe-Levinson. London & New York: Routledge, 2002. Pp. ix + 256 + illus. $15.99 Pb
-
- Journal:
- Theatre Research International / Volume 28 / Issue 2 / July 2003
- Published online by Cambridge University Press:
- 26 June 2003, pp. 220-221
- Print publication:
- July 2003
-
- Article
- Export citation
The Theatrical Event: Dynamics of Performance and Perception. By Willmar Sauter. Iowa City: University of Iowa Press, 2000. Pp. x + 272 + illus. $42.95 Hb.
-
- Journal:
- Theatre Research International / Volume 28 / Issue 1 / March 2003
- Published online by Cambridge University Press:
- 17 February 2003, pp. 96-121
- Print publication:
- March 2003
-
- Article
- Export citation
Site-Specific Art: Performance, Place and Documentation. By Nick Kaye. London and New York: Routledge, 2000. Pp. xviii + 238. $16.99 Pb.
-
- Journal:
- Theatre Research International / Volume 27 / Issue 1 / March 2002
- Published online by Cambridge University Press:
- 14 February 2002, pp. 97-119
- Print publication:
- March 2002
-
- Article
- Export citation
Decomposition: Post-Disciplinary Performance. Edited by Sue-Ellen Case, Philip Brett and Susan Leigh Foster. Bloomington: Indiana University Press, 2000. Pp. 225. £26.95 Hb; £13.50 Pb.
-
- Journal:
- Theatre Research International / Volume 26 / Issue 3 / October 2001
- Published online by Cambridge University Press:
- 10 October 2001, pp. 294-315
- Print publication:
- October 2001
-
- Article
- Export citation
Postmodern / Drama: Reading the Contemporary Stage. By Stephen Watt. Ann Arbor: The University of Michigan Press, 1998; pp. viii + 220, $ 42.50 hardcover.
-
- Journal:
- Theatre Survey / Volume 42 / Issue 1 / May 2001
- Published online by Cambridge University Press:
- 01 August 2001, pp. 111-113
- Print publication:
- May 2001
-
- Article
- Export citation
The Radical in Performance: Between Brecht and Baudrillard. By Baz Kershaw. London: Routledge, 1999. Pp. xiv + 252, illus. £16.99; $24.99 Pb.
-
- Journal:
- Theatre Research International / Volume 25 / Issue 3 / Autumn 2000
- Published online by Cambridge University Press:
- 23 January 2009, pp. 303-304
- Print publication:
- Autumn 2000
-
- Article
- Export citation
The Defamiliarization of a Significant Phenomenon
-
- Journal:
- Theatre Research International / Volume 25 / Issue 1 / Spring 2000
- Published online by Cambridge University Press:
- 23 January 2009, pp. 74-85
- Print publication:
- Spring 2000
-
- Article
- Export citation
Liveness: Performance in a Mediatized Culture. By Philip Auslander. London & New York: Routledge, 1999. Pp. x + 179. $12.99 Pb.
-
- Journal:
- Theatre Research International / Volume 25 / Issue 1 / Spring 2000
- Published online by Cambridge University Press:
- 23 January 2009, pp. 98-99
- Print publication:
- Spring 2000
-
- Article
- Export citation
The Theatre of Heiner Müller. By Jonathan Kalb. Cambridge: Cambridge University Press, 1998. Pp. xix + 255 + illus. £40; $59.95 Hb.
-
- Journal:
- Theatre Research International / Volume 24 / Issue 2 / Summer 1999
- Published online by Cambridge University Press:
- 23 January 2009, pp. 222-223
- Print publication:
- Summer 1999
-
- Article
- Export citation
Theatre of Chaos: Beyond Absurdism Into Orderly Disorder. By William W. Demastes. Cambridge: Cambridge University Press, 1998; pp 190. 18 illustrations. $54.95 hardcover.
-
- Journal:
- Theatre Survey / Volume 39 / Issue 2 / November 1998
- Published online by Cambridge University Press:
- 21 October 2010, pp. 148-150
- Print publication:
- November 1998
-
- Article
- Export citation
The Theatre of Robert Wilson (Directors in Perspective). By Arthur Holmberg. Cambridge: Cambridge University Press, 1997. Pp. xix + 229 + illus. £37.50; $49.95 Hb.
-
- Journal:
- Theatre Research International / Volume 23 / Issue 3 / Autumn 1998
- Published online by Cambridge University Press:
- 23 January 2009, pp. 291-292
- Print publication:
- Autumn 1998
-
- Article
- Export citation
Performance: A Critical Introduction. By Marvin Carlson. London and New York: Routledge, 1996; pp. 247. $17.95 paper. - The Future of Ritual: Writings on Culture and Performance. By Richard Schechner. London and New York: Routledge, 1996 (first published in hardcover in 1993); pp. 283. $17.95 paper.
-
- Journal:
- Theatre Survey / Volume 38 / Issue 2 / November 1997
- Published online by Cambridge University Press:
- 07 July 2009, pp. 217-222
- Print publication:
- November 1997
-
- Article
- Export citation
Meyerhold, Eisenstein and Blomechanics: Actor Training in Revolutionary Russia. By Alma Law & Mel Gordon. Jefferson, NC and London: McFarland, 1996. Pp. xii + 282. $42.50 Hb.
-
- Journal:
- Theatre Research International / Volume 22 / Issue 3 / Autumn 1997
- Published online by Cambridge University Press:
- 23 January 2009, pp. 268-269
- Print publication:
- Autumn 1997
-
- Article
- Export citation